A walkabout five years ago

I am awaiting warmer weather, in the hope that I will then feel up to taking a photo-walkabout, somewhere in London town.

Meanwhile here are some photos from a walkabout I did, walking (about) from the Angel Tube to the Barbican, as late sunshine was replaced by early moonshine, back in April of 2016:

The final photo there is of how a stretch of Oxford Circus Tube was looking on that day.

The lady seen smiling through a window of reflections (photo 10) is the then only very recently (March 31st 2016) deceased Zaha Hadid (as you can maybe guess from photo 11). This was the lady whose buildings only had straight lines in them at all because people will insist that the floors they walk about on and work on are mostly flat rather than curving up and down. Clients eh? Philistines the lot of them. ZHA has (or had in 2016) a building in Goswell Road, and I walked right past it that day, and also had a nose around in it. I remember being surprised, because I had no idea this place even existed.

See also the photo of another portrait picture, this time of actor Charles Dance, which I photoed on this very same walkabout.

Will Groundhog Day stop happening tomorrow?

I haven’t tortured myself by following the details, but am I correct in supposing that tomorrow, things will start to open up again?

Here are some photos I photoed of the front of the Old Vic Theatre, which is at the far end of Lower Marsh from me, which I photoed in 2016:

At the time I just thought it was a show, based on a Bill Murray movie. I did not then realise that life would soon be imitating art.

Maybe this movie, and people feeling that they were living in it, has been a contributory factor to people contemplating suicide. Maybe some of them supposed that, like Bill Murray, they could drive off a cliff or whatever, and then just wake up the next morning (i.e. the same morning) with nothing having happened.

Dutch Quality Flowers lorry with antique locomotive

This afternoon, while I was on my way yet again to the Royal Marsden to score my next month’s supply of Osimertinib, a huge lorry drove past me along the Fulham Road, with a painting of a steam locomotive on the side of it:

I display all of these three hastily grabbed and decidedly mediocre photos simply to make it clear that this was indeed a lorry, as well as a picture of a locomotive.

Later, I found myself musing on how the ubiquity of digital photography and of the social media must have transformed advertising. Just as graffiti has become more individual and elaborate, in the age of digital photoing, so too has advertising.

Because, if you can persuade a decent proportion of the digital photoers you drive past to photo their photos, of your unique lorry with its unique and as likely as not hand-done painting on the side, and then get the photoers to stick their photos up on the www, there’s every chance you can save a ton of money on the distribution of your advertising message. Throw in that any word can be searched for on that same www, and you don’t need to bother with big lettering, the way you used to have to to get your message spread around, and you can concentrate on making the image look as great as you can contrive. Use little letters and let the photoers look it up and link to your website and generally spread your word for you. All you need is a sufficiently striking and appealing image, to grab all that attention.

So, by way of emphasising my point, here is the DQF Flower Shuttle website. Go there, and learn that there is a whole fleet of flower delivery lorries, each one flaunting this or that elaborately artistic type picture of an antique form of transport, most of them ships, but one being of another locomotive. I assume that all of these lorries are each of them adorned with unique images, and I further assume that photos of these images are all over the social media. Judging by what happens when you do this, my assumptions are right. Although, I can find no photos of the particular photo I photoed of a DQF lorry this afternoon. This must be a rather new image.

So what does this Real AI do to the network?

Here’s the latest Taxi-with-advert photo I photoed, not far from a favourite taxi spot even during Lockdown, Victoria Station:

Whereas yesterday, the posting was about a big gadget that merely happened to have words on it, this is an advert that consists only of words. “Juniper. real networks. Real AI. Real results.” Even I know that the Internet will tell me more, if I only ask it. “.

So I went to the Juniper website, and watched and listened to two minutes and more of Juniper Supremo Rami Rahim, talking about an AI driven network, or something. But I am afraid I am not much the wiser. To summarise my question simply: What is he talking about? I know that AI stands for artificial intelligence, but how does this artificial intelligence apply itself to the network? Does it run the network? Thereby saving humans the bother? Does it run the network in a way that is more efficient than it could ever be in humans ran it? Or is the AI doing something entirely different? Or, is Rami Rahim just talking about a somewhat fancy computer programme, that runs the network, which isn’t really AI at all? I’m genuinely eager to learn more.

All of which illustrates a more general point about Lockdown, which is that during it, anyone in the computerised communications business is liable to be doing rather well, and to be eager to advertise, unlike, say, restaurants.

Advertising can only do so much

Today I photoed a taxi-with-an-advert:

I’d not seen that advert-on-a-taxi before.

And now I am investigating the product. Let’s just say that the current problems of this product illustrate the limits of the power of advertising:

The troubled online betting firm Football Index continued to “mint” and issue new “shares” in high-profile players just days before an announcement of big reductions in dividends which crashed its market on Saturday. The news is likely to add to the anger and frustration of thousands of Football Index’s customers, who are currently unable to sell their own shares to retrieve money from the exchange without suffering huge losses.

I’m guessing there was small print that didn’t get read.

Another quota advert

Yes. Spent the day chasing details, and keeping half an eye on the Six Nations. In an empty Millennium Stadium in Cardiff, the crowd was not missed much and Wales beat England. Oh well, it’s only a game.

So, another quota advert, photoed very recently, this time for an enterprise which, I am guessing, needs all the help it can get just now:

Something looked wrong about to me about this bike. The handle bars seemed like they had been turned round and are pointing backwards. Then I got it. They had been turned round. They are pointing backwards. Together with the front wheel that is attached to the handle bars.

The Cave website. I see there’s a cafe. Memo to self: Check it out when you know what stops.

Paul poster with shadow selfie

One from the I Just Like It directory:

I photoed this photo, somewhere out east (a photo photoed at the same time was of the Thames Barrier) ten years and seventeen days ago.

I like the movie. I like this advert for the movie. And I like how I inserted a shadow selfie into my photo, of the advert for the movie.

It seems I’m not the only one photoing taxis with adverts

Indeed:

Photoed by me last Tuesday, near to where I live.

The Moose Cup Powered By Daraz

The Moose Cup Powered By Daraz being the trophy that the Sri Lankan and English cricket teams are now battling, out there in Sri Lanka, to win.

Moose. Daraz.

The Moose Cup Powered by Daraz is a regular cricket trophy, except that its giant cricket ball has antlers. On the right, Joe Root, England captain. On the left, not sure, but I presume that’s Karunaratne, not the Sri Lankan captain for this game because he damaged himself and couldn’t play in it.

There have been two days of cricket so far, and England have the upper hand.

On the first day, Endland’s Dom Bess didn’t bowl well.

Happy not brand New Year but Happy New Year anyway

On Jan 1st 2021, I was obsessing about routers, and not giving any thought to whether any of you readers were having a Happy New Year. Yesterday, there was the same preoccupation with my own concerns and indifference to yours. So, it now being the evening of Jan 3rd 2021, is it too late for me now to say …:

… Happy New Year?

I don’t think so. The year 2021 is not brand spanking new, this very day. But it is still pretty new. You are still only getting stuck into it in a very preliminary sort of way. There’s a basic way in which you may even still be stuck waiting for the thing to even get started, what with You Know What.

So, there you go, see the above photo, which I photoed on Jan 1st 2018, through the window of a local charity shop.