Brian Micklethwait

A quota photo – and why I (and 6k) like quota photos

Rough day today, what with the steroids having stopped. They definitely had a mental as well as physical effect. So quota photo time, this photo has been picked pretty much at random from the archives:

What made me pick it is that that’s not just the Shard, in a general way. It’s the Shard while they were still building it, the photo dating from March 2012.

The quota photo was one of the notions that South African based blogger 6k was kind enough to write about recently in connection with my blogging. And I do indeed think quota photos have value (as does quota blogging more generally). Just shoving up a photo like the one above is hardly going to spoil anyone’s day. After all, a photo can be skipped past in seconds if it does not appeal. On the other hand, it might just pack a bit more punch than that. So what’s to lose? I’m in a rush now, but maybe I’ll manage a comment, with a link or two maybe, to the effect that some of my favourite 6k photos over the years were often first posted as mere quota photos, which he posted just so as to post something. Yet I especially liked some of these particular photos in particular.

Maybe part of it is that a quota photo can be one of those photos that you just like, for no very obvious reasons that makes you want to attach an essay to it. Normally, you might hold it back until you decide what it means. This way, you just shove it up, and then others can like it too.

As for my quote photo above, I have, I think posted various versions of the above, where the Shard is aligned with one of the pinnacles of the Tower of London, but not this particular one.

I like that it includes a crane.

Steven Johnson’s history of what we do for fun

Tell ’em what you’re going to say, tell ’em, tell ’em what you said. I believe that’s the formula that many preachers follow when they give their sermons. The bit from a book below is from the “tell ’em what you’re going to say” bit, in other words the Introduction (pp. 8-11), of Steven Johnson’s Wonderland, which I ordered from Amazon back in October, and am now starting to dip into:

Delight is a word that is rarely invoked as a driver of historical change. History is usually imagined as a battle for survival, for power, for freedom, for wealth. At best, the world of play and amusement belongs to the side bars of the main narrative: the spoils of progress, the surplus that civilizations enjoy once the campaigns for freedom and affluence have been won. But imagine you are an observer of social and technological trends in the second half of the eighteenth century, and you are trying to predict the truly seismic developments that would define the next three centuries. The programmable pen of Jaquet-Droz’s Writer – or Merlin’s dancer and her “irresistible eyes” – would be as telling a clue about that future as anything happening in Parliament or on the battlefield, foreshadowing the rise of mechanized labor, the digital revolution, robotics, and artificial intelligence.

This book is an extended argument for that kind of clue: a folly, dismissed by many as a mindless amusement, that turns out to be a kind of artifact from the future. This is a history of play, a history of the pastimes that human beings have concocted to amuse themselves as an escape from the daily grind of subsistence. This is a history of what we do for fun. One measure of human progress is how much recreational time many of us now have, and the immensely varied ways we have of enjoying it. A time-traveler from five centuries ago would be staggered to see just how much real estate in the modern world is devoted to the wonderlands of parks, coffee shops, sports arenas, shopping malls, IMAX theaters: environments specifically designed to entertain and delight us. Experiences that were once almost exclusively relegated to society’s elites have become commonplace to all but the very poorest members of society. An average middle-class family in Brazil or Indonesia takes it for granted that their free time can be spent listening to music, marveling at elaborate special effects in Hollywood movies, shopping for new fashions in vast palaces of consumption, and savoring the flavors of cuisines from all over the world. Yet we rarely pause to consider how these many luxuries came to be a feature of everyday life.

History is mostly told as a long fight for the necessities, not the luxuries: the fight for freedom, equality, safety, self-governance. Yet the history of delight matters, too, because so many of these seemingly trivial discoveries ended up triggering changes in the realm of Serious History. I have called this phenomenon “the hummingbird effect”: the process by which an innovation in one field sets in motion transformations in seemingly unrelated fields. The taste for coffee helped create the modern institutions of journalism; a handful of elegantly decorated fabric shops helped trigger the industrial revolution. When human beings create and share experiences designed to delight or amaze, they often end up transforming society in more dramatic ways than people focused on more utilitarian concerns. We owe a great deal of the modern world to people doggedly trying to solve a high-minded problem: how to construct an internal combustion engine or manufacture vaccines in large quantities. But a surprising amount of modernity has its roots in another kind of activity: people mucking around with magic, toys, games, and other seemingly idle pastimes. Everyone knows the old saying “Necessity is the mother of invention,” but if you do a paternity test on many of the modern world’s most important ideas or institutions, you will find, invariably, that leisure and play were involved in the conception as well.

