An old photo of a Robert Burns statue

I didn’t know until now that London had a statue of Robbie Burns, but apparently so:

How did I learn about this? I learned it from my photo-archives. I photoed this statue on August 29th 2008. The statue is one of several in Victoria Palace Gardens, a stretch of greenery-with-statues just downstream from Embankment tube station. Having photoed that photo, I gave it no more thought at all, from then on. Until now.

Partly it’s just that I quite like that photo, despite the over-brightness of the white building in the background. My camera then gave me rather mixed results.

But it is also, of course, that now is a time when statues are all over the news. Maybe Robert Burns, Sottish poet of yesteryear, will get involved. He must have said a few things that the Black Lives Matter people would disapprove of, it they were told about it. As they might well be told, by people trying to make problems for the Scottish Nationalists.

In other statue news, I see that Gandhi is now getting the treatment from the protesters. He said very un-woke things about black people when he lived in South Africa, but I suspect that what the people organising this demonstration really hate about Gandhi is that he is a Hindu hero, and the wokists are pro-Islam and consequently also anti-Hindu.

Get your fake-photos Rendaroed

So I open up Guido Fawkes to see what political bullshit is happening (that posting being an example of Guido at his considerable best) and top right, there’s an advert for something along the lines of (it’s gone now so I cannot be exact) “3D renderings of 2D architectural plans”. Having long wondered about who does all those fake-photos, like the ones that I like to stick up here from time to time, such as the ones in this earlier posting here about a possible new City of London concert hall. (I wonder how that’s coming along.) So, I click on the advert, and find my way to Rendaro.

Here is a fake-photo example of their work:

What I would really like (Google?) would be an advert by an enterprise which which 3D prints 3D models from 2D architectural plans, and better still, somewhere I could go and take a personal look at such 3D models. And where I could photo them.

But meanwhile, these fake-photos are a fascinating fact about modern life, and especially modern architectural life. They mean that both architects and designers can see what they are cooking up even as they do their cooking (the design equivalent of sticking your finger in the stew and sucking it), and all manner of onlookers can look over the shoulders of the designers, and also see what’s being cooked up. People like me can see London’s Big Things coming, years before they’re actually built, while still having time for a life doing other things besides.

However, the very ease with which these 3D renderings can be churned out has the paradoxical consequence that, unless you are paying very careful attention (that is, unless paying such attention is your full-time (see above) job) you can never be sure what will actually end up getting built. I, for instance, constantly image-google for some London Big Thing that I happen to hear about which is in the planning permission pipeline, and I immediately get half a dozen different visual versions of it, each recording a particular stage that the design went through while they were trying to get decide what they wanted and then trying to get permission for it from the politicians.

Which means, strangely, that the only way that you can be sure how a new London Big Thing will actually end up looking is to go there and actually look at it when they’re actually building it, and see if there are any fake-photos of what they’re actually doing on the outside of the actual fence around the actual site. Failing that, you just have to wait and see. See, that is, the actual Thing itself.

An even more portable e-scooter

This, the WalkCar, looks promising:

Promising because it is so very portable.

WalkCar is a small wheeled plate that is fitted with four wheels and an electric motor that takes the ship forward. It weighs only 2.9 kg and is about the size of a small 13-inch laptop PC, giving it the portability to fit in a bag. It is therefore very easily transportable anywhere. Besides, the vehicle height is just 74mm above the ground (about the width of a smartphone); its flat and square standing surface allows you to step off instantly in any direction safely.

This device is not at all cheap. $1,800. Which is much too much. But if this gadget catches on, as it surely might, that price will fall.

As with the regular e-scooter, the WalkCar will take a bit of getting used to, by other WalkCar users and by the rest of us. But, one to watch.

I have already speculated here that the end point of this story will be when shoes double up as transport. When not using these (I am, for now, calling them PowShoos), you can carry them on your feet! WalkCar has the look, to me, of a big stride in that direction.

As of now, this WalkCar is much slower that regular e-scooters, and has much less of a range. But again, those variables will surely improve. The lack of speed may even aid its acceptance by other road users, most especially pedestrians, who are already now tormented by lawless cyclists.

I’ll say it again. This is the big transport story now, not robot cars. Think of it as the motorisation and miniaturisation of Shanks’s Pony.

Pigeon scarers in focus – Strata out of focus and in focus

I am now wrestling with the writing of a potential Samizdata piece about The Riots, so here, by way of fending off a day of oblivion here are some quota photos.

First, a favourite photo of mine photoed several years ago, of a surveillance camera with some anti-pigeon spikes on it, just next to the south end of Waterloo Bridge:

I think you can see how such spikes wouldn’t protect statues very satisfactorily from pigeon shit. Like I said, towards the end of this, someone should invent a miniature electronic version of this, which would freak out pigeons but be invisible.

Note how, above, the Strata (the one with the three holes at the top) is clearly identifiable, even though hopelessly out of focus. As is Strata in this next photo, which I photoed yesterday, from a bus, through one of its windows:

This is a key test of a Big Thing. Can you still tell what it is when out of focus? If no, then it’s not a Big Thing. Strata is. (What with it also being Big enough.)

And here is the Strata photo I photoed of Strata about one second later, with the focus now working, again through the same bus window:

That may be it here until tomorrow. If I don’t see you again today, or even if I do, have a nice today.

A rather clumsy attempted solution to the unprotected bike problem

In my various earlier postings about e-scooters, I mentioned the fundamental problem of bikes for getting around on. Because bikes are so big and clumsy to take with you everywhere, bikers must constantly leave their bikes unattended, which means they regularly get damaged and/or stolen.

