Ravenscourt Park photos

Yes, I was in Ravenscourt Park on Thursday evening, having a Libertarian Lads dinner in a restaurant there.

As I usually do when visiting spots that are unfamiliar, I was anxious not to be late and so got there very early. Which meant I had plenty of time to photo.

Here are the four:

The first was, obviously, taken at the tube station when I got there.

The second was also taken from the tube station, and makes the local Premier Inn and the building nearer look like all one, with the Premier Inn itself emerging out of the roof clutter which is actually across the road from it. (I do love aligning Things, don’t I?) Premier Inns: Machines For Staying In.

Photo three, taken of and through a bookshop window, is an illustration of the strong Polish presence in Ravenscourt Park. I assume that got started right after WW2, when exiled Poles decided they’d prefer to stay that way, what with the USSR having conquered their preferred country of choice.

Photo four is a motorbike. I love to photo motorbikes, especially in France, but also in Ravenscourt Park, if Ravenscourt Park is where I am and if Ravenscourt Park is where the motorbike is. This motorbike is trying to be an abstract sculpture, but it didn’t fool me. (It should have hidden its wheels better, for starters.) This is another in my ongoing series of photos that I like, that look like works of Art of the sort that I don’t much like. This fondness of mine, for photos that look like they’re Modern Art but which actually aren’t was something which I later persuaded some of my dining companions to discuss with me, and out of that I got one answer as to why I like such photos, which I may or may not (I promise nothing) tell you about, later, in a different posting.

What have Patrick Crozier and I been doing right with our podcasts?

For quite some while now, ever since August (I think it must have been) 2017, when we talked about World War 1, Patrick Crozier and I have been doing a podcast every few weeks or so.

Here is where to find them all, that first one in the series about WW1 being
here.

But what has anyone besides us been making of these podcasts? That’s if anyone has actually been listening to them.

Anyone besides me. I find it very helpful to record interesting thoughts, and in particular big questions, in this “public” form. Questions like: Why did the rulers of Britain decide that Britain should plunge into World War 1, in the horribly destructive and self-destructive (as it turned out) way that they did? And why, having discovered how destructive the war was becoming, did all those engaged in it not put a stop to it? What the hell were they thinking? I want to remember such questions until I have something approximating to answers.

But that’s just me. I’m terrible at note-taking. Oh, I take notes, but later I can’t even read the damn things, let alone store them in a way that enables me to get back to them. On the other hand, I love to have places, in something resembling “public”, where I can shove notes, and where others can, at least in theory, help me improve on them and flesh them out, or correct them when they’re wrong. Instead of me just forgetting everything.

Once I know other people just might be noticing what I have said or written, I find I can pay attention to it also. Books, these are things I can remember that I own and keep worrying away at, not least because they have big words written on them which I can see on my walls. My own thoughts, scribbled on scraps of paper, forget about it. As in: I forget about it.

All of that being part of why I so like blogging, and also doing these podcasts with Patrick.

But that’s just me. That’s why I like listening to these podcasts. Why would anyone else want to listen to them? I don’t know, but I’d love if if someone else were to listen to some of these podcasts, like them, and then tell us why.

This was why I was so pleased when someone else recently did say they’d been listening to these podcasts, and say that he did like them.

In a comment thread attached to this First Official Posting here, and in among a lot of jibber-jabber about comment approval and RSS feeds and suchlike, “Rob” (and I know who that is) mentioned that if I and Michael Jennings (the man who set up and is still helping me with this new blog of mine) were ever to do any more podcasts, he, Rob, would listen to them. I replied that Patrick Crozier and I had been doing some podcasts. A bit of a while later, Rob said this:

I have listened to the croziervision podcasts and like them too.

Big moment. Our very first positive feedback. Someone who took no part in these conversations nevertheless liked listening to them.