Although this account contains its fair share of figures like Charles Babbage – well-to-do Europeans tinkering with new ideas in their parlors – it is not just a story about the affluent West. One of the most intriguing plot twists in the story of leisure and delight is how many of the devices or materials originated outside of Europe: those mesmerizing automata from the House of Wisdom, the intriguing fashions of calico and chintz imported from India, the gravity-defying rubber balls invented by Mesoamericans, the clove and nutmeg first tasted by remote Indonesian islanders. In many ways, the story of play is the story of the emergence of a truly cosmopolitan worldview, a world bound together by the shared experiences of kicking a ball around on a field or sipping a cup of coffee. The pursuit of pleasure turns out to be one of the very first experiences to stitch together a global fabric of shared culture, with many of the most prominent threads originating outside Western Europe.

I should say at the outset that this history deliberately excludes some of life’s most intense pleasures-including sex and romantic love. Sex has been a central force in human history; without sex, there is no human history. But the pleasure of sex is bound up in deep-seated biological drives. The desire for emotional and physical connections with other humans is written into our DNA, however complex and variable our expression of that drive may be. For the human species, sex is a staple, not a luxury. This history is an account of less utilitarian pleasures; habits and customs and environments that came into being for no apparent reason other than the fact that they seemed amusing or surprising. (In a sense, it is a history that follows Brian Eno’s definition of culture as “all the things we don’t have to do.”) Looking at history through this lens demands a different emphasis on the past: exploring the history of shopping as a recreational pursuit instead of the history of commerce writ large; following the global path of the spice trade instead of the broader history of agriculture and food production. There are a thousand books written about the history of innovations that came out of our survival instincts. This is a book about a different kind of innovation: the new ideas and technologies and social spaces that emerged once some of us escaped from the compulsory labor of subsistence.

The centrality of play and delight does not mean that these stories are free of tragedy and human suffering. Some of the most appalling epochs of slavery and colonization began with a new taste or fabric developing a market, and unleashed a chain of brutal exploitation to satisfy that market’s demands. The quest for delight transformed the world, but it did not always transform it for the better.

Norman Lebrecht has a go at Barenboim (and Igor Levit is not a God either)

I actually don’t think that the things Norman Lebrecht quotes star classical pianist and conductor Daniel Barenboim saying about the nature of the Covid ordeal now being suffered by him and his fellow musicians and performers are really that terrible. Barenboim was trying to get across the all-embracing inescapability of the thing. He compared it to World War 2, pointing out that there were places in the world where you could escape from that war. True, he might had been wise to add a phrase like “if you were lucky”. Because as Lebrecht then argues, millions were not so lucky, could not escape World War 2 and suffered horrors and deaths way worse that anything now being endured by all but the most unlucky of the Covid generation.

Concludes Lebrecht:

This is a really unwise statement.

Maybe, but personally I doubt it. I would say that, for once, this is a case where “clarification” is really all that should be needed, and maybe not even that. It was clear enough what Barenboim was at least trying to say.

But what I do relish about Lebrecht is his willingness to disagree in public with classical music’s various star performers when they express what he considers to be foolish opinions outside of their core competence. And in general, when he reckons they are not doing their jobs well enough to justify their often stonkingly unequal remuneration.

Especially when you consider the kind of power that people like Barenboim wield from their perches at the top of the musical world, often without even realising it.

And, when you consider the crawling reverence with which these people are now mostly treated by such broadcasting organisations as the BBC.

I have a recording from off the radio of a Proms performance of Beethoven’s third piano concerto (which is one of my very favourite pieces), in which rising star pianist Igor Levit was the soloist. And very well he played it. (I happen greatly to prefer Levit’s way with this concerto to how Barenboim is in the habit of playing it.) But the spoken BBC intro, particularly as perpetrated by the BBC’s Petroc Trelawney, was some of the most grovellingly ridiculous verbiage I have recently heard on a serious radio station. Based on how Levit plays this concerto, and having heard him play Bach and Beethoven solo piano music that I happen also to own on CD, I think Levit is a fine pianist. But Trelawney spoke about Levit’s trick, to take a particularly ridiculous example, of bringing a bar of chocolate with him to fortify him during a hard evening of piano playing as if this were evidence that Levit is some sort of Higher Being, far above us mortals. It was embarrassing.

Norman Lebrecht, I think, often grabs hold of whatever stick he happens to be shaking at the wrong end. He is a man of impulse, and I think this often leads him astray. But he is right that this kind of grovelling to the big beasts of classical music should stop.

