Ferrari sighting

While out-and-about on other business further in the middle of London even than my home is, I photoed this little Thing On Wheels:

This was in Bedford Street (as you can just about make out), which is just off the Strand. So far so ordinary. Some brand of “smart” car, presumably.

But when I got home, I looked more closely at this photo, and could just about make out … this:

I didn’t see this logo at the time. I merely noticed it in the original photo, of which the above is a crop-and-expand.

Unless I was mistaken, the Ferrari logo! The Ferrari horse. Was this bod taking the piss? Had he stuck this Ferrari horse logo on his little red Dinky Toy for some sort of laugh?

This is the twenty first century, and questions like this can be quickly answered.

Apparently this was indeed a Ferrari Smart Car. (He’s not happy about this either.) Different Smart Car, Ferrari logo in the exact same spot. The cars must have come with this logo attached, and must accordingly be “real” Ferraris. Not real Ferraris, you understand. Real Ferraris can drive under articulated lorry trailers at 200 mph. What I saw and photoed was just a Dinky Toy car perpetrated by the Ferrari company in what must have been a quite prolonged fit of insanity, which I presume still continues. Talk about pissing all over your own brand.

Like I say, I like real Ferraris, which I suppose we must now call Ferrari Dumb Cars, driven by the spoilt children of the nouveau riche. The bloke in my photo looks more like an Extinction Rebel or some such thing. i.e. the sort of person who’d be totally opposed to real Ferraris. Which he may well be.

In the course of my googling, I discovered an entire internet subculture of photo-manipulators eager to take the piss out of this abominable little contraption.

Staircases, big red numbers, and … trees!

My evening just got a bit more complicated, me having just been invited to what sounds like a rather enticing event. So, quota photo time:

That was photoed on the same photo-expedition as those other sixteen tree photos that I showed you yesterday, and photoed after all the other ones had been. And look, trees! So I called it “TreesInMarch2020-17.jpg”, the earlier ones being TreesInMarch2020-01.jpg to TreesInMarch2020-16.jpg. Which worked out well.

The building we are looking at is to be seen from the downstream half of the two spikey footbridges, the ones with railways in between, and looking towards the north side of the River, past Embankment Tube. I keep meaning to track down exactly what building it is, who lives there, works there, etc. But a rule of blogging is: if you can’t say everything, something will suffice, especially if you are a trivia blogger, as I mostly am.

I especially like the big red numbers.

Trees and other Things

I’ve not being doing much out-and-abouting lately. But yesterday the weather looked good and I managed a photo-expedition. My odyssey was a familiar one. I walked past the Channel 4 TV headquarters building to Victoria Street, checked out the progress of The Broadway. (That seems to e its name, by the way. It’s not One Broadway or Ten Broadway, just The Broadway.) Then I walked down Victoria Street to Westminster Abbey and Parliament Square, and then across Westminster Bridge and along the South Bank, and then back across the River to Embankment Tube and home again.

But I knew there’d be new stuff to see, or maybe old stuff that I had seen many times before but not noticed. Stuff like … trees. Here are sixteen of the photos I photoed, involving trees:

Trees look as they do, especially when uninterrupted by leaves, not because trees naturally look like that, but because a not-that-small and very full-time army of tree barbers and tree surgeons (that being the word they prefer), caused them to be so. Every twist and turn of a branch is a decision made by someone wielding a chainsaw (this time click on “Gallery”) or commanding someone wielding a chainsaw. If trees ever do grow “naturally”, that too is a string of decisions that someone made and went on making. Every tree in London is a clutch of design decisions.

And as I say, no leaves. Which means that other things were to be seen also. The Broadway, the Wheel, the Crimea statue, stuff around Parliament Square (much of it smothered in scaffolding), the Wheel from closer up, Big Ben (smothered in scaffolding), the sign outside Foyles saying “FOYLES”, a big puddle, and so forth and so on. Lovely.

Violinist outside Westminster Abbey

This afternoon. Given what he was doing, and given that I put £2 in his violin case, I hope you agree that him being totally recognisable is okay, although I have no idea who he is:

He looks happy.

I seem to recall he was playing the Londonderry Air.

Behind him, you can just about make out two of the flagpoles in Parliament Square, and behind them, Portcullis House.

Silencing the many voices

I am in the habit of opening windows, each window with lots of open tabs, and of leaving them all open. Pocket (thank you again 6k) has been a life saver, because I can now close a tab and still have a record of it. But even then, I still tend to have a lot of tabs open, so much so that every now and again, Google seizes up and has to be restarted. At which point I get the magic option, if I’m lucky, to “restore” all the windows and tabs I had open when the seizure struck. Well, I want these tabs open, or why would they all be open? So, I duly restore.

At which point, if my loudspeakers have not been silenced, there begins a babble of voices, caused by several tabs immediately starting to talk. I’d paused them, but when they get restored, they forget about being paused. Or something. (If I perfectly understood all this, I probably wouldn’t have a problem.) The problem being, there are so many tabs open that I find it very hard to track down all these babbling voices. Recently, I have been switching my discretionary attention from television to things like YouTube and podcasts of various sorts. That has made all this far worse.

Now, as I type this into BMNBdotcom, I have managed to find and to silence all but one of these voices, but that one voice is persisting. I can’t find it. Until I do, the only way to silence it will be to silence everything. So I can’t listen to any other sound my computer is capable of producing, without this voice talking over the top of it.

My search continues. I’m not expecting any answers, but I would love it if some passing commenter could solve this for me.

Steven Pinker: “Don’t confuse pessimism with profundity …”

See the world through Pinker-tinted spectacles than you may be inclined to:

Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don’t confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas.

My sentiments exactly.

That’s to be read on page 452 of my paperback edition of Enlightenment Now, Pinker’s most recent book.

Meanwhile:

Those were a couple of the day before yesterday’s headlines. Let’s hope it soon becomes yesterday’s news. Problems are, as Pinker says, solvable, and let’s hope this one too is soon sorted.

Pinker is particularly aware of the way that the news is in the habit of putting a pessimistic spin on everything. If it bleeds it leads, and so on. Good news, meanwhile, creeps up on the world more gradually.