Welcome to The Great Realignment

To quote my own words here on July 4th:

Two friends have currently been making noises about starting new blogs. I’m looking forward to reading those blogs regularly, if they happen.

This blog is one of those blogs:

I learned about this blog from this blog.

Now thrive the scaffolders: Videoing Kent v Surrey

That expedition to Beckenham, to watch Kent and Surrey play cricket against each other was fun, what with all the cricket to be watched:

But after ruminating on the photos I took, I now find that one of the more interesting things that I saw and photoed was just off the playing area.

To be more precise, they were to be seen on the far right of the above photo. Here’s a crop from within the above photo that zooms (but only digitally) in on what I am referring to:

That thing that you see there is the sight screen, placed there to enable batsmen to see the balls more clearly as they propelled towards them by the bowlers. Don’t move near this thing when the bowler is bowling from this end. Sacrilege! Delay!

But now, please notice the bit of disembodied scaffolding sticking up above this sight screen, at the right hand end of the sight screen.

Happily, I realised at the time I was there (this does not always happen) that this is something I would be interested in. I took a much closer look:

On the left there, the back of the sight screen, and on the right, the object of my interest.

What is it doing?

This:

Another view of the same gizmology:

I think I spy there no less than three video cameras, which are, like the sight screen, directly behind the bowler as he comes in to bowl. And high enough above the action to see the batsman’s efforts to respond to the bowler’s efforts to see the batsman clearly, without the bowler getting in the way.

Here’s a still from the output of one of those cameras, on the day I was there, which I captured here:

If you watch some of that video, you will note that all the videoing, no matter which end the bowler is bowling from, is from the same end. Which explains why I was unable to find any trace of video cameras near the sight screen on the other side of the ground.

Whatev. Such videoing has absolutely transformed my enjoyment of county cricket. As I type this posting in for the first time, I also have on my computer screen a live feed from the Oval, of the final day of the return fixture between Surrey and Kent. Surrey are struggling, but not out of it yet. In the video capture above we see Sam Curran batting. He’s batter at the Oval now, and a lot depends on him.

It’s been fun watching these video feeds get slowly better, with more stationary cameras being added. The destination that all this is leading to is that all county cricket grounds will be smothered in video cameras (just like the rest of the world) and one guy in a van will be able to edit it all together to the point where you might as well be watching the Sky TV coverage of, say, a World Cup Semi-Final between India and New Zealand, which also happens to going on right now (but which I am not watching because I don’t have Sky). Wow. India, replying to NZ’s (surely) below par 239, are 5 for 2. Rohit and Kohli both gone! Make that 5 for 3!!! Rahul also gone. Cricket. Bloody hell.

But I digress. I’ll end the photos in this posting with a photo of the little tents from where the spoken commentary was done, on that day in Beckenham:

The guy in the blue jeans there is Surrey commentating legend Mark Church.

One of the great things about both video and radio feeds from cricket games these days is that when something sensational happens, you can immediately go there and listen to/watch all the drama, by shoving that line a bit backwards. You couldn’t do that with the old donkey powered radio sets of my youth.

As soon as I’m done here, I will be listening to Aggers and Co yelling with amazement about those early Indian wickets. (Well well, the yellow BBC line, for now anyway, refuses to move back from what is happening right now. Shame.)

Anyway, back to scaffolding. Do I have to insist on what a contribution to modern life scaffolding is now making? Well, I hereby do. And it’s not just for new buildings, or for prettying up existing buildings. Here we see a characteristic use of scaffolding, to prop up some new technology, while they are still working out exactly how to do everything. Where exactly should the kit be? How high? How easy does it need to be to fiddle about with. What is the best way to organised all The Wires!? Until you know such things, use scaffolding, and keep your options open.

See also: rock concerts in sports stadiums. Where would they be, without scaffolding? There’s plenty more to be said about scaffolding. For instance, I haven’t even mentioned, in this, how beautiful it can look. Functionalism in its purest and more elegant form.

Plus, I reckon that there is something a lot like scaffolding on the inside of those canvass hutches where Churchy and co did their radio chat.

Surrey sinking fast against Kent. Sam Curran: out. Also: shame. India now 24 for 4, with the last ball of the tenth over. Karthik out. Matt Henry now has three wickets. This time, for some reason, I was able to shove the line back and hear them describe it. Great catch, they’re saying. And I’ll be able to watch the replay of it very soon at the BBC website. (See the “Aggers” link above. No Aggers today, though.) Thought: This is a situation absolutely made for MS Dhoni.

LOL!!!!: Kent, needing a mere 120 to beat Surrey, 0 for 2 after just five balls. Morne Morkel x2.

However it all ends, this is turning into quite a fun day.

LATER:

The scaffolders were thoroughly upstaged, I fear, which they must be very used to.

The key moment, near the end, was the running out, by about an inch, of MS Dhoni for 50. NZ win by 18 runs. Tomorrow: England v Australia, to find out who plays NZ in the final on Sunday. (And Surrey lose.)

