I am not well, so blogging here today will be perfunctory:
See what I mean. Photoed by me at Tottenham Court Road Tube Station, last Thursday.
Investigate this further, if you want to.
I’m off to an early bed.
I am not well, so blogging here today will be perfunctory:
See what I mean. Photoed by me at Tottenham Court Road Tube Station, last Thursday.
Investigate this further, if you want to.
I’m off to an early bed.
After a hard afternoon yesterday, exploring Churchill and his wartime government’s subterranean lair, I was, in the evening, in no mood to do much else. But Christian Michel had one of his 6/20 evenings (yes I know, on the 5th (there was a reason but I have forgotten it)), and I forced myself to attend, knowing that I would not regret this. And I didn’t.
The highlight of my evening was undoubtedly getting to talk with an artist and art teacher by the name of Elina Cerla. We spoke about how we were both fascinated by the difference between how two eyed people see things, and how one eyed cameras, or camera-like gadgets used by artists, see things. Summary: very differently. Also about how she is more concerned to help people solve the artistic problems they consider important, rather than to shape them all into her preferred sort of artist.
She gave me her card before we went our separate ways, so I’m guessing she will have no problem with me linking you to that website.
You could become one of Elina Cerla’s pupils by doing what this says:
Having already wandered about in the website, I was particularly struck by that naked figure when I came across it elsewhere on the website, so I was intrigued later to find that she chose it to illustrate her teaching advert. I think you will agree that this image inspires confidence that the time of pupils will not be wasted. This is someone with definite skills to impart.
I am presently listening to this YouTube interview. Refreshing absence of art-speak bullshit and political infantilism, of the sort commonly emitted by those who practice (or who are attempting) shock-art.
Today I went to see a movie. I and the person I went with fixed to meet beforehand at the statue in the middle of Piccadilly Circus. I got there early, and took a ton of photos, of which only the photos of the rain-affected pavement were not terrible. Here is one of these:
Photography is light.
I tried photoing lots of umbrellas, and I succeeded, if by that is meant that I took a lot of photos of umbrellas. But, they were all terrible.
So today I was up to my neck doing other things. Well no not really, I just forgot about doing this, until it was bed time. So, here are some photos of people photoing a man playing a tuba with flames coming out of it:
Photoed by me, under Blackfriars Bridge (the one with a railway station on it), earlier this month.
I do not know why the man in the red and white hat was holding a bit of silver paper. Something to do with food he had been eating?
This man is regularly seen playing his flaming tuba, all over London. I myself saw him playing outside Embankment tube, not so long ago. Also being worshipped by photoers.
Incoming from GodDaughter2:
Pimlico in Kensington, said the email, photoed near her place of work. She knows the kind of thing I like, doesn’t she?
Are such vans rare and exotic in Kensington? I see them all the time, in and around Pimlico.
Yesterday I showed a photo that I actually took yesterday, rather than last year or last decade. And today I’m doing the same. I’m showing you another photo that I took yesterday:
That’s the inside of the domed roof in the middle of Leadenhall Market in the City of London. This is another of those photos which is a lot easier to take if you have a twiddly screen, such as I always now have.
Here is the next photo I took, to show you which place I mean:
To me, one of the odder things about Leadenhall Market is that all the enterprises plying their trade in it would seem to be obliged by the house rules to proclaim their names in the exact same style and size of lettering. This is not what you get in most shopping centres, which is what this place basically is. But, fair enough: their gaff, their rules. And although in one sense this is uniformity gone a bit mad, in another sense it is variety, because this is not something you see very often.
It is clearly a recent thing, and Wikipedia confirms this:
Between 1990 and 1991 the market received a dramatic redecoration which transformed its appearance, enhancing its architectural character and detail. The redecoration scheme received a special mention in the Civic Trust Awards in 1994.
Ah yes. Commercial, you understand, but not too commercial. The subtle business of not being too businesslike.
I passed through this place on my way to Monument tube, having been wandering towards the City and its Big Things from the Bethnal Green area, enjoying the last daylight of a very fine yesterday. Of which maybe more here later, and of which maybe not more here later. (This blog is also not very businesslike.)
Yes. I ran it by Adriana plus her Plus One (Perry de H), at that feast I reported on yesterday, and it turns out that I’m not the only one who finds the phrase “self storage” …
… to be rather odd. (That’s this.)