My question to Rob, no disrespect at all intended, is: Why? What have we been doing right? I’d genuinely like to know. Because then we can tell other people why Rob liked listening to these podcasts, and a few further people might like the sound of them, and tune in also, and then like the actual sound of them. A comment on this from Rob might even accomplish this automatically.

What four friends told me about their experiences of architecture

I’m giving a talk about architecture, to the first of Christian Michel’s 6/20 gatherings next year, on Jan 6. By way of preparation, instead of just thinking about it all for myself, I am soliciting strongly felt architectural opinions and experiences from friends and acquaintances. I could go on the internet to seek such stuff, but internet discussions on any particular topic tend to be by a self-selected group with a particular axe to grind. I seek a collection of axes, so to speak. Lots of angles. Lots of agendas.

In this posting, I will record the opinions and recollections along these lines that I have collected, basically so I don’t forget them. So far there have four. Here are these four, in chronological order of them being told to me.

First, a friend who vehemently objected to the way that modern buldings are not built to last. Why tacky boxes that get ripped down after thirty years? Why not stuff like they used to build, that hangs around for hundreds of years, like Quinlan Terry still builds?

Second, another friend, married to the friend above, a rather high-powered nurse and manager of nurses, who has had experience working with architects on new healthcare buildings. She spoke in particular of a design for a new mental hospital, which contained, she said, several suicide opportunities built into it. Since suicide in such places is very spur-of-the-moment and opportunistic, this was inviting a regular trickle of such disasters. What my friend hated and despised was not the original design as such, but the refusal of its perpetrators to change it, once the above had been explained to them. These architects, said my friend, were more interested in getting awards from other architects than they were in designing a good building which did the job required. She kept on repeating the bit about them being “more interested in awards”.

Third, a newly acquired friend now based in London but who grew up in Dublin. He spoke about a Dublin terrace, long and elegant, violated by some electrical techies who needed a switching station. Instead of hiding their damn switching station behind the facade of the terrace, as they well could have, they insisted on bashing a gap into it, to insert their modernistical box of tricks. It was quite a cause celebre when this all happened, although I’ve not been able to track it down on the internet.

Fourth, and last so far, a friend who recalled a recent visit to Budapest. She loved it, with its tall apartment buildings, with their frontages all beautifully and individually designed, in antique or art nouveau styles, early in the twentieth century. It took her back to her childhood in Bucharest, where they had just the same kind of urban housing. Until Ceausescu smashed in all into oblivion to make way for his fascistic monstrosities.

The above experiences and recollections have in common that they involved huge anger as well as plenty of intelligent thought. Two of the four involve the destruction or desecration of old buildings, and the first is about the refusal to build in an antique style in the first place.

The second, about the award-seeking mental hospital designers, is a bit different. Modernism prides itself on being functional, but is often not functional. My sense is that things have been getting better in this respect. (They could hardly have got worse.) But if the above anecdotage is in any way typical, then there’s clearly room for improvement.

Brian Micklethwait’s New Blog starts now

Originally posted at Brian Micklethwait’s Old Blog – this was the final posting there

And this blog stops now.

Not before time. For many years it has been too slow, too clunky and just too all round ridiculous. More recently, and longer ago than I care to think about, (my management of) the comment system went to hell, as I’m sure you noticed.

So, time for a new blog, and here it is. As of now, all new personal blogging by me goes there, and quite a lot of the old personal blogging done by me here has also started going there too, so that if I want to link back to it, nobody has to endure coming back to here.

I’ve hardly mentioned this new blog here, until now. A new blog is not something you want to be promising endlessly, before it finally gets going, far later than you had been promising. You just need to get it ready, taking as long as that takes, and then launch it, and then tell people about it, just as I’m telling you now.

Not that the new blog has been perfected before its launch. It has merely been – please allow me this neologistical verb – adequated. Many tweaks and improvements, both in working and in appearance, will surely follow, especially given that my good friend Michael Jennings set up the new blog for me, and will surely continue to take – not a “proprietorial” (that would be me), but you know what I mean – interest in its workings. My thanks to him, in advance for any future help and for all the work he’s already done.

