Jordan Peterson on why zebras look the way they do

Today, I was thinking, what with it being Friday: What can I put here about cats or other creatures that would be of interest? But instead of looking for something along those lines, I was listening to a video conversation between Jordan Peterson and Camille Paglia, about the sorry state of the humanities departments of American universities. I can’t remember why or how, but I was. And twenty four and a half minutes into this, I listened in astonishment as Peterson suddenly started talking, fascinatingly, about zebras.

Why do zebras look the way they do, so very black and and so very white, and so very stripey?

This has long puzzled me. The arch enemy of the zebra is the lion, and the lions are impeccably camouflaged. Their coats are the same colour as the veldt, or whatever it is that the zebras roam about on and that the lions hunt the zebras on, and so the zebras don’t see the lions coming. But the zebras, with their garish black and white plumage, are nothing at all like the colour of the land they live on. What gives? Why the lurid and fantastically visible stripes?

Today I learned the answer to this question.

The answer is: When lions hunt zebras, they do this by deciding on just the one zebra that they are going to hunt, and they concentrate entirely on that one zebra. Eventually, the chosen zebra is exhausted, and the lions catch it and kill it.

And how do zebras respond, evolutionarily speaking? Answer: By becoming extremely hard to distinguish from each other. Their very stripey stripes do exactly this. The result of that is that although the lions try to hunt just the one zebra, thereby exhausting it and killing it, they instead keep getting confused about exactly which zebra is the one they are trying to hunt. And the result of that is that instead of hunting one zebra to its death, they hunt half a dozen zebras, not to any of their deaths, and go home without their dinner.

Some scientists who were studying zebra plumage did what turned out to be a rather cruel experiment which proved this. They squirted some colour onto one of the zebras in a zebra herd. The lions, confident now that they would not be confused about which zebra they were hunting, proceeded to hunt that one marked zebra to its inevitable death. Without such marking out, they couldn’t tell which zebra was which. With such marking, hunting success followed, every time. Every time, they chose the marked and hence easily distinguishable zebra.

I did not know this.

Peterson’s point was that American humanities professors are like this. They all have totally crazy, yet totally similar, opinions. That way, their enemies can’t fixate on one of them and destroy him. Or something. In this version of the zebra stripes story, Peterson is saying that people in general are like zebras. But I really didn’t care about that. It was the zebras and their stripes that interested me.

I love the internet.

Originally posted at Brian Micklethwait’s Old Blog

IKEA launches first range of furniture for cats and dogs

Here.

Originally posted at Brian Micklethwait’s Old Blog

Dr Salter’s imaginary cat statue

Indeed:

I took all these statue photos yesterday, in a walk with GodDaughter 2 that I have already referred to, which started at the Shard (see below), Tower Bridge, and nearby places, and ended … well, quite a way downstream.

As often happens, my favourite photo of this subject was the first one I took. But I also liked this next one, which neglects what seems to be the usual Big Things of The City background and adds only wall and water:

The explanation of the rather odd title of this posting is that what we have here is not so much a group of statues as a drama acted out by a group of statues. Dr Salter (see below) is looking on at his small daughter, and at her cat. But it is all taking place in his imagination, because the small daughter died tragically young. It is all very well explained, with more pictures, here. Follow that link, and you’ll even find a map of exactly where this all is.

The drama gets an extra layer of drama, because the original statue of Dr Salter was stolen, for its value as scrap metal. I think I preferred the stolen one, but here is the replacement, with the addition of a young man with tattoos:

The tattoos on the front of that guy were remarkable, and I regret now not asking him to let me photo them. I know, I know, creepy. But if he had said yes, I would have been delighted, and if he had said no that’s creepy, I’d have got over it.

Mrs (Ada) Salter also looks on, and these two headshots of her came out quite well too:

While taking these photos, or maybe it was a bit later, I found myself musing aloud to GD2 (with her agreeing) that people seem greatly to prefer statues that are very clearly statues, made out of some sort of monochrome material such as stone or metal, rather than something more realistically coloured, a fact which has, from time to time, puzzled me. Were the latter procedure to be followed, people wouldn’t be able to tell the difference between statues and actual people, and this would freak them out.

