Television – video games – crime

These are experts whom I want to believe, so I do:

Violent video games may actually reduce crime as aggressive players are “too busy” shooting virtual enemies to cause trouble in the real world, experts claim.

I have long believed that television caused crime waves, in each country it arrived in, by immobilising the respectable classes inside their respectable homes and handing the world’s public spaces over to non-television-owning ne’er-do-wells, every night. It is not the sex-and-violence-on-telly that causes the crime. It is the near total absence of these things. Violent people were repelled by telly, because it was so abysmally well-behaved.

I myself have spent a huge proportion of my life watching television. Had television not existed, I would have been out in public places fighting crime, by looking like I might notice it and then give evidence against the ne’er-do-wells committing it.

But now, with the rise of video games, it is the ne’er-do-wells who are busy playing video games. Video games are not well-behaved. You get to kill people, and to commit grand theft upon autos. If duty calls, it calls on you to kill yet more people.

Presumably, this evening, the public places are all deserted. I wouldn’t know. I am watching television.

Originally posted at Brian Micklethwait’s Old Blog

Ladies in Quimper Cathedral

Yes, still ill, so still quota-photo-posting:

July 2009.

I like the hands.

Originally posted at Brian Micklethwait’s Old Blog

Piano being played at Tottenham Court Road tube station

I am not well, so blogging here today will be perfunctory:

See what I mean. Photoed by me at Tottenham Court Road Tube Station, last Thursday.

Investigate this further, if you want to.

I’m off to an early bed.

Originally posted at Brian Micklethwait’s Old Blog

A twentieth century bank robber gets a nagging from the cashier he is robbing

I still get cheques through the post, and then I insert these cheques into my bank account by going physically to my local physical branch of my unlocal bank and by handing the cheques over to a cashier. My bank, however, doesn’t like this. Just like Tesco, they want me to do the work. In Tesco’s case they now demand that I become my own check-out person and operate their computers for them. So, it’s Sainsbury’s and Waitrose for me, from now on. Bye bye Tesco. In the bank’s case, they want me to do their work for them while I sit at home. But, I like the exercise. In the huge bank queue, I get to read a book concentratedly, because there is nothing else to do. Good.

All of which is a preamble to the fact that when I came across this, I LedOL:

“Are you aware that you can now do all of this online?”

Genius. K. J. Lamb, well done.

One of the many techniques they use to put you off actually going to the physical local branch of your Big Bank is to keep changing the people behind the bars. And these total strangers are constantly, and insultingly, asking you to prove that you are who you are. Well, madam, I’ve been banking with your bank for the last half century. Who the hell are you? Please could you give me proof that you actually do work here?

Someone should make a movie about a twenty first century bank robbery, where the robbers, who are disgruntled ex-employees of the Big Bank that owns the bank branch they bust into, bust into the bank branch, overpower the witless bunch of newbies who happen to be running the place that day, and park them all in a back room for the day with tape over their months, and then the robbers run the bank all day long, while one of their number hacks into the mainframe computer of the Big Bank that owns everything, and sucks all the money out of it. The point is: none of the customers who visit the branch while all this is happening would find it in the slightest bit odd to be confronted by a bunch of total strangers. That would ring no alarm bells at all, because this happens all the time.

Originally posted at Brian Micklethwait’s Old Blog

But they didn’t mean this thing to look like a penis

You wait nearly thirteen years at BMdotcom for a giant penis photo, and then, out of the blue, two come along. That one, in the post before last yesterday, and this one:

Crikey, blimey, etc.. Or as we Brits also used to say: Well I’m blowed.

Fox News, so also “other creatures”.

You Had One Job calls this an “unfortunate helicopter shot”. But I bet the photoer could hardly believe his extreme good fortune.

Originally posted at Brian Micklethwait’s Old Blog

What kind of car is this? Answer: A Charger and a Bee

I like it when cars are old enough to have round headlights, and I especially like it when they have not just two round headlights, but four round headlights:

Photoed by me in Wilton Road, on my way to Victoria Station, earlier this month. My camera does artificially lit darkness rather well, I think. In reality, things were not nearly so clear, or not to me.

I know, I know. Friday is the day here for cats and other creatures, not for antique cars. But, this car looks American, and I would not be at all surprised to learn that it too is some kind of animal, like a Cougar or a Mustang or some such thing. Anyone?

Some day soon, you’ll be able to feed a photo like this into Google and say: What kind of car is this? Perhaps that day is already here.

