London from the air – in 2005 and in 2020

I’ve written here a few times about London City Island, and how a sort of mini-Manhattan of unspectacular but decent looking apartment tower blocks have been built on it.

Well, here are a couple of aerial shots that show that having happened. Here is how things in that part of London were looking in 2005:

And here is the same view now:

This blog actually knows a couple of people who have regular jobs doing tech stuff, but who also in their spare time own and operate photo-drones, and who sometimes visit London. These two are really good photoers, even if they may not be quite your Real Photographers, in the sense of making their living photoing, all their working life. I wish I could tell you that it was one of them who did the above photos, but actually, these photos were done by Jason Hawkes, who is as Real a Real Photographer as you could ever wish to drool over the photos of. (Besides which, no drones in 2005.)

The above two photos are just one pair of before-and-now, 2005-and-2020, photos featured in this amazing Guardian collection of photos of London from the air, with commentary by Hawkes himself attached. All you can do here is scroll back and forth between one such pair, reduced in size to fit here. If that amused you at all, you really should click on the Guardian original, and then scroll down and click on each photo to get the other version. There are, by my count, thirteen of such photo-pairs.

Amazing.

Although this wondrous Guardian offering is a “mainstream media” story, there is no way that it could be shown in all its glory in a mere newspaper. Was any of this in the actual Guardian, the one done with paper and ink and sold in shops?

Red dog – red cat

Mick Hartley has been spotting red pets, out East in Mick Hartley land:

Woof. Miaow.

In London, and I suspect elsewhere, interesting new murals now seem to be more numerous than interesting new buildings. And more interesting, I’d say. To put this another way, murals are now the latest architectural thing.

One of these muralisers should be let loose on this building.

Urban picturesque with Shard

Same formula as the previous post. Ooh that’s nice:

But puzzle. What is it? We see the Shard there, but where are we? What direction are we looking at the Shard from?

Context:

We are at the Dome end of the Dangleway, looking across the Greenwich Peninsular towards the towers of Docklands, with central London beyond. The City cluster is not visible, but the Shard is.

I still don’t know what that blob in the middle of the sky is. Mercifully, it isn’t to be seen on any of the other photos I photoed at this time.

The tall pole with sticking out bits in the original photos is for hanging banners, saying things like: “London Olympics 2012”, 2012 being when all these photos were photoed. Now, there are Machines-For-Living-In Things in the foreground, next to and just south of the Dome, and a great many more bigger Things in the Docklands Tower Cluster.

The photo on the right, featuriing the Dome, was photoed as I began a Dangleway journey across the River to Victoria Dock.

I love that part of London. An essential part of that being because it keeps on changing.

More London

Back in March 2019, on the same day and just before I photoed these photos, I photoed this photo:

What I like about that is what I also find weird about it, which is the way that this metal circle of 3D map information kind of hovers weightlessly over the pavement.

Luckily I soon found another photo which explained this weird effect with logic:

But now, there was another mystery. What is “morelondon”? Turns out it’s More London, which was the place where I was.

Here are some more photos I photoed at the same time as the two above:

The reason I made them look so small in this posting is in the hope that you will be deceived about what is going on, in photos 1 and 4 there, 1 especially, 4 in a general way, but 1 in a very particular way. Click and you’ll surely see what I mean.

The strange coloured-in statues are, I now learn, by Stephan Balkenhol. More about him here. At the time I recall wondering if they were Art, or just advertising of some kind. Art, it would seem.

Progress and the personal touch

The two photos below, taken at Chateau Michael Jennings, remind me yet again how valuable personal face-to-face contact is in an age of radically progressing technology. The irony being that a lot of the technology that is now progressing most radically is all about making such personal face-to-face contact less necessary. But the more such technology progresses, the more valuable it is to be sitting right next to someone who knows how to get the best out of it, and can watch you failing to do that and can correct you. What’s that you say? Zoom? Two problems for me there. One, my regular C20 computer has no camera pointing at me. Plus, I tried to get Zoom going with just the sound, for a meeting, but the damn sound didn’t work. I’ll only get Zoom going when someone clever pops by and helps me do it.

