The Michelin Man stained glass window

Last night I dined at Chateau Samizdata, which is in the Fulham Road. I always get there early, but like to be exactly on time in order not to disrupt the preparations. So, I typically walk about a bit, looking for photo-ops.

Last night I walked east along the Fulham Road towards the centre of London, and came upon Michelin House, which I knew was somewhere around there, but had never clocked before as being so very near to Chateau Samizdata. This building occurs at the point where the Fulham Road is turning into Brompton Road.

It has a wonderfully eccentric stained glass window, at the front, at the top …:

… which had been thoughtfully lit from behind.

I image-googled this building, and I could not find this particular view of it. There are one or two views to be seen of this window from inside the building, but none that home in on the window, in the dark, from the outside, with that all-important internal lighting.

I think that this window deserves to be viewable in as many ways as possible, from inside, and from outside. As does the whole building.

I considered cropping my photo, but the photo exactly as taken supplies just that little bit of architectural context, so I left it as was.

Originally posted at Brian Micklethwait’s Old Blog

Smartphone photoers on Westminster Bridge

Last Sunday, I was again photoing photoers, among other favourite photoer spots, on Westminster Bridge:

All four photos were chosen for their artistic effect rather than to make any point, but despite that, the point makes itself. All smartphones. I especially like the one with the Eiffel Tower on it.

The world is starting to speculate that the Age of the Smartphone may, like the Age of the Personal Computer before it, be drawing to a close. But what this means is merely that the age of selling millions upon millions of new smartphones may be ending. Smartphones will still go on being used, because people like them and have got used to them, and see no cause to jack them in for an only slightly better but hideously expensive replacement. Similarly, I periodically upgrade the personal computer that I am typing this on, with new appendages which are now priced like the generic commodities that they are, but I have no plans to stop using this contraption.

Originally posted at Brian Micklethwait’s Old Blog

NFL photoer photos The City Cluster (plus video of a stadium roof opening)

I do like an interesting hat, when I photo a photoer:

And I admire this photoer’s choice of subject matter. The Scalpel was looking especially fine, its angle catching what was left of the setting sunlight. We’re at the top of the Tate Modern Extension, by the way. A favourite spot of mine.

But, going back to that hat. What does it say on it? P……..S? Philadelphia Eagles? Pittsburgh Steelers? A bit long, but conceivably one of those.

Hang on, I wonder if I photoed any more photos of that same photoer, which might shed light on the matter.

Yes:

I hope a robot couldn’t identify this guy from that photo, what with it being so blurry, although I dare say his loved ones could. But, anyway, what that says is that the hat goes P….OTS. And we have our answer. He is a supporter of the New England Patriots.

And no wonder he is proud to be sporting this celebratory headgear. The Patriots are due to contest Super Bowl “LIII” (53), against the Los Angeles Rams, this coming Sunday, which I will be watching on my TV. Here is a Daily Telegraph report about that.

The game will be played in Atlanta’s Mercedes Benz Stadium, of which, the Telegraph says:

That jagged-looking roof opens and closes in a very pleasing way:

The “:” is there because there then follows video of this pleasing effect (that being it on YouTube). I greatly enjoyed this.

Blog and learn.

Originally posted at Brian Micklethwait’s Old Blog

Hell or Habito

I continue to photo taxi adverts, whenever I get the chance. Last Sunday, I photoed this one:

There wasn’t space for to get the whole taxi, and there wasn’t time for me to go the other side of the road and get the whole taxi, because I was in a hurry to be somewhere else. But I hope you agree that that photo suffices.

This being the century of the internet, I have since found this, and this, and this.

I bet Jimbo Phillips never thought he’d be selling mortgages.

Originally posted at Brian Micklethwait’s Old Blog

Now thrive the cardboard makers

Indeed:

That’s the wrapping of the new sofa, which arrived the day before yesterday.

It interests me that cardboard seems to have defeated expanded polystyrene as the delivery wrapping of choice these days. It’s basic superiority is structural. It is weak in compression, but strong in tension, at least in one direction. Polystyrene is weak in every direction. Its only strength is as padding. And even there, cardboard (or just scrunched up paper) usually seems to suffice. Worst of all, expanded polystyrene is (the clue is in the “expanded”) takes up too much warehouse and lorry space.

Expanded polystyrene looks cooler. But cardboard does the actual job better.

And consider also the sofa itself. Central to its low price, compared to the big bulbous monster sofa style, is that it can be folded flat. Again, far less warehouse and lorry space.

Originally posted at Brian Micklethwait’s Old Blog

The Christmas Day posting

I haven’t been out photoing a lot lately, so here are some Christmas-themed photos picked out from the archives, taken during about the last five years or more.

There’s two dozen in all that are ready to go. Here are the first dozen:

Another dozen tomorrow.

I hope your Christmas is going well, with some of the right people with you, and not too many of the wrong people.

Originally posted at Brian Micklethwait’s Old Blog

Renzo Piano’s new Genoa Bridge

Here is Renzo Piano’s design for a new bridge in Genoa to replace the one that collapsed:

Nice, I think. Does the job, with no fuss and much elegance.

