Kevin Brennan MP supplies the proof:
Far too good not to copy and paste into here. Yum. And scaffolding.
Kevin Brennan MP supplies the proof:
Far too good not to copy and paste into here. Yum. And scaffolding.
Yes, as earlier promised:
There’s a lot I could say, by way of a photo-essay, about these photoer photos. But, do you know what the best thing about them is, in my opinion? How good they are. Oh, technically, they’re a bit rubbish, but I don’t care about that. I just really like them. Even the one of me. But especially the one of the bloke lying face down on the ground playing a guitar behind his head.
I originally got together these photos, one for each year of the decade now ending, with Samizdata in mind. But then I did a posting looking back at Christmas Day for there, with lots of photos, and another posting there with lots of photos felt a bit superfluous. So, here they are here.
Left below: February 2010 – Piccadilly Circus.
Right below:January 2011 – Beyond the Thames Barrier.
Left below: July 2012 – A South African gets ready to bowl against England at the Oval.
Right below: September 2013 – London Gateway takes shape.
Left below: March 2014 – Detlev Schlichter speaks about Austrian Economics.
Right below: July 2015 – Sunshine bounces off the Broadgate Tower and lands outside Tate Modern.
Left below: August 2016 – The Oval Pavilion (see above) as seen from the top of the Tate Modern Extension.
Right below: Also at the top of Tate Modern, a photoer photos the Shard through a ball.
Left below: April 2018 – The statue of Sir Keith Park outside the Athaeneum.
Right below: September 2019 – A model of Old London Bridge.
I didn’t spend a huge amount of time picking these photos out from the archives. Aside from trying to pick out photos that I hadn’t blogged before, I just had a rootle around until I found a nice one for each year. But a different day doing the rootling, and there’d have been ten entirely different photos. But I like these ones, and I hope you do too.
It’s a bridge. It’s a swimming pool. A Because Now We Can! swimming pool:
And according to this, they’re actually going to build it, in London, a walk away from me.
The perversely lower-case lettered throughout designboom reports that “zaha hadid architects” have won a competition to build a railway station in “tallin”, which will look like this:
At the top of all this is a bridge, so I’m well disposed towards this Thing straight away.
Transport seems especially to suit ZHA. Recall that they are also doing that amazing airport in China.
It’s something to do with the fact that transport positively demands the kind of flowing curves that ZHA always want to do anyway. A train or a plane simply cannot do too sharp a turn. These vehicles simply must shift direction with slow, ZHA type, curves. So, the ZHA style fits. Even a car has to slow down a lot to do a ninety degree turn. Even in the rectilinear architectural sixties, roads would curve, when changing direction. (Think of those amazing motorway intersections.)
Sad, then, that this particular clutch of railway lines in Tallin seems to be dead straight. I bet ZHA ground their collective teeth about that. The ZHA curvilinear style suits curvey railway lines, but a straight railway line (or for that matter a straight airport runway) can do what nothing else in the known universe can. It can enforce straight lines upon ZHA.
Once again, I am catching up with showing you photos, this time photos photoed on a sunny day in September 2013, all of lady photoers. We are in my most regular photoing-photoers places, outside Westminster Abbey, outside Parliament, on Westminster Bridge and beyond, beside or above the River:
Ignore, click through at speed, linger if any seem worth lingering at, whatever you want.
What I see in these photos is a moment of maximum camera variety. There are big cameras with interchangeable lenses for maximum photo quality. There are bridge cameras, like the ones I use. There are little snappy-snappy but still dedicated cameras. There is even a great big tablet. And, of course, we observe the rise and rise of mobile phone photoing. As usual, I demanded facial anonymity, sometimes photoshop(clone)-cropping out recognisable bystanders. But typically, I cropped with the camera, because by then I had become pretty good at this. (Photo 4, for instance, is exactly as originally photoed.) And then I selected for artistic effect, not to make any point about cameras. Which means that the point about camera variety is made. I wasn’t going for this. It just happened.
Since then, all the major effort seems to have gone into making mobile phone cameras as good as they can be.
We are on Westminster Bridge, in October of 2017, and a tour bus comes by. The lady photoer first photos the Wheel, and then turns her attention around, towards Big Ben and the Houses of Parliament:
I especially like the light and the colours in these photos. The Wheel is in front of a dark cloud background, but is itself lit up just that bit more by the afternoon sun, because behind us the weather is brighter. The colours of the bus go very well with all that. And the railing on the bus provides facial anonymity when her camera does not. I know what she looks like, from other photos I photoed of her. But I am not telling the big computer in the sky that she was doing what she was when she was. That’s her business, not the BC’s.