These photos were taken somewhat over a year ago, when Michael was still regularly tweaking this blog, this posting being the one on the screens. They illustrate one of the improvements of this blog over the old blog, which is that (be warned) the old blog didn’t work nearly so well on mobiles or tablets. This one works much better on such modernistical contrivances:

Another friend is due round soon to help me with get the best out of my new Dyson Graven Image, before Winter arrives. I probably could get this working okay by reading the damn instructions. But, personal face-to-face guidance from someone who already knows will work far better.

A Japanese lady sits on a shop front

Photoed by me last Tuesday, in Acton:

See eleven more photos of this mural and further information about it here.

As my title says, I like how Fin Dac has used the details of the surface he was faced with, turning bugs into features.

Fin Dac is Irish, so this is cultural appropriation. Which is fine. If we’re not going to allow cultural appropriation, we might as well close London down now.

Pavlova reflected … twice … and now here

One of the things I have learned from my stats page, which has been operating since the end of April of this year, is that quite a few of the people who come here like to rootle around in the archives. This makes sense. Much of goes up here doesn’t date. A pretty photo is a pretty photo, no matter when it was taken.

So, every so often I do a burst of transferring stuff to here from the old blog, making you liable to bump into it here. (At the old blog, you’re liable to be bombarded with “not secure” propaganda.) And yesterday, I was mostly been concentrating on Pavlova. Some of the postings at the other end of that link have been here quite a while, but several went up here yesterday for the first time.

And my favourite Pavlova photo that I copied across was, this one:

Which originally appeared on the old blog in July 2015.

I liked that photo in July 2015, I like it now, and I believe I’ll like it in 2025. And I hope something similar applies to you, if not with this photo, then maybe with some other photo, or some other bit of verbals, from way back.

Mirror and white

As I said, I didn’t do much photoing when I met up recently with GodDaughter2. But I did do some. Of this dazzling object, for instance, in a shop window:

This is why I love digital photography. I would hate to live with that Thing on a permanent basis. But photoing it was great fun, not least because I had no idea how it would turn out, what with all those reflections.

I called the photos “Silver+White”. But … silver? Is “mirror” a colour? It is, see above, now.

I made me think of Jeff Koons, whose work is of this same sort of tastefulness and restraint, is it not? Has Koons ever done a car like this? I googled “jeff koons silver car”, and got the answer. No, he has never done a car like this. But, he has done a car like this. A BMW as it happens. Again, glad someone photoed it, even if not me. But, definitely wouldn’t want to own it.

Beatrice and Titania

Badly needing to get out and exercise, so quota photo, of the above mentioned ladies:

Photoed with my old Canon A70, way back in 2003. Behind the two yellow ladies, you can just make out the Wheel.

I do miss them, and their various Shakespearian sisters. They were driven out of business by the Big Sewer.

This photo already had a name in my archives, so I wondered if I’d shown it here (or here) before. But all I found was mention of a Beatrice (Rana) who plays classical piano, one of many.

See also this recent posting, for my take on why you don’t often see boats with wheels, even though this is technologically very easy to contrive.

Another building with a picture of a building on the outside of it

I was browsing through the photo-archives and I encountered this favourite photo from two years ago:

Makes a nice contrast with this photo recently posted here, and this one of the Royal Albert Hall. The point being, in those two photos, they got pretty much the effect they wanted, whereas with this earlier one, they got something a lot more interesting than they were going for.

Had I done an earlier posting featuring the above photo? That the photo had a name as well as a number in the archives suggested: yes. And so it proved.

Photos like this don’t date. If anything, after what they are of has vanished, they get better. Click on that link, and you’ll also see another photo of the same thing, done with a slightly wider angle, and including the entire crane that you can only seen the bottom of in the above photo.