Hitchens talks to Paxman

I fear that I may now be an I-may-be-about-to-die bore. In the sense that I can think of nothing which I am now doing or saying or even thinking which is not happening under the shadow of my recent lung cancer diagnosis. And given the subject matter of this particular posting, any pretence along such lines would be absurd. Which is why I start with that now. Which could get very boring.

Anyway, what I want to link to is this video, lasting about half an hour, in which Jeremy Paxman talks with the late and then staring his about-to-be-lateness in the face Christopher Hitchens.

Here’s a still from this video, which I think I am presenting because one of the many things I like about this conversation is how Hitchens looks. His head entirely shaven, his face serious, the very picture of a ancient stoic, looking both at death and at the kind of life he might have to suffer before death with an unflinching gaze:

Hitchens’s appearance reminds me of that of my friend and fellow Samizdatista, Paul Marks. “The Sage of Kettering”, as the Samizdata commentariat refers to Paul, looks a lot like this already, despite the fact that to the best of my knowledge Paul is only going to die in the same medically relaxed sense that we all are.

The link to this video was, of course, sent to me, by a friend who had learned of my current medical predicament and thought that I might appreciate learning about it and watching it. Which I very much did, having missed it the first time around.

The friend picked out a bit right at the end, where Hitchens says that he especially appreciated communications from strangers who had in one way or another appreciated something that he, Hitchens, had said or written or done. “If in doubt about whether to send me such a message, do not hesitate. Send it.” Or words to that effect.

He added that he regretted having failed to do this for others in similar circumstances.

I agree on both counts. I am being very cheered up right now by all the kind things that I have persuaded various people, not a few of them pseudonymous Samizdata people whose identities are otherwise unknown to me, to say to me about my own various sayings and doings over the years. And I too regret having failed to do as much of this as I could and should have, when I saw valued friends and intellectual comrades nearing their ends.

New category in the category list below: Death. Here’s hoping that at least some of the remaining postings I manage here are not thus tagged.

By the way, that could be quite a few more. Hitchens was facing the certainty of death, pretty soon, when he did this interview, and he duly died soon after it, I believe. Not long, anyway. All I can really say about my lung cancer is that it sounds pretty bad. But that might merely mean it being pretty bad for quite a while longer.

Happy not brand New Year but Happy New Year anyway

On Jan 1st 2021, I was obsessing about routers, and not giving any thought to whether any of you readers were having a Happy New Year. Yesterday, there was the same preoccupation with my own concerns and indifference to yours. So, it now being the evening of Jan 3rd 2021, is it too late for me now to say …:

… Happy New Year?

I don’t think so. The year 2021 is not brand spanking new, this very day. But it is still pretty new. You are still only getting stuck into it in a very preliminary sort of way. There’s a basic way in which you may even still be stuck waiting for the thing to even get started, what with You Know What.

So, there you go, see the above photo, which I photoed on Jan 1st 2018, through the window of a local charity shop.

Guido before Guido

In among other more tedious tasks like fixing Power-of-Attorney for my Senior Coordinating Friend, for if I stop functioning properly before all the other tedious tasks are done, I am trying to get my writings in something more like order. To that end I have been trawling through old “Libertarian Alliance” (Tame, Micklethwait, Gabb tendency) pamphlets that I published in the 80s and 90s. Picking out mine, of course, but also making sure to grab the sadly few by Chris Tame, to whom I am now determined to pay further posthumous tribute even if it’s one of the very last things I do.

And, I came across a pamphlet with this at the top:

It’s Guido before Guido, first published in 1991.

Read any or all of it here.

My experience of Guido divides neatly into two chunks of time. There was the Why Don’t You phase, when he would beg us to do clever and more eye-catching things than we could be bothered with or had the propaganda talents to be doing. (He later has a spell doing a few Blog Posts for Samizdata, where he bent Perry de Havilland’s ear out of shape in the same way, this time about how blogging could and should be done. Alas the only mention of Guido now at the Samizdata sidebar is the link to Guido Fawkes.)

And then came the glorious and still continuing Screw-You-Idiots-I’ll-Do-It-Myself phase, that I for one have loved and grovellingly admired from the moment it kicked off. No way did I or Tame or Gabb, or even de Havilland, teach Paul Staines everything he knew. But we did help to create an environment in which Guido could watch, learn, listen, and then do his own wonderful thing.

Such recollections are not going to make me die happy. Like Tame, I would have preferred literal physical immortality. But such memories do soften the blow a little, if blow it is about to be.