A tax infographic about and a meeting at my home about Hong Kong

Dominic Frisby:

Frisby says that Dan Neidle will like this. I don’t know anything about Dan Neidle, other than this. But I like it. As much for the colours and its hand-done nature as for its content.

Concerning Hong Kong, last night I semi- (as in: still to be solidified and date still to be settled) signed up a Hong Kong lady to speak at one of my Last-Friday-of-the-Month meetings, about how Hong Honk is demonstrating back, so to speak, against the Chinese Government’s plans to subjugate it.

I warned her that my meetings are not large, and not as a rule attended by The World’s Movers and Shakers (although such personages do sometimes show up). But that didn’t bother her, or didn’t seem to. She seems to understand instinctively that big things can come out of small gatherings, if only in the form of one suggested contact or one item of information.

Alas, Hong Kong’s era of low and simple taxes is now under severe threat, along with many other more important things.

Battersea gallery

Yesterday evening I walked over to Battersea, to see how things are going with surrounding the old Power Station with apartment blocks, with sorting out the western end of London’s Big New Sewer, and constructing a new tube station.

In the photos that follow, I concentrate on the new blocks of flats, not least because it is easier to see that, what with it having reached the stage of mostly now being above ground. Tube line and sewer construction remains largely hidden throughout, and in general they tend to be more secretive about such things.

So how are things going with all those flats? How things are going is that there is a lot of building going on, but also, already, a lot of living.

The earliest photos in this gallery show the part where they say: come on it. This is already a place, with people, and food, and a road through to other parts beyond. Then, you walk along one of the oddest bridges in London, over and through what is still a giant building site, right next to the old Power Station, and then you arrive at the bit that is finished and already containing people.

None of the photos that follow are individually that fascinating. But click, click, click your way through them at speed, and you’ll get an idea of how this passing moment in the history of London is now looking:

The photos that concentrate on life being lived, rather than merely dwellings being constructed, concern the London Seafood Festival (that being the only link I now have the time to contrive), which I had definitely not been expecting. But many others had, and were gathered in large numbers to partake.

Then I made my way to Battersea Park railway station, with the last two photos having been photoed from the train that took me to Victoria Station on the other side of the river.

My larger point is this: that the newest and most noticeable London architecture has now done a switch, from the erection of individually crafted and highly visible and recognisable Big Things, to the mass production of generic Machines For Living In and Machines For Working In. So many office blocks and blocks of flats of a certain height, all jammed together in a formerly not so very desirable location, each higher than low but each lower than really high. So much concrete and steel being hoisted into the air by so many cranes. And so many people all being crammed into these new dwellings and new workplaces, as they beaver away at their desk jobs nearby or in The City, and relax by the river in their numerous new eateries and drinkeries down on the ground floors. Yes, this kind of thing has been going on in London for many decades, but just lately, it has shifted up a gear.

That all these new Batterseans will be within walking and face-to-face talking distance of one another is bound to have creative consequences. All sorts of new urban possibilities will become possible.

A lot more of this stuff has been happening out East, in Docklands and beyond. There too (see especially: North Greenwich) things have shifted up a gear. Battersea feels a bit more upmarket than those places down East.

Welcome to the latest version of London.

A musical metaphor is developed

In this blog posting, someone called Judge Ellis is quoted saying, somewhere in America, some time recently or not so recently, in connection with something Trump-related, this:

“You don’t really care about Mr. Manafort’s bank fraud – what you really care about is what information Mr Manafort could give you that would reflect on Mr. Trump or lead to his prosecution or impeachment.

“This vernacular to ‘sing’ is what prosecutors use. What you’ve got to be careful of is that they may not only sing, they may compose.”

Good expression. Never heard it before, although it must have been around for decades.

Originally posted at Brian Micklethwait’s Old Blog

“This world needs more eyesores, more carbuncles …”

Or to put it another way:

London’s new Tulip skyscraper is great, but why aren’t more people embedding sharks in their roof?

Well, I can think of quite a few answers to that question, but I get the point that Joel Dimmock is making and I like it very much.

Is there starting to be a hum, as the late Chris Tame used to call it, in favour of people being free to build whatever crazy buildings they want to build with their own money on their own property?

One of the more interesting facts about the quotes quoted above is that they appear in The Independent. Okay, in the “Voices” (clickbate?) section, but still, The Independent. Is The Independent starting to be in favour of … independence?

Originally posted at Brian Micklethwait’s Old Blog

Talking about Brexit

Patrick Crozier and I have just fixed our next podcast, which we will record early next week. Read about and listen to earlier ones here, and in due course this next one will go there too. And for this next one, we will talk about … Brexit. I knew you’d be excited.

Many claim that they are bored by Brexit, and maybe many are. Although I suspect some are really just pissed off with not getting exactly what they want. (And who is getting exactly what they want?) Either that, or actually only bored with other people’s opinions, but not with their own. Me, I find the whole process rather fascinating, now that I have got over having been so wrong about it. I thought that Brexit would lose the Referendum, but it won. And I thought that once it had won, it would happen without too much fuss, because the Conservative Party leavers would mostly bow to the inevitable. As of now, that hasn’t happened, and doesn’t look like it will happen any time soon.