This afternoon, while out-and-about out in south-east London, I encountered and photoed a very partial answer to the bike protection problem:

I’m guessing that how this works is that you have a special key that lets you into this contraption, to insert or remove your bike.

Setting aside the sheer bother and expense of this thing, the bigger problem is that your bike problem is not typically confined to one spot. The problem follows you. Wherever you go, you may want to get shot of your bike for a while, and bam, sooner or later it gets wrecked or nicked. At least with hired bikes, there is a choice of places to abandon the bike. With this thing, you need to hire a whole new metal tend for each spot you might want to stop at. No. Comments telling me otherwise would be most welcome, but as of now, I just don’t think this works.

If, despite my grumbles, you want to investigate further, I took (see the photo on the right of the above three) a photo-note of the website to go to.

Roz Watkins “in the front rank of British crime writers”

About three weeks ago, I mentioned the latest DI Meg Dalton book, and its author (also my niece) Roz Watkins.

The Daily Mail just gave Cut To The Bone, which comes out this month, this glowing review:

TWO years ago, I warmly welcomed DI Meg Dalton in Watkins’ debut. Now in her third outing, she has developed into a memorable detective with attitude, pounding Derbyshire’s Peak District with commendable fortitude.

A young social media star — famous for cooking sausages on a barbecue wearing only a bikini — goes missing from her job at an abattoir on a summer’s night.

Traces of blood and hair are found in one of the pig troughs, but there is no sign of the victim. Has she been killed?

Even more importantly, what on earth was she doing working in an abattoir in the first place?

Have animal rights protesters harmed her, or is there something more sinister at work? Has she fallen prey to the ghost of the Pale Child who, legend has it, announces death if once seen?

Subtly plotted, and with a delicate sense of place, it confirms Watkins in the front rank of British crime writers.

Strong stuff, especially that last bit.

Lockdown chat with Patrick

On June 2nd, Patrick Crozier and I had another of our recorded conversations, this time about Lockdown.

In the course of this, I refer to a photo that I did take, and a photo that I didn’t take. The photo that I did take was this:

That being me, and another bloke, recording the fact of empty shelves in Sainsburys. The photo that I didn’t take, but talk about with Patrick, is the one I should also have taken of how the shelves laden with less healthy food – crisps, chocky bickies etc. – were crammed with yet-to-be-sold stuff, a lot of it offered at discount prices.

Patrick, in his posting about this chat, mentions something he thought of afterwards but didn’t say during, which is that what may have been going on with the crisps and bickies was not that people were shunning unhealthy food, but rather that they were shunning party food, on account of there suddenly being no parties being had. Good point. In my photo above, you can see in the distance, the drinks section. Plenty of drink still to be had also.

I remember, when I used to do chat radio, I used to regret not having said things I should have said, either because I had them in mind but forgot, or because I only thought of them afterwards. But, in due course, I realised that what mattered was what I did say. If that was reasonably intelligent and reasonably well put, then I did okay. People wouldn’t say: Ooh, but he forgot to mention blah blah. They would merely decide whether they liked, or not, what I did say.

Well, this time around, I think there was a huge elephant in the virtual room that we didn’t discuss, which I am sure some listeners would expect us to have at least mentioned. Sport. As in: There hasn’t been any! Patrick and I are both sports obsessives. He is a Watford fan. But he has had no Premier League relegation battle to warm his heart during the last few months. I love cricket, not just England but also Surrey. Likewise for me: nothing, despite some truly wonderful weather at a time when it’s often very grim. But, not a single sporting thing, other than ancient sportsmen reminiscing about sports contests of yesteryear on the telly. Yet we never mentioned any of that. Since a lot of the point of our chat wasn’t to yell at politicians and scientists, hut rather just to remember the oddities of our own lives now, this was a major omission. We talked, as we always do whether that’s the actual topic or not, about war, this time in connection with the question of which economic policy attitudes will prevail during whatever attempts at an economic recovery start being made in the months to come. Yet sport, the thing that has replaced war in so many people’s lives, got no mention by us.

The shocking brutality of nature?

Via SS-W, this video of two cats having a disagreement.

I think the winner shows magnanimity in victory. It could have been far more brutal.

Churchill boarded up

So there I’ve been, quietly photoing statues, for all kinds of trivial reasons, such as: that they can be relied upon to stay still; and: they won’t make a scene about being photoed. And now, all of a sudden, statues are news:

I got that photo from Guido Fawkes. Apparently this is how Winston Churchill is now looking. Memo to self: check this out.

Reflections from One New Change

Rootling through the photo-archives, as I have been doing a lot lately, I came across a directory devoted to One New Change, and the views out over London you can photo from it.

Views like this:

Clear enough. Sky, very clear.

But then, I came upon this photo:

Weird. It’s some kind of reflection, obviously, but what it is reflected in? What was I doing to get that? I set the problem to one side and forgot about it.

But then, a few weeks later I think, I went back to the same directory, and came upon the answer. Because, here (below) was the same photo, with me merely holding the camera differently:

I photoed the photo where the reflected scene is horizontal from a similar spot, but with the camera turned round about two hundred and eighty degrees from how it looks in one immediately above.

Here’s another version of the above that makes everything clearer, by supplying some context:

That photo also shows how the top of One New Change itself looks.

You know me. I don’t just like to show you my favourite photos. My favourite photos are often puzzles, photos that make you, and for that matter me, ask: What’s that? And I want to find out, by looking at other photos taken at the same time, and then I want to explain them all to you, with all those other photos included in the posting.

Also, modern architecture is shiny.