A lot of the “photos” make this look like the Millau Viaduct. However, the spikes on the top are light fittings, not structural columns. All the load bearing is done by the columns under the roadway.

Originally posted at Brian Micklethwait’s Old Blog

From ridiculous to sublime

Ridiculous:

Octopus shorts. Photoed by me in the Kings Road.

Not so ridiculous and just a little bit sublime:

It’s this shop, in the Fulham Road, a few hours later.

Sublime:

Sublime compared to the Octopus Shorts anyway. If Jeff Koons did that, it would change hands for millions.

Not photoed by me. A friend featured that photo at her Facebook site recently, she having photoed it. My friend says that this unicorn is something to do with fundraising for Great Ormond Street Hospital, despite not being close to that Hospital. More the Gloucester Road area. But even given all that information Google could tell me nothing about it.

I’m guessing that, what with unicorns being very big business, this unicorn, even if it is on the www, is buried under a million other unicorny images and products and general nonsense, which have all paid Google to put them first. Such is the internet. If you aren’t paying, you’re the product.

Originally posted at Brian Micklethwait’s Old Blog

Transcendence

I am now listening to this conversation between Roger Scruton and Jordan Peterson, about transcendence. While so listening, I found myself thinking back to this morning, when I listened to the first half of Bach’s Mass in B Minor, as recorded by Sir John Eliot Gardiner. I found listening to this recording to be an unsatisfying experience, which was why I did not also listen to the second half of it. For me (and I emphasise that this is only my personal take on this recording), what this recording lacks is … transcendence. To me, it sounds too brisk, too lively, too mundane, too earthly, too humdrum, too fussy. Too businesslike. Too lacking in legato. Not enough grandeur.

To repeat the point in brackets above: many, listening to this same recording, will hear exactly the virtues which, for my ear, it lacks. Gardiner himself was certainly aiming at transcendance:

That is the cover of this Gardiner recording, which is put out by Gardiner’s own label, Soli Deo Gloria, and Gardiner will definitely have approved that cover.

Neverthless, tomorrow, I think I will search in my CD collection for a different and older recording of this work, a less “authentic” one, the one conducted by Eugen Jochum. This one.

Pause.

During that pause, I conducted that search, so that tomorrow morning I won’t have to search, or to remember that I must so search. The CDs will be there, next to my CD player.

I also encountered, in one of the Amazon reviews of Jochum’s Bach B Minor Mass, praise for his recording of the Bach Christmas Oratorio. I also placed this next to my CD player.

Christmas is, after all, coming.

And, what do you know? The B Minor Mass gets an explicit mention in the Scruton/Peterson conversation. 1 hour 18 minutes in.

Originally posted at Brian Micklethwait’s Old Blog

Fighting back against IO and dust

As I said earlier, a nasty old sofa is due to depart from Chateau BMdotcom, and nice new sofa is due to arrive. And as I also said, I hoped it would be in that order. Well, now it looks like the new sofa will be here tomorrow, while the old one is still here. This threatened chaos. In a place already suffering from severe infrastructural overload (aka IO, aka too much crap everywhere and nowhere to put new incoming crap), it’s all I can do to find space for a new copy of the BBC Music Magazine without it getting submerged. Yet today I managed to liberate enough space for another sofa and still have a large chunk of change, volumetrically speaking.

The secret was getting rid of a whole clutch of things like this:

The main things that such devices store are empty air, and dust. Lots and lots of dust.

I also found a pile of home-made versions of the same kind of thing, in which I had been storing more air and more dust, and (this time) nothing else:

That being about a decade’s worth of dust, going by all the bits of paper in the pile that I will soon be culling and compressing.

As one of my heroes, Quentin Crisp, once said, the secret with dust is not to stir it up. Do that, and you find yourself living in a dusty home. Just let it be and it behaves itself very politely.

I now learn (such is the internet) that what Crisp actually said was more like this:

There was no need to do any housework at all. After four years the dirt doesn’t get any worse.

I actually do do some housework, mainly in my living room, so this doesn’t really apply to me and my home. But I like his attitude. That gag about being a “stately homo of England” is also a Crispism. The link above is to a large stack of verbal Crispnesses.

Back to my dust. To get rid of that dust, which did have to be got rid of because the receptacles containing it had to go, I had to carry them out of my bedroom very carefully, into the living room, and part of this involved stepping down from my bed to the floor. Imagine doing that with a tray full of drinks. But, all went well, and I have now liberated a hug gob of space which I had previously thought permanently clogged:

That will accommodate a lot of IO, in the days and weeks to come. Those two boxes on the right can go too, come to think of it. All they contain is big envelopes that I will never use and whose glue long ago stopped working.

Each time I have a campaign against IO, I think that I really have, this time around, completely run out of space. But, each time, it turns out that there’s more, lurking in plain sight.

A good day.

Originally posted at Brian Micklethwait’s Old Blog