My thanks to Patrick Crozier who started this blog up for me, many years ago when it wasn’t ridiculous, and to The Guru (he knows who he is) for all the help he has given me over the years, keeping this blog afloat when it would otherwise have sunk without trace.

So, goodbye, hello and welcome.

Welcome to Brian Micklethwait’s New Blog

Yes, welcome.

I’ve already shovelled quite a few postings from the old blog to here (see below), and I now intend that many more will follow (so that if I refer back to an old posting, you won’t have to be bothering with the old blog). But as of today, that old blog stops getting any new stuff, and this is where I’ll be doing all my personal blogging from now on.

The old blog didn’t completely collapse, but as the subtitle of this blog says, it stopped working properly. I was still able to do postings there. But, among many other defects and difficulties, the commenting system went to hell, as all those who stuck with that old blog will surely have been noticing for quite a while. Basically, any comment of any sort, whether authentic or from a spamster, triggered an army of sex-obsessed robot commenters, who just commented away for ever until I expunged it all. That definitely shouldn’t now be happening here. So, feel free to add your truly authentic comments now, on this or any other posting here (including on any of the old postings copied across), as and when you feel inclined.

There’s lots else I could be saying in this first real posting here, but all of that can wait, other than the one thing which I really must say now. Which is: deepest thanks to my friend Michael Jennings, who set this blog up for me. All errors of taste here are my fault rather than his, and in general, I didn’t make it easy for him. But he has made it all a lot easier for me. And I trust, for you.

Welcome to my new virtual home.

Quimper Cathedral photos from a year ago

Earlier today, Patrick Crozier and I recorded another of our recorded conversations (by and by it will appear here). Patrick laid out the agenda which was Christianity, and how, although he could never believe in it, nenevertheless regrets the diminution of its influence on our world.

He mentioned the way the Western Roman Empire fell apart after it had been conquered by Christianity (echoing Gibbon, although I didn’t say that; he mentioned ecclesiastical architecture; he mentioned the intimate relationship between Christianity and secular power; and at one point we rather digressed, into the matter of French domestic architecture.

Here are four photos I photoed in Quimper, Brittany, exactly one year ago to the day, which illustrate these various talking points:

Photo 1.1 a history lesson inside Qumper Cathedral which covers the ground Patrick alluded to about the Roman Empire (protected by glass, hence the reflection of the stained glass window).. Photo 1.2 is a view of one of the towers of Quimper Cathedral, as seen from the other tower. Photo 2.1 is of an equestrian statue, from the same spot. And finally, 2.2, also from the same spot, is a photo looking out over the city of Quimper.

The weather could have been a lot brighter, but you are only allowed to the top of Quimper Cathedral on the one day each year, and April 29th 2018 was the day that it was

I will greatly miss Quimper and its Cathedral, now that my friends in France no longer live there. I won’t be going back on my own, just to see it but not them.

Originally posted at Brian Micklethwait’s Old Blog

Quota photo of a signpost

Yes, I like to photo signposts. You know where you are, with signposts.

Here’s a signpost photo I photoed in March 2012:

But there’s more to it than just having a note of where I was, useful though that is. There’s something about actually seeing those particular names of particular places which makes the fact that this is where I really am – and then later: was – come particularly alive.

As you can tell from the previous paragraph, I don’t really know how to explain this fascination of mine. And just now, I am too knackered, having spent the day recovering from a Last Friday of the Month meeting that happened last night. Dominique Lazanski: very good. My front room: very full. Aftermath: lots of crap to tidy up.

Yesterday was a day when I had to be very energetic and alive, to get ready for that meeting. So, I was. (Hence those four blog postings yesterday.) Today, I could be knackered. So, I was.