I’m not just talking about the hero dog who helped to catch an austere religious scholar, whose austere religious scholarship inspired him also to become a rapist and a torturer.
I’m also talking about goats:
A hungry herd of 500 goats has helped save the Ronald Reagan Presidential Library from the California wildfires.
In May, the library hired the goats to clear flammable scrub surrounding the complex as a preventative measure.
The goats ate the brush, creating a fire break that slowed the flames and gave firefighters extra time to react.
Okay, the goats didn’t exactly put the fire out. That was done by firefighters. But, the goats did help.
This next titbit is a bit stale, from two months ago, but I am still interested, because it concerns a bridge:
Engineers in southern California are hard at work designing the biggest wildlife corridor in the world, to extend over US Highway 101 to the north-west of Los Angeles.
The corridor will connect different parts of the Santa Monica Mountain chain, which is crucial to the future of mountain lions – but it will help other species as well. The $87m bridge has entered its final design phase and is on track to open in 2023.
Other Californian creature news involved voracious purple sea urchins:
Tens of millions of voracious purple sea urchins that have already chomped their way through towering underwater kelp forests in California are spreading north to Oregon, sending the delicate marine ecosystem off the shore into such disarray that other critical species are starving to death.
Meanwhile in Colorado, some 66-million-year-old fossils have been discovered. I’m guessing something threw their delicate ecosystem into disarray.
The delicate publication process for this posting was also thrown into disarray, by me pushing the “Publish” button last night, at a time when I should merely have been pressing “Save Draft”. Sorry about that.
Incoming from 6k:
Hi Brian
Hi 6k.
Hope you’re well.
I am, and likewise. Although, I usually know how you are, because you often blog about this subject. My recent favourite in this genre was the one where you included a chart of your stress levels for an entire day when there was a football match in the evening, involving your team.
Been a while since I’ve been in touch, but I am (of course) still reading BMNB dot com every day.
Good, good.
I only had to look at the title of this one – London’s Imperfect Geometry Revealed in Aerial Photography by Bernhard Lang – to know that I had to send it your way: enjoy!
Given 6k’s keenness on photoing with a drone, I half expected these aerial photos of London to be drone-photos also. But I guess it makes just as much sense to use a helicopter, given the amount of grief you’d surely get if you launched a drone into London’s sky. For starters, you can’t go within a kilometer of an airport, which rules out a big chunk of London near to London City Airport.
If you want to, make a start on drone law by reading this.
Meanwhile, my favourite of Herr Lang’s snaps was, of course, this, with all its bridges:
I make it eight of them.
My personal record is seven bridges, and all of my seven bridges are to be seen in the above photo by Lang. Only the nearest bridge (Waterloo Bridge) in his photo is missing from my photo. Not only that, but Lang’s photo also includes the spot where I did my photoing from, in the bottom left corner of his photo. This was the top of the Hotel ME, which is at the western end of the D that is made by The Strand and The Aldwych. Follow the link to my earlier posting at the start of this paragraph and you’ll also encounter a map which shows this. 6k thought I’d enjoy, and he was not wrong.
I’m not sure I agree about London’s geometry being “imperfect”. I know what this means, but it is these very “imperfections” that distinguish great cities from boring ones. Rectangular grids make for urban uniformity. “Imperfections” make a city far more interesting. But that’s a whole other posting.
Yes, last summer I went on several exeditions to such places as the Dome, and beyond. Here is a clutch of photos I photoed in the beyond category. On August 11th, I journeyed to the Dome, then took the Dangleway across the River to the Victoria Docks, and walked along the north side of them, ending my wanderings at the City Airport DLR station:
There are two of these favourite sculptures to be seen, in Photo 7 and Photo 11.
There are 35 photos in all. I think maybe my favourite is 33, which includes an advert that says: “OH REALLY?” I like that, for some reason.
Photo 27 has a sign, on the side of the Tate & Lyle factory, saying “TASTE THE SUNSHINE”. It was a very sunny day. I count three that include shadow selfies (23, 24, 31).
It is so much easier doing this kind of thing than it was at The Old Blog. (My thanks yet again to Michael J, who did this new blog for me.)