Colourful mural in Chelyabinsk

I get regular emails about new architecture, and trust me, there’s less of it happening now. And what there is now being done is mostly generic machines-for-living-in and machines-for-working-in. The age of starchitecture is pretty much over, for the time being. Covid? That hasn’t helped to be sure. But it felt like it was slowing down well before that.

So, to cause a stir and get noticed, what do “designers” now do? Answer: They paint eye-catching murals on the faces of all those regulation boxes.

Thus:

The official explanation of this mural is that it’s something to do with the environment, human impact on, blah blah. Like that’s a bad thing. But, as Mick Hartley (at whose blog I found this) says:

… you’d be forgiven for not quite grasping the ecological message.

Indeed. It looks more like a celebration of how humans are able to subjugate their environment and make it their own. I’ve never been to Russia, but my understanding is that their “environment” is a lot scarier than ours is, and that they consequently sentimentalise it a lot less than we do.

But whatever this Chelyabinsk mural may “mean”, it is yet another straw in the wind of colourful applied decoration that is now seriously blowing around the world. If you can’t do new buildings of note, you can still paint the buildings you have, old and new, in a newly colourful way.

Also, I suspect that paint for use outdoors is getting better, as in fading more slowly. I tried googling about this, but all I got was stuff about how to become a better painter of indoor pictures. Can anyone offer any pertinent links on that subject?

Farage is up to something!

Sounds to me like Nigel Farage is about to step back into British politics, big time, as the man who will lead Britain out of Lockdown:

Because of his role in contriving Brexit, Farage is already the most consequential British politician alive. If he did this, that would become doubly true.

What people forget, many because they simply choose to, is that Farage is very good at arguing, as the above clip illustrates. Also, he knows how not to be silenced. At present, very depressingly, about a quarter of Britain, maybe even less, thinks Lockdown should end. Farage could double that percentage very quickly, and make Lockdown unsustainable.

If I’m right, this is the best British news there’s been since Lockdown began.

LATER: JH-B‘s all over this, as is Ivor Cummins. Cummins, like me, has become increasingly desperate and bad-tempered in recent weeks. This will surely cheer him up also.

Yes, this is definitely happening.

Shard rising

Allow me once again to flee the horrors of the casedemic that is now laying waste to my country, despite my earlier optimism about how sanity might prevail around now. Allow me instead to celebrate the construction of the Shard, which was in the process of happening exactly a decade ago:

The photo on the left there was photoed on October 13th 2010, and the one on the right exactly a decade ago on November 1st 2010. The location of the left hand photo explains itself. The one on the right was photoed in Hyde Park. This is not a place I often visit, but on that day I was with a visiting American lady who needed welcoming to London. The photo, as a photo, is nothing special. But better a bad photo of something interesting than a good photo of something boring.

Earlier that year, in August, I got luckier with the weather, and these two Shard-under-construction photos were photoed then:

The Shard was and is only starchitecture, but I like it.

Driving away from poverty

Helen Dale, in the course of a review of Matt Ridley’s How Innovation Works:

It is telling that Soviet authorities allowed the 1940 film Grapes of Wrath to be released in the country as a propaganda exercise. However, cinemagoers were amazed how in America people fled poverty in a car. In Soviet Russia, you hoofed it. The movie was withdrawn.

The point being that a lot of innovation happens when less educated people have just enough affluence, which includes having just enough time, to tinker with stuff, and thereby accomplish things that the educated people all agreed couldn’t be done.