I am a fan of Emmanuel Todd, and I like cats, so, this:
Found it here, via someone or other on Twitter (to whom deepest thanks).
The new class struggle of which Todd apparently speaks is between French intellectuals and cats.
I am a fan of Emmanuel Todd, and I like cats, so, this:
Found it here, via someone or other on Twitter (to whom deepest thanks).
The new class struggle of which Todd apparently speaks is between French intellectuals and cats.
Here.
Tim Dunn tweeted the two photos below as a before/after pair.
Before:
After:
Before being how Wells Cathedral used once upon a time to look, and After being after the Puritans had got rid of all the colouring in, and had added a couple of towers.
In my mind, I connect the idea that medieval cathedrals used to be riots of colour, which seems to be true, in addition to being an attractive idea to many (me included), with the idea that many new and recent buildings might benefit from a similar sort of process in reverse. In short, brightening up.
Here’s the sort of thing I mean:
I downloaded that photo from the www, but then lost where I had found it and couldn’t find it again. Nevertheless, there it is, the Sydney Opera House, lit up with what look like Aboriginal type graphics.
I also came across a French medieval cathedral lit up in colour like old Wells Cathedral
Which is all good, but such a thing only works well at night.
Actual paint, on the other hand, is permanent, and good luck persuading those who have got used to plain stone colour that they should instead get used to a highly controversial version of what their cathedral might have been like in the past.
Time for someone to invent magic electronic paint. This is the sort of paint which you can slap on just like regular paint, except that it is transparent, like varnish. But this varnish is different, because it consists of a billion tiny mass produced little magic spheres which, when activated by a magic message from afar, can light up in whatever colour you want. You sit down with your computer and Photoshop in lots of colours, and then you switch it on. Voila! It looks like it used to, before the Puritans went all puritanical with the first lot of paint. But, it’s only temporary so the grumblers who would have grumbled very obstructively will only grumble a bit and not enough to stop it. More Photoshopping means that you can switch to a totally different colour scheme, just by switching another switch.
Soon, all the now ugly concrete monstrosities will be covered in this magic paint, and the world will become a more colourful and much better place. Patent pending.
There I was, sitting in a window seat of a Ryanair 737-800, trying and pretty much failing to photo photos out of the window. But I did succeed in photoing this photo:
When I looked at this photo again, I wondered just exactly what that elongated rectangular bit in the middle was, surrounded by darkness, that looks like a word spelt out in an unfamiliar alphabet? I cranked up Google Maps, and searched, all around Stansted. Nothing. The key to it was that highly idiosyncratic motorway intersection at the top. Couldn’t find it anywhere, until I started casting the net wider, and I found it, way out west of London, where the M4 and the M25 cross.
It was here:
There really is no doubt about it. All the details fit. The rectangle of weird lettering is Heathrow Airport. At first I thought this was going to be another mystery posting, for Commenter Chuck or Commenter Alastair to solve. But, no need. Already solved.
So, Ryanair planes fly from France to Stansted, right over Heathrow. I guess the airplanes landing at and taking off at Heathrow are way too low to be bothered about airplanes like the one I was in.
Here:
Alternative title: Five Concordes sniffing the arse of another Concorde. A Twitter commenter agrees.
As someone once said about a battleship: “This is how to waste public money.”
One of my most lasting regrets is that I never photoed Concorde, even though my first digital camera predated its demise.
Not ordinary things.
Yes they do. Here are some I photoed on my recent trip to their country:
And here is a particularly interesting motorbike specimen, which I spotted inside a shop in Perpignan:
You see what they did there? They put a classic motorbike next to one of the great design classics of the twentieth century, the Barcelona Chair. What this says to me is: This motorbike is a work of art also. My photos are not works of art, on account of unwanted reflections, but they make the point I’m making well enough.
The best motorbike I encountered, and photoed with its owner’s proud permissions, was this one, photoed right at the end of my stay, while being driven back to Carcassone Airport:
The nearest thing to this bike I could find on the www was this. Not a perfect match, but an exact match on the colour scheme front.
I like to think that the French see something philosophical, Sartrian, existentialist, in their bikes. What with you riding a motorbike, today could be your last day alive! So climb on your bike and find your true self! Or something. I put this or something like it to a friend earlier this evening, and she said maybe they like bikes because unlike us lot here, they have roads which you can really ride motorbikes on properly. Sadly, I think that makes more sense.
I love this photo:
For all the reasons he says, and particularly because of (see above) the turquoise bits on the left as we look.
And this lighthouse photo is pretty nice too. Again with the crashing waves.
Although, question. The acronym “RBOSS” signifies the excessive use of photo-editing to beef up photo-colours to absurd levels of colourfulness. And I also hate this. I always try to leave colours just as they came out of the camera. But what actual words do the letters R, B, O, S and S actually stand for?
I love it when this kind of thing happens:
Except of course when it happens to one of the teams I support. Which it didn’t because this was earlier this morning in Australia’s Big Bash League, and who cares who wins that? Well, a few Australians I suppose.
I thought of calling this posting 647, but I reckon that would be one puzzle too many for non-cricket-obsessives.
In proper cricket, South Africa have followed on against England, but it’s now raining. Tune into that here. Although, if you care you’ll already know that, and if you don’t care you won’t care.
In earlier versions of this posting I counted the numbers and wickets wrongly. Sorry. But then again, not that sorry.
This is great advice:
Wallsend in 1963 by Colin Jones. If you are a young photographer who is just starting out remember to photograph the ordinary things in life, eventually time will make them extraordinary.
Got this from my Twitter feed. Twitter is not only bile and stupidity. It depends who you are following. I follow some photoers. That they typically have different political opinions to me is, for me, a feature rather than a bug, because I see into other political minds.
Happy Birthday is the worse song there is, because you only ever hear it sung by people who would never, never otherwise attempt choral singing. But this song, they do attempt, with a combination of extreme shitness and the excruciating embarrassment that comes with everyone knowing that they are perpetrating extreme shitness upon one another. This ghastly song reaches its nadir of ghastliness with that high note towards the end: Happy Birthday dear … whoever. Ghastly. Totally, totally ghastly. I have never heard Happy Birthday not sung ghastlily.
And then came last night. Last night I attended GodDaughter2’s birthday party, here. GodDaughter2 is studying how to sing, at the Royal College of Music, and so were the majority of those also present at the party. Oh, there were some civilians present, but the heart of it was singers. So there I was just sitting there, spouting rubbish to some poor defenceless singer, who had to listen to me because I am GodDaughter2’s Godfather, when, guess what: Happy Birthday starts up, behind me. I do not turn to look, thank goodness, because I am a very poor judge of singing when I am looking at it being sung. I just listen. And as soon as it gets under way, I realise that, for once, the Happy Birthday bit at the end is going to be sung not just non-shittily, but actually well, really well. So I don’t just enjoy that bit when it finally arrives, I am able to relish beforehand how good it was going to be. It was the opposite, in other words, of how Happy Birthday usually happens, when all present know beforehand how shit it will be, especially the last bit. and then have to listen to how shit that last bit especially duly is.
So Happy Birthday last night was … well, St Matthew Passion, eat your heart out. It was glorious. The high note was nailed to perfection by all who attempted it, and there were also harmonies. And I did not see this coming. I had forgotten all about Happy Birthday. It all happened in a rush. And when something that is usually ghastly is instead glorious, the glory is at least twice as glorious.
The entire party was, so far as I could judge after one champagne and two pints of lager (to get how that would be for you, multiply by three – I have a low alcohol threshold): really good. But even if the only thing about it that was good had been Happy Birthday, it would still have been great to have been there.