Brexit is a subject that Patrick has strong opinions about, which is good because although this will not stop me interrupting (I’m afraid I always interrupt), it may at least mean that some of the times when I do interrupt, he’ll interrupt back and shut me up until he’s finished the point he was making before I interrupted.

Here is a Brexit photo I recently photoed, of a bus driving around and around Parliament Square, saying Believe in Britain and LEAVE MEANS LEAVE, but with nobody in the bus apart from the driver:

They all left, I guess.

Originally posted at Brian Micklethwait’s Old Blog

Just did a posting for here ..

… but it ended up there.

This posting included the fact that I am out and about this evening, so here, today, that’s your lot.

Originally posted at Brian Micklethwait’s Old Blog

What a day for the @Parliament official photographer to be in the Commons

Here. Like.

Originally posted at Brian Micklethwait’s Old Blog

Peak Remembrance?

Yesterday, I went on a shopping expedition which involved boarding a train at Charing Cross, which I planned to reach by going first to St James’s Park tube.

The first of the photos below (1.1) is of a taxi, parked close to where I live, with some sort of poppy related advert on it. I like to photo taxis covered in adverts. Temporariness, the passing London scene, will get more interesting as the years pass, blah blah.

Then, in Strutton Ground, just this side of Victoria Street, I encountered two besuited gentlemen wearing military berets and medals. I photoed them both, with their permission, and I post one of these photos here (1.2), also with their permission. Sadly, the other photo didn’t come out properly.

It was only at this point that I realised that, the following day (i.e. today) being Remembrance Sunday and what’s more the exact one hundredth anniversary of the Armistice of November 1918, London in the Westminster Abbey area would already be awash with Remembrance Sunday photo-ops. My shopping could wait a while, and I turned right down Victoria Street.

The seven other photos below mostly involve small wooden crosses and dead autumn leaves – autumn 2018 arrived at Peak Dead Leaf yesterday – but they also include another poppy related advert, this time on a the side of a bus (3.3), which I photoed in Parliament Square:

Sadly, the plasticated documents referring to “British Nuclear Test Veterans” (2.1) were insufficiently plasticated to resist the effects of the rain. It began to rain some more when I was arriving at Charing Cross station and it did not stop for several hours, so I’m guessing these lists suffered further rain damage. It’s odd how little sadnesses like this stick in your mind, in amongst the bigger sadnesses being remembered.

The autumn-leaves-among-crosses photos, all taken outside Westminster Abbey, are but a few of a million such that must have been taken over this weekend, in London and in many other places. Is it proper to include two mere advert photos, even if they are poppy related adverts, in such poetically symbolic and dignified company? I chose to do this because one of the things I find most interesting about these Remembrance remembrances is that, as each year of them passes, they don’t seem to be getting any smaller. People still want remember all this stuff, even though all the veterans of World War 1 are now gone. Hence the adverts. If the adverts didn’t get results, they’d not be worth their cost.

As to why these remembrances continue to be remembered, and by such huge numbers of people, year after year, I think one reason is that each political tribe and faction can each put their own spin on the sad events being remembered, but in the privacy of their own minds. For some political partisans, these ceremonies and symbols are a chance to wallow in the pageantry of patriotism. For others, they are an opportunity to rebuke such nationalists, for stirring up the kinds of hostility that might provoke a repeat of the sad events being remembered. “Patriotism” and “nationalism” being the words used to salute, or to denounce, the exact same sentiments. But declaring red poppies to be a warning that the defence budget should be increased, or that they are anti-Trump and anti-Brexit symbols that Trump supporters and Brexiteers have no right to wear, would be too vulgar and partisan, so on the whole this kind of vulgarity and partisanship is not indulged in, not out loud.

The phenomenon of the political meeting where all present hear the same words but where each understands them to mean different things – I’m thinking of such words as “Britain”, “freedom”, “democracy” and “common sense” – has long fascinated me. Remembrance ceremonies remind me, on a larger scale, of such meetings. I attended many such little political meetings myself before I decided that mainstream politics was not for me, and switched to libertarianism, where meanings are spelt out and arguments are had rather than avoided.

For less obsessively political people, Remembrance ceremonies and symbols are simply an opportunity to reflect on the sadness of history in general, and in particular the sadness of the premature deaths of beloved ancestors – or, perhaps worse – hardly known-about ancestors. We can at least all agree that premature death, in whatever circumstances, is a sad thing to contemplate. And until young men entirely cease from dying in wars, Remembrance Sunday will continue to be, among other things, a meaningfully up-to-date event.

And so, year after year, these ceremonies continue. Will this year’s anniversary come to be regarded as Peak Remembrance? We shall see.

Originally posted at Brian Micklethwait’s Old Blog