A “realistic” painting or photo of a person is actually not realistic at all. People are complicated in shape. Paintings and photos are flat. So, if you encounter a photo or a painting of a person, even if it’s life size, there is no possibility that you will be duped into introducing yourself to it or asking it for directions. But if you encounter a genuinely realistic 3D statue of a person, only its deeply unnatural stillness would eventually tell you that this is not a real person. And this would be awkward to be dealing with on a regular basis.

A giant statue of someone, realistically coloured, might be okay. After all, miniature statues (go into any toy shop or gift shop to see what I mean) already are okay. Just as with a tiny but realistically coloured person statue, you could tell at once that a giant realistically coloured person statue was only a statue rather than a real person.

A giant cat statue, on the other hand, probably wouldn’t be a good idea. People might think: Woooaaarrrrgggghhh!!! A giant cat!!! Get me out of here now!

Originally posted at Brian Micklethwait’s Old Blog

Food memories from the outer suburbs

Photographs are, as all the world has recently been learning, except those whose business – paid or unpaid – it is to complain about what all the world has recently been learning, a wonderful aid to memory.

And many of the happiest memories of our extraordinarily comfortable and frequently very happy times involve food. So – and the complainers complain about it with a venom they seem to reserve only for this, and for selfies – people now like to photo food. Food that they have themselves prepared. And food that others have prepared for them.

And I like to photo them photoing the food. This also makes happy memories.

Man prepares meat: Man photos meat: Man prepares salad: Man photos salad:

These are happy memories from last August. Visit to friends in the outer suburbs.

The outer suburbs? What do they look like? Well, one of the things they look like (horizontalisation opportunity) is this:

That’s the large patch of grass, beyond the back wall of their back garden. And sadly, although those things in the distance do vaguely resemble Big Things, they are actually rather smaller trees.

We are beyond the “Green Belt”. The above photo, especially if clicked on, offers a glimpse of what the Green Belt might usefully be turned into, instead of it remaining for ever the wasteland of pointless open space that it is now. It would need livening up a bit. A bit of open-caste mining, or a temporary phase as a juvenile race track? Then let nature take its course, and you’ll have a lovely place. Apparently some industrial type activity (gravel?) is about to happen in that particular stretch of grass. That will stir up some interesting nature, when the industrialising is done.

Finally, this being Friday, here is a visitor to our jollifications who dropped by that afternoon:

Like many cats in places like this, this cat seems to have a basic home of basic benefactors, and daily rounds to visit other potential and not-so-basic benefactors. This visitor acquired no happy food memories with his/her visit, on the day I photoed him/her. Not that day.

But I have plenty. Without my camera, these memories would soon have gone.

Originally posted at Brian Micklethwait’s Old Blog

A weird view of the Wheel – and cats in Tiger

Yesterday I visited a shop called Tiger in Tottenham Court Road. Here is the sign about it that sticks out into the road, even though what I thought I was photoing at the time was the Wheel:

That’s actually one of my favourite views of the Wheel, because it is so weird and unexpected. We’re looking south along Tottenham Court Road, with Centre Point on the left as we look. You hear people seeing this, and saying: Oh look, the Wheel. Wow.

Tiger has lots of stuff in it, which I haven’t time to tell you about now but will hope to do Real Soon Now. But what I will say (today) is that, after a bit of searching, I found cats, in the shapes of: a cat mat, some cat suitcases, and some tigers:

Too knackered to say more now. Suffice it to say that Tiger is a veritable cornucopia of cheap and cheerful stuff.

Originally posted at Brian Micklethwait’s Old Blog

Exit Caesar

One of the many pleasures of visiting my friends in Quimper, i.e. Goddaughter 2 and her family, is their cat, who is called Caesar. Is? Alas: was. When I said goodbye to Caesar before coming back home last January, I feared that I’d not be seeing him again, and so it has proved, all too quickly. A few days ago his faltering liver finally gave out completely, and to spare him more grief and pain he was put to sleep.

I took no photos of Caesar when I visited for the New Year, but took several last August, when I last visited. Here is one of those pictures:

I took that at the same time I took the two photos of Caesar in this earlier posting. If you try, you can imagine from that picture that Caesar has only two legs and is standing upright. Not that you’d want to.

He is and will continue to be much missed.