I know what self storage is. It’s the name given to the process of ridding your self of some of the crap by which your self is currently surrounded and impeded, without actually chucking it away irrevocably. In particular, when your self is in between locations, or when your self has moved from a big place to a smaller place, your stuff, or your excess stuff, needs to be stored somewhere.
But self storage, taken literally, sounds like you are parking your self in a warehouse and for the duration, your life will consist only of all the extraneous crap.
You become like a zombie or something. I can understand people wanting to put their mere selves to one side while earning a living. That might make a rather profitable business. But while actually, you know, … trying to live … ?
Odd.
A day or two ago I got an email from someone or something selling greetings cards, claiming that my birthday, September 26th, is the most popular birthday there is. Today, which is September 26th, the same email with only small adaptations bombarded me again.
The thing about modern individually targetted advertising – emails, adverts that pop up on your computer screen, that kind of thing – is that you don’t trust them. For instance, what if some know-a-lot computer happens to know that my birthday is September 26th, as many such computers surely do, and thinks that it will get a rise out of me by typing September 26th into its mass-email about what date the most popular birthday is?
So I asked the www, parts of which I do somewhat trust, and according to this Daily Telegraph piece from December 2015, it’s true. The Daily Telegraph these days is not what it was, but for what it is worth, here’s what they said:
A new analysis of 20 years of birth records by the Office for National Statistics shows a dramatic spike in the number of children born in late September, nine months after Christmas. …
Overall September 26 emerges as the most common birthday for people born in England and Wales over the last two decades.
It falls 39 weeks and two days after Christmas Day, meaning that a significant proportion of those born on that day will have been conceived on Christmas itself.
I don’t know how popular September 26th was as a birthday way back when I was biologically launched. I’ve always thought of my parents as pretty straight-laced and careful about things like when to have children. But, did they just get pissed on Christmas Day 1946 and start me up by mistake? Maybe so. (Maybe they got pissed carefully.)
Anyway, whatever, happy birthday me.
For all I know the sky was quite dramatic over other places too, but it was in Brixton that I saw it:
Often, when I show photos here, they were taken days, weeks, months or even years ago. Yesterday, there were photos that were taken ten years ago. Not that there’s anything wrong with that, but: the above photos were taken earlier this evening, when I journeyed out to Brixton Curry’s PC World Carphone Warehouse or whatever the &&&&& it’s called, to try and to fail to buy a new TV. Which means that this is topical meteorological reportage.
Click on any of the above photos if you wish, and if you do you’ll get the bigger versions. But I actually think that the smaller versions are more dramatic, because more abstract and less of something. Like little oil paintings. Especially the first one.
Some of the best walks in London that I have done in recent months have been alongside the River Lea. Typically, I would start at Bromley-by-Bow tube station, go south along the A12 and then turn left along Twelvetrees Crescent until I get to the Twelvetrees Crescent bridge. Then I’d go either north or south.
On one of these meanders, the weather was particularly bright and sunny, and before I even got to the river, while I was just walking south along the A12, photo-ops abounded. Or maybe they didn’t but it felt as if they did. Everything, even the most mundane of objects or lighting effects, seemed dusted by a spraycan of joy, and I can’t look at the photos I took that day without that joy colouring my feeling about the photos I took at that moment.
Photos like these:
I can’t be objective about whether anyone else might like the above photos. I was and remain too happy about them to be objective. Just looking at them when I was preparing them for this posting, I became too happy to even care about being objective.
Share my joy, or not, as you please. 1.1 just tells us where we start. 1.2 is another view from the station, but not of it. 1.3 is one of those gloriously complicated drain-unblocking lorries. 2.3 I like because the colours on the car are so like the colours sported by the building, and because the sunniness of it all is emphasised by my silhouette. In 3.2 you can just see the top of the Big Olympic Thing, an effect I always enjoy. And 3.3 features a photo of, I do believe, the Taj Mahal. Lovely.
Not long after photoing all that, I photoed these shopping trolleys.
When I returned a day or two later to retrace my joyful steps, I photoed the excellent footbridge from the Twelvetrees Crescent bridge (one of my favourite footbridges in all of London (although maybe it’s just how good it looked that day from that spot)). I photoed the Shard. And I photoed a map that shows the locality where all these delights are to be found.