Five more crowd scenes photoed in and from the Tate Modern Extension

As I have said here many time before, I love the Tate Modern Extension that they recently stuck behind the original power station. The Extension is the Thing you can see here, centre left, at the back:

It’s not that it is especially beautiful to look at, although liking the Thing itself so much, I have myself come to like how it looks. And I like the Thing itself because of all the fun things I can photo in it and from it.

For instance, I can photo crowd scenes in it and from it, or I could once upon a time. Like this crowd, photoed a bit nearer to it, after I’d gone under the bridge with the railway station on it (Blackfriars):

And here is part of that same crowd, photoed once I was up and in among that crowd myself:

So much for the crowd in the Tate Modern Extension. Now for four more crowd scenes, all photoed in one photo, from the Tate Modern Extension:

Three crowds in three boats there, and another crowd on a bridge, the Millennium Footbridge, another recent favourite addition to the London bridge collection.

Those were the days. May they soon return, which I will believe if and when I ever see it and no sooner.

The day when I photoed all of the above photos was in August 2016.

BMNB SQotD: Bricks through the Overton Window

The best bit of the day before yesterday’s somewhat longer Samizdata quote of the day:

Hoi Poloi keep throwing bricks through the Overton window …

Sweet. My congratulations to Perry de Havilland. Wish I’d thought of that.

Snow!

I’ve never been much cop at photoing snow, or rain come to that. But, trust me, this is snow:

Photoed minutes ago, at about 11am, from out my kitchen window, looking across the courtyard, to some windows.

The reason we Brits talk about the weather so much is that people always talk about anything if it is unusual. And British weather doesn’t do usual. It does nothing but unusual.

Waves reflected on the side of a boat in Belle Isle

Having the previous day taken off from London City Airport, I am in Belle Isle, off the coast of Brittany. It is the summer of 2014. The light is especially strong. I notice some reflections:

If I had never seen sunlight bounced off water onto another surface in this way, would I ever have imagined that it could look like that? Like some sort of net? Seriously, it’s like these reflections are constructed out of string, just like nets. The effect is particularly strong in the second of the seven photos above. There are even knots to be seen. Weird.

Reflections, eh? Make you think.

The trouble with cultured meat progress is that too much of it is happening in Israel

Maybe media people would make more fuss about the progress of “cultured” meat, the sort of meat that doesn’t involve killing animals, if so much of that progress was not now being made in Israel.

My attitude towards Israel is one of unconditional positive regard. If Israelis do something good, which they frequently do, well done them, as in this cultured meat matter. But if Israelis do something that seems bad, well, I am sure they have their reasons, probably to do with the kind of neighbourhood they inhabit.

However, the typical journo/commentator these days has an attitude towards Israel of unconditional negative disregard. Only when they can explain how Israeli progress in cultured meat is really all about oppressing Israel’s Muslim neighbours will these sorts of reporters report on this, I think, epoch-defining story.

I think this about sums it up

This:

I now swither between thinking all the locking down is better than the alternative, and: not. That the reckoning will be huge, I do not doubt.

The ups and downs of Oscar

If you type “Oscar” into the bit under where it says “SEARCH” on the left, you will find your way to lots of good photos of Oscar, the cat of GodDaughter2’s family who live in the South of France. Where they are now stuck.

This latest incoming photo of Oscar (thank you GD2D) is not that good, of Oscar:

But this is a good photo of a common habit of cats, which is that of climbing to what you would think would be inaccessibly lofty spots, and only then wondering how they’re going to get back down again. Well, actually, they do have an escape strategy for all such predicaments. Yowl continuously until a human rescues them, and then forget about it. But you know what I mean, I’m sure.

How did Oscar get down? Simple, he was rescued. What I want to know is How did Oscar get up there in the first place?

I’m also not asking why he got up there. He’s a cat. That’s why.

Death and detail

Yesterday, my Senior Designated Friend and I communed with my lawyer, via Zoom (which my SDF organised on her laptop). All seemed to go well. I had been ignoring Zoom, until the lawyer said he needed it.

I had hoped by now to be blogging profundities, but am still at the stage of trying to arrange my affairs in such a way that, were I to die soon and without further warning, or perhaps become terminally incapable, those affairs would be, as they say, “in order”. It would be clear what everything consists of and who gets what, and what to do about switching me off, should the question arise. Thank goodness for the SDF, who is doing almost all of this arranging, and without whom I would now be in a state of gibbering uselessness. It’s an exhausting business, even though my contributions are only occasional. Maybe death soon, and taking care of details in the meantime, death being why that has to be done. I remember that same combination when my mother died. Death, detail.

Meanwhile, you must forgive the decline in blogging quality here lately, and the possible feebleness of a lot of the next lot of postings also.

The magic drug seems to be working. I think I can feel a definite improvement. But now I just want to rest up and let it work its magic.

The photo with the ingredients of the Photo and the actual Photo

The photo with the ingredients of the Photo:

The actual Photo:

What we have here, photoed five years and a day ago, is one of those window cleaning cranes, and the Moon. In the first photo there, we see all the ingredients, but this is not the Photo itself. It is merely the photo with the ingredients that went into the actual Photo.

Very little is said about window cleaning cranes, and the aesthetics of window cleaning cranes. Yet they often become the biggest feature in a particular scene.

I just wrote the sentence: “There is nothing temporary about them”, concerning these window cranes, but that’s not right. Sometimes they reach up out of their buildings, spread themselves, and dominate the scene. But somethings they fold themselves up into almost nothing. Or, they literally hide themselves inside their buildings, and become nothing.

They are invisible to some, because if you pick the right moment, they are invisible, nearly so or completely so.

They are not invisible to me.

On cricket and sleep

Last night India beat Australia, in Australia, and I listened to it on the radio. That is to say, I listened to a lot of it.

But, I didn’t listen to all of it. I know I didn’t listen to all of it because there were big jumps in the score. Shubman Gill went from being about fifty not out, to having been out quite a while ago for nearly a hundred. Pant did another huge jump and a couple of Indian wickets fell, in a similar memory-hole fashion, later in the “day”.

This is not a posting trying to make you like cricket. But, one very interesting feature of cricket is how statistically detailed the unfolding of the story is, and always has been. Football can go from 1-0 with an early goal, to 1-0 with no further goals, to 1-0 as in the early scoring team wins it. You could be listening to the radio commentary and nod off a bit, and not even really be sure that you had nodded off.

But cricket scoring never stops dead like that. Runs are continuously scored, wickets keep falling. Miss out on an hour of that, and you immediately realise that you missed a huge chunk.

So it is that I absolutely know for sure that I didn’t listen to all of the India v Australia cricket last night. I listened to India making a solid start, in their chase for over three hundred in the day. I definitely caught the end, when India won it. But for big bits in between, I was … asleep.

With sleep, the difference between a bit and none can be all the difference. For cricket lag, the cricket version of jet lag, to set in thoroughly, you need to be wide awake exactly when you shouldn’t be. In my recent experience, a bursting bladder, by requiring you to be physically active, is surer way to doing that then merely dozing in a bed, listening to cricket in foreign parts, parts of it.

Will I get a good night’s sleep tonight? At the regular time? Because of the above, I do not rule out the possibility.