But hey, how about this?!? I’m definitely getting better at this internet searching malarkey. On the bonnet of this car it says “R/T”. So, I typed “r/t car” into Google, and straight away got to this:

R/T is the performance marker used on Dodge automobiles since the 1960s (much like Chevrolet Super Sport). R/T stands for Road/Track (no “and”). R/T models come with R/T badging, upgraded suspension, tires, brakes, and more powerful engines.

So, which Dodge would this one be? (Scrolls down through all the pictures on offer.) It would be, unless my eyes deceive me, the 1971 Dodge Charger Super Bee. A charger and a “super” bee. So, two kinds of incompatible other creature. There you go. What did I just tell you?

Originally posted at Brian Micklethwait’s Old Blog

Penis park

Here:

The best comment I can think of is another photo, one of the many that I took in the Churchill Dungeon, this one being an item for sale in the gift shop:

I love words. I sometimes I fail to think of the right ones, but they never fail me. It just that I am sometimes not worthy of them.

But I found some good ones this time, I think.

Originally posted at Brian Micklethwait’s Old Blog

A quote from when Venezuela was socialism being done rather than socialism not being done

The internet never forgets:

That the Corbynistas are on the side of the crazies in the Middle East is of no direct relevance to British voters. Who cares what they think about that outdoor lunatic asylum, provided only that they keep us out of it? That’s probably what most voters think. But Venezuela is relevant to Britain’s voters, because it is what Corbyn and his followers will start doing to Britain, if they ever get the chance. Venezuela used to be a reasonably well functioning country. Now it is: … Venezuela.

Originally posted at Brian Micklethwait’s Old Blog

A selfie in the Warwick Way gymnasium front window

I like to take sneaky selfies, with other amusing things. I have a file full of such selfies with other amusing things, from which I extracted the photo below. This sneaky selfie has something very amusing in it, besides me. So much so that I rather suspect I was photoing it (back in March 2010), and that I only got in the picture by accident.

Why I like to take sneaky selfies will have to wait. My concern now is the other amusing thing, the gymnasium I was photoing, through its big front window. This was in Warwick Way, where another doomed enterprise, Blockbuster Video, used once to be.

The particularly amusing thing, to me, about this gymnasium was that throughout the few short months of its woebegone existence, I never once, despite going past it every time I ever shopped in either my local Sainsbury’s or my local Tesco, ever, saw anyone in it. Nobody exercising. Nobody doing anything.

My theory is that the big front window put people right off the idea of doing what for spectators would have been dance routines. Besides which, Warwick Way is not really a gymnasium sort of locality. People in the Warwick Way area get their exercise by doing such things as going to their preferred supermarket and then lugging their numerous carefully chosen purchases, maybe to their cars, but more probably straight to their homes, in big bags. Special places set aside for taking exercise happen only in places where life itself does not supply enough exercise to all those present, or so goes my theory.

LATER: It now occurs to me, eight years later, that maybe this was not a gymnasium, but rather a place for selling gymnasium equipment. But whatever, I never saw anyone in their, either exercising, or trying out exercising equipment with a view to purchasing it.

Originally posted at Brian Micklethwait’s Old Blog

Everyone can now do beautiful “art” with one click

The relationship between, and influence of, photography on artistic painting has always been intimate, and profound.

I can remember when landscape and figurative painting was everywhere. That would be about fifty years ago and more. But now? Do any “important” artists do this any more? Not many, is my distinct impression. If there is any “realism” involved, it is usually realism with a twist, and often some kind of violation or distortion. That guy, who was perfectly capable of terrific realistic painting, was one of the leaders of art out of mere realism. “Psychological”, instead of literal, truth.

A big part of why this trend out of realism happened is to be found in pictures like this one, of a fire, done recently by 6k. 6k didn’t even have his “camera” with him, when he photoed this. But, says he, “my phone did ok”. More than ok, I’d say:

I recall speculating along these lines recently, at a party. Painters don’t do the “beauty” of the “real world” any more (I said), in fact (I said) they don’t really do “beauty” at all any more, because now everyone can do great pictures, just by going click with their phones, and everyone now has a phone.

My companion illustrated my point for me by immediately taking out his “phone” and showing me some amazing landscape photos on it that he had taken that very day. They were stunning. His point, and mine, is that this required no very great skill on his part, just a half decent and half alert eye for something worth photoing.

So it is that “art” has not so much “advanced” into its various alternative realities of abstraction and conceptualisation, but rather has retreated into these things. Chased out of doing beautiful recreations of reality by technology.

Originally posted at Brian Micklethwait’s Old Blog