Originally posted at Brian Micklethwait’s Old Blog

Two geese

Ever since I first got a digital camera, I have taken occasional “wildlife” photos, of the not-actually-very-wild-at-all animals of London, mostly ducks and geese, and cats and dogs (especially cats), and occasionally squirrels. Very occasionally, I get something worth showing, here (that cat being a French cat) or somewhere. Mostly I prefer inanimate objects to the other sort, because inanimate objects keep more still. And in the case of those living creatures called digital photographers, they also are good at standing very still.

The last time I photoed a pair of birds, they were intensely aware of my presence and very angry about it. But the other day, just after I had been photoing that Christmas tree, I came across a pair of birds who were utterly oblivious to my presence. They were very well turned out. And they were doing all manner of photographically interesting things. They were standing asleep on one leg, waking up and stretching their wings, doing coordinated dancing, shagging, more coordinated dancing, and then they hopped down off their perch and and onto the grass to have breakfast, or whatever it was. (All this happened at about eleven in the morning, so if it was breakfast it was a late breakfast.) I took over a hundred and fifty snaps of them. Below is a ruthlessly edited selection:

The point of showing all these snaps is not just to enable you to click and enjoy at will. It is also to make the point about how totally indifferent to my very close – not to say downright voyeuristic – presence these two handsome birds were.

I was still calling these these two birds ducks when I uploaded all those pictures. They looked all scrunched up and small when doing that asleep-on-one-leg thing. But actually, I think they’re geese. Whatever. They are Londoners.

The only reason I was out and about that morning was because I was walking with GodDaughter 2, who was on her way to France, to Pimlico tube. As it turned out, I contributed nothing to this first leg of her journey, not even helping her lug her luggage down the steps into the station. But I am still very glad I took this walk.

Originally posted at Brian Micklethwait’s Old Blog

Back from France (plus cat photos)

Yes, I’ve been in France, and now I’m back. Have been for several days actually, but I spent my recent blogging time doing this, which is a photo-decorated ramble on various things I saw in France, or thought I did, for Samizdata.

I really want to get back into the swim of things over there, after a recent dry spell, and was accordingly determined to finish that ramble before I resumed rambling here.

Since this is Friday, here are some French cats.

Cat number one stands outside Vannes town hall:

Cat number two is impressively perched on an impressively high ledge, somewhere or other. Cat number three, the cat of the friends I was staying with, is shown here, not being very impressed with cat number two:

This photo was taken by Tony, to whom thanks, and to whom thanks also for emailing it to me.

Here, on the other hand are two further photos that I did take of cat number three:

No, I don’t know why his right ear is green on the inside. I only noticed this when I got home.

His name is Caesar (sp?), and he actually does answer to that name. It’s not tone of voice, it’s the name, because when I said this to him for the first time, he immediately looked up to see what I had in mind.

There is another cat, Basil, who drops by at the home of Tony et famille from time to time, but he is more shy. He was otherwise engaged, on my last day there which was when I finally decided I wanted to photo the two cats. Caesar showed up, but not Basil. Another time, maybe.

Caesar is now very old, and I may never meet with him again. We got on well.

Originally posted at Brian Micklethwait’s Old Blog

Photographing the other photographers with my new camera

I just bought a new camera, the Panasonic Lumix FZ150, and it is great. Here are some snaps I took with it, on Monday, of a few of my fellow digital photographers:

The light was fading quite fast while I was taking these, and trust me, these are much better snaps than I could have taken with my previous donkey-driven camera.

Originally posted at Brian Micklethwait’s Old Blog

Quimper cat on Harley-Davidson

I don’t always do cats here on Fridays, but I often do. For me they signify the fundamental point of this blog, which is to entertain, and in particular to entertain me, rather than just to be serious and political about everything. There is more to life than the fact, if fact it be, that the politicians are making a mess of everything. So it was that, when on my recent trip to France, I kept half an eye open for cats.

Another thing I found myself snapping was motorbikes. The French really seem to love their motorbikes, perhaps because their roads are longer and emptier than they are in Britain.

So imagine my delight when, wandering around the centre of Quimper of an evening, I came across this:

And I wasn’t the only one who felt that this was suitable material for digitalised immortality:

My favourite snap of a fellow digital photographer in Cat-on-Harley action being this one:

Was the cat in any way disconcerted by all this attention? On the contrary:

The cat loved it.

Here, I hope you will agree, is the appropriate song, sung by one of the all time great French sex kittens. (I actually have this on CD.)

Originally posted at Brian Micklethwait’s Old Blog