The old black router and the new white router – from normal style back to nerd style

No time for much here today, although I have today done more than I usually do in the way of commenting. Much of the day was spent snoozing in bed while The Guru sorted out the outage, and then with me catching up on all the emails I had failed to respond to sooner.

But, I am at least able to record for posterity the evil behaviour of the black and black-hearted router, the one looking like the one in the picture on the left of these two, which waited until it learned I had lung cancer and then decided that then was the perfect time for it to conk out. Just after Christmas. During Lockdown:

On the right, the new white knight in shining white plastic armour, which, today, in the hands of The Guru, rescued me. Actual photo by me of the actual thing.

On a slightly more serious note, I am interested by the aesthetic direction of the move from the old router to the new one.

I usually expect the aesthetics of electronic gadgetry to go from, in the early days of a gadget, nerd-style looking-like-something-curvey-out-of-a-Star-Wars-battle-fleet, to normal rectangular black box, once the normals get involved in buying it directly, as a commodity that they actually sort of understand. I recall CD players in cheap arrays of not-very-hi-fi treading this path, from freakish to straight black boxes you could pile up easily with all the other related devices. Yet in this case, the direction went from normal to nerd. I wonder why.

And that thought is all I can manage to do here today.

Happy New Year to all my readers and to any others passing by, what with things here having become that little bit more interesting over the last few days.

Piece at Samizdata about the diagnosis/treatment imbalance in the NHS

Not much here today, what with yesterday’s dramas, but I have just ripped off a Samizdata piece, based on my recent medical experiences, entitled On the British National Health Service imbalance between lethargic diagnosis and really rather good actual treatment of serious medical conditions.

It features a link to this mighty beast:

That’s “Brunel”. Brunel has been giving me my first actual doses of cancer treatment, the third dose having been this afternoon. Two more, tomorrow and on the 31st. These treatments have been merely defensive, to stop my spine being damaged by the lung cancer tumor. Next week, if all proceeds as I hope, the actual attack on the tumor and on its spreading consequences will get under way.

I have lung cancer

This afternoon I sent out an email message to about fifty or more of my nearest and dearest, saying that I now have lung cancer. Since among my nearest and dearest are those who read this little blog of mine with any regularity, here is the full text of what that said, for all you good people also:

A message from Brian Micklethwait to as many of his friends, relatives and loved ones whom he can now think of to include in this email list.

Please pass this on to anyone else who you think would appreciate hearing about it, with whatever added apologies make sense for me having neglected to include them on the list to start with.

*****************

Dear friends, relatives, loved ones and well-liked ones:

About a week before Christmas, I learned that I am suffering from lung cancer. I had known for a while that something bad was happening. Apparently I have had it for some time, and it has been spreading. From what doctors are now telling me it seems that I may die quite soon. They don’t put it quite like that, but that is how it now sounds.

But, it may not be quite that bad. Being doctors, they are also giving me reasons for optimism, in among the gloom.

First, I do not have the usual sort of lung cancer, the sort brought on by prolonged and heavy smoking, having never been a smoker of any kind. I am told that this sort of “anomalous” lung cancer tends to respond better to cancer treatment than regular smoker-cancer usually does. I suspect that my very dusty home may be part of what set my cancer off, but the doctors prefer to doubt that, at any rather when they speak to me. Genetics? Other unknown environmental triggers? They prefer not to speculate and just to get on with treating me.

Second, cancer treatment has come a long way in recent years. A doctor recently told me that, had I been in my current condition a decade ago, his advice would have been: “Call your lawyer, your priest, and your undertaker, in whichever order you prefer.” Now, my chances are much better.

Third, because I decided to throw the kind of money I can spare at the private medical sector for the diagnosis part of my problem, my condition is now well understood, and I am now, already, getting cancer treatment, from London’s Royal Marsden Hospital in the Fulham Road, which is about as good as cancer treatment can be nowadays.

And, I’m getting this treatment on the NHS. The NHS is overwhelmed by people who have or say that they have medical problems of all kinds and degrees of severity. Had I relied on the NHS to learn the bad news I needed to know, I would probably still not know it. But, once the NHS knows that you have a serious and potentially fatal condition, it then moves fast, and not just technically well but with great human sympathy, if my early experience of treatment is anything to go by, and if what my doctors and my medically expert friends and relatives (such as my sister who was an NHS GP until she retired) are telling me is so. Especially if you are lucky enough, as I am, to live a mere walk away from the Marsden.

So, wish me luck. I may yet live for quite a while. My condition may stabilise. I may even recover. I now doubt that, but you never know.