Originally posted at Brian Micklethwait’s Old Blog

Meeting Oscar again

One of the first things I did in France, after I got off the plane and had been driven by my hosts to their home, was to meet up with Oscar again. Remember Oscar? Oscar is the cat, who got lost and found, partly thanks to the photos I took of him, but mostly because of GodDaughter2’s social media expertise. She located him, in France, while not even being in France.

Here is one of the first photos I photoed of Oscar this time around:

I like that photo because it looks like we are looking at each other horizontally, but are actually …:

… looking at each other vertically, him upwards and me photoing downwards. Those being my feet, at the bottom there. On the right, the light of the south of France on the floor of the balcony outside the bedroom I was in.

The earlier photos I linked back to were taken in their Brittany home, but now my friends are more permanently in Thuir, way down south, near Perpignan. Oscar doesn’t like car journeys (stuck in a small prison hardly bigger than he is), but he has no objections to actually being in a different house. Somewhere new to explore.

Originally posted at Brian Micklethwait’s Old Blog

France is big

In the part of France where GodDaughter2’s family live and with whom I recently stayed, there are two ways to make a car journey. You can take what looks like the long route, along two or even three sides of a motorway rectangle, only travelling on little roads when you have to, to get to and from the motorway. Or, you can attempt to travel more directly, along little roads, by the scenic route. The scenic route looks quicker on the map, at first glance. But the motorways are quicker because they always go straight where they’re going. They don’t wiggle back and forth up and down mountains, or get stuck in little villages.

I was taken on various car journeys during my stay, of both kinds. The trips involving airports were on motorways, as were others. But there were also various journeys along those scenic routes.

Here are a few of the many, many photos I took while on such expeditions:

The thing is, France is (see above) big.

On one of these expeditions we drove for about four hours, hither and thither, up and down, through kilometre upon kilometre of gorgeous scenery, encountering about three other oncoming vehicles per hour. We crossed over numerous bridges as we switched from going down or up one side of a valley to going up or down the other side of the same valley, often able to see past nearby trees to distant mountains, but often not, passing through and sometimes stopping in towns or villages with orange tiled roofs.

Countryside in England of this desirability, in weather like this, would be swarming with motorists, all making it impossible for each other to have a good time. In the south of France, where this sort of weather is only average (too cold and windy) and where they have endless supplies of such scenery, we had the entire route pretty much to ourselves.

Also, in England, if you were to drive for half a day at the slowish but steady speed we were able to drive scenically in France, you’d take a visible bite into the map of England. In France, such a trip doesn’t register, nationally speaking. You’ve gone from this little place here, to this next little place right next to the first place, here, two milimetres away. As an exercise in crossing France, forget it. You have made no progress at all.

It’s not just places like America, Africa and India that are big. Compared to England, France is big too.

Originally posted at Brian Micklethwait’s Old Blog

Jamie Hannah’s new video

Jamie Hannah is a friend of GodDaughter2, as a result of him having spent a year at the Royal College of Music, going from being a good countertenor to a rather better countertenor. But now he’s giving the pop star thing a go. Judging by his latest video, I reckon the plan just might work.

I’ve heard Jamie Hannah in action twice before, once live and once in the form of a recording. In terms of performing savvy and persistence and general attitude; he seemed to be going about it the right way, but the actual sounds he was making didn’t sound to me that distinctive. Any friend of GodDaughter2 is a friend of mine. But not having anything sufficiently positive to say about Jamie’s work, I kept quiet about it here.

As you can see, that has now changed: If this new video is anything to go by, Jamie is now making much more use his strength; which is his very distinctive countertenor voice.

And, although I know nothing of the technicalities of such things; the production side – the sheer sound of the musical backing and the general ambience – sounds to me like it has taken a big step in the right direction. Whatever he is now doing, I hope Jamie Hannah keeps at it.

Judging by a lot of the comments at YouTube, it would appear that a certain Boy George feels similarly.

Originally posted at Brian Micklethwait’s Old Blog