Some of you will be content to tell me you are very sorry about all this, and that is fine. Such messages mean a lot, and if that is all you want to say to me that’s still a great deal. Just knowing that there are people out there who sympathise means a lot more than you might suppose. (A word of warning. Those who phone me may be subjected to some coughing at my end, a continuous cough having been one of the early signs of trouble.)

If, however, you would like to know more about how to help me in my weeks or months of misfortune, then keep reading, and I’ll tell you. (I have already embarked upon the years version of this scenario, being already over seventy years old.)

The problem is that, especially in these very socially separated times, physical help can be rather hard to contrive. Besides which, very close friends and relatives are already supplying crucial support in ways that are already helping me and cheering me up enormously. Thanks to them, and to the treatment I’ve already been getting, I have had a surprisingly cheerful Christmas.

But, there is something else I ask you to do, should you be so inclined. Don’t just email me about what you can do to help, email the person who is acting as my Senior Coordinating Friend, so to speak. This is Elena Procopiu (she at the top of the email list above). She is the elder sister of my beloved Second GodDaughter, and I am very close to her entire family. Email her, as well as me. Communicate with her about what you might be able to offer, should you be inclined.

I’m sure that all kinds of assistance, such as experience of similar circumstances as well as merely physical help, may materialise in this way.

But, let me now tell you what would really boost my morale.

Tell each other which of my writings you have most liked, and do so just as publicly as you feel inclined. Blogs postings, blog comments, social media, the lot. My circumstances are now no secret. If I do die soon, I would greatly prefer to do this in the knowledge that various things that I have said and written over the years have left behind them a trail of enlightenment and entertainment, and might be fondly remembered, for a while at least.

This is quite a lot to ask, because I fear that my more impressive pronouncements are scattered in amongst a vast pile of trivia and obfuscation. But, if you want now to cheer me up, try to dig out some of the more worthwhile things that you think I have said and done – often just sentences or paragraphs rather than longer and rarer stretches of eloquence – and hold them up for a bit of admiration and reflection.

Maybe there are photos I’ve taken over the years that you happened particularly to like. Recycle or link to them too.

Here might be a good place to start.

Or you could try here here.

Or here, which still seems to be working after a fashion.

Or you might care to sample some of these recent efforts, if you have the time.

If you recall having attended one or some of my last-Friday-of-the-month meetings at my home, perhaps because you were kind enough yourself to be the speaker at one or some of them and found that particularly helpful and stimulating, then please take the time to tell any other people who might be interested about that.

This is a lot to ask, but if you don’t ask for what you want in life, or in my case potential death, you are far less likely to get it, and this is what I want. If only a few people feel inclined to say and do things along these lines, it would cheer me up lot as I make my exit, if that is what is about to happen.

A late thought. My deadly sin has always been sloth. Had I merely died, one fine day, just like that with no warning, it is almost certain that I would have died failing to say or do many of the things I would have most wanted to say or do before going. As it is, having now been told about my possibly imminent death before it actually comes may turn into something of a blessing for me. Live every day as if it is your last, we are often told. That is pretty much what I am now doing, as best I can manage in my now weakened state. I still have a few public pronouncements that I’d like to offer to the world before I go, and there is every chance that I may now manage to say at least some of those things, the way I probably would not have done had I just died with no advance warning, and even if I had lived for quite a bit longer.

Which I may yet be lucky enough to do. If so, win-win.

Even if it goes win-lose, I don’t feel that I deserve the sort of send-off I am asking for. All my life, I have been showered with advantages, not least in the form of more unearned wealth than most inhabitants of this planet could ever dream of having bestowed upon them. I have not done nearly well enough as a communicator, given all the chances I have had, for me to be able to expect the sort of send-off that I would like and for it to happen of its own accord.

But, I nevertheless ask for it. This is what I would like.

It is putting it mildly to say that not everyone on this email list shares my political inclinations and attitudes, or for that matter aesthetic tastes and opinions. So if all you really want to say to me is: “Bad luck mate. Nice, on the whole, to have known you”, well, I’ll gladly take that.

I’ve tried quite hard to avoid grammatical errors and mis-spellings in this, but some will inevitably remain. It’s now time to stop this and just send it out. More to come, I hope, maybe from me, maybe from others, with news of medical progress, or perhaps just with news of how it all turns out. But if not, then: not. It was certainly good knowing all of you.

All the very best to you and yours,

Brian Micklethwait

If you are personally known to me and want to get in touch with my very dear friend Elena Procopiu, mentioned in the middle of the above text, I suggest you leave a comment below to that effect, and I’ll be sure that the connection is made.