Colourful messages in Victoria Street yesterday

One of the reasons I foresee a lot more colour in London in the next few years is that colour is all part of the imagery of thew political orthodoxies of our time.

These three photos, which I took yesterday, all illustrate this opinion of mine, or I think they do:

Left, 55 Broadway, flying a rainbow flag where previously flags like the London Underground flag or the Union Jack would flutter. Middle, a sign signifying the now near-universal worship of the NHS, outside the entrance to Westminster City Hall. Right, a rainbow very recently applied to the road. Who by? For how long? Not sure.

This sort of stuff is now the colour scheme of public virtue. These colours are not merely pretty. They mean something. They are all messages. Sexual identity flexibility. Ethnic diversity. These colours proclaim virtue, and denounce vice.

So, if you are against things being painted or decorated thus, that means you oppose virtue and you favour vice. This is why the colours will spread, because who’s going to stop this? Stopping it will mean favouring vice, and who’s going to do that?

Purple pavement passage

Which sounds like a description of a particularly florid piece of writing about a pavement, but actually I’m talking about this:

Passages like that one are one of the oddities of modern urban life. They happen when a rather posh building is being erected right next to a narrow pavement, over which they want to get some serious work done, but beneath which they do not want to antagonise potential customers and word-of-mouthers thinking about and talking about the people doing the building, thereby threatening the subsequent selling of the apartments or offices in the building, when it’s finished. If the developers mess with the lives of passers-by while they’re building, that at least suggests that they might have a similarly casual attitude to their actual customers. There is so much money at stake here, so big a gap between feast or famine for the developers, that a bit of extra bother at ground level, just next to the site, is well worth going to. Factor in the recent intensification of health-and-safety, and the desire by developers to avoid damaging fights with local bureaucrats, and you have yourself an entire new urban form, the scaffolded pavement passage.

In this particular one, which is in Victoria Street next to and beneath The Broadway, the shininess of the cladding on the inside and the colourful lighting combine to striking effect. We’re looking south east towards Parliament Square. The right hand photo is basically a close-up of the middle of the left hand photo.

I took these photos yesterday afternoon. As with so much that happens in cities these day, if you don’t like it, you needn’t fret. It’ll soon be gone.

Taxi with sealant and construction adhesive advert

I continue to keep an eye out for taxis with adverts. But, taxis are a lot less busy at present, because of You Know What, and their adverts now reach far fewer people.

But, the above observations may be because I, although not myself overwhelmingly affluent, live in a rather affluent part of London. The rich are getting out a lot less these days. But in less posh parts of town, life is much more like normal because it damn well has to be, aside from all the face masks. Taxis are busier, and adverts on them count for more, than either now do in central London.

So it was that I recently spotted this fine example of the species, outside Finsbury Park Tube:

One of the trends in advertising nowadays is that, because people can now easily do no-extra-cost photoing of adverts and read them at their leisure, it therefore makes sense for at least some adverts to be far wordier and more information-packed. There is a definite whiff of that about this advert, I think.

Watch the video here. “The snag list eliminator is here to stay.”

The adverts to which Google will now subject me are about to get very weird.

Tall bike under Blackfriars Station Bridge

A all regulars here will surely know, I love weird transport, especially weird personal transport. The personal transport doesn’t get much weirder than this biker on a very tall bike.

We’re under Blackfriars Bridge, the one with the Railway Station on it, on the south bank of the River. I was walking downstream. He was biking upstream. I had just photoed some buskers, in this busker spot, and he was just about to ride past those buskers. Because he was biking from right to left through my field of vision and through my photos, it would make sense to view the above photos by clicking on the right hand photo and then clicking the left arrow, rather than in the regular way where you start on the left:

That’s the tallest bike I’ve ever seen in its metallic flesh, so to speak. I mean, how the hell do you get on and off? From some sort of platform? What a palaver. I’m guessing he was some sort of entertainer, and I’m also than guessing that he knew exactly where he was going, and that all the clearances he would encounter would be taller than him on his tall bike. Although, with something that weird, all such bets are probably off.

I photoed this biker on his tall bike in October 2017, and I don’t believe I’ve ever got around to showing it before. If I have, then it is weird enough to bear the repetition.

Despite having walked along that part of the South Bank many times, I’d never seen this biker on his tall bike before, and I’ve never seen him since.

Tower Bridge at night

Lots of postings yesterday, but today, after one, other things to do. So, to make it two today, here’s a quota photo that I like:

This is another of Michael J’s, photoed, presumaably, on one of his nocturnal walks in the clear air of London (See his comment there). I copied it from his Facebook site a while back, but now cannot find it there. He has other photos up of a similar sort, including that earlier Shard photo, and including another similar view of Tower Bridge which includes the Shard, here.

I particularly like the way the surface of the water looks, like a rectangular grid of reflected light.

Three statues and two buses

And, at the other end of Victoria Street from this morning’s trio of e-scooters, a trio of statues:

Smuts, Lloyd George, Churchill. Behind Churchill is Portcullis House.

Photoed early in April of this year. The statues are nice and all that, but it was the buses that got me deciding to put this here.

A trio of e-scooters – why there’ll be no scoot-by shootings – why I’m now less gung-ho about e-scooters than I was

So there I was, standing near the top end of Victoria Street, with two things on my mind and being photoed by me. There was Pavlova, and there was the fact that the road junction at the top end of Victoria Street is as muddled and meaningless and shapeless as the magnificent (Parliament) Square at the other end is clear and meaningful and shapely. Seriously, they’ve been hacking away at this place for the last decade, redoing Victoria Tube and much else besides. When you look at it all at ground level, you think: Why did they bother? What a missed opportunity to bookend Victoria Street with something almost as good as what happens at the other! But no, it a mess.

At which point, into this meaningless muddle there came these three persons, on their three e-machines:

That’s right, a small flock of e-scooters, driven by young persons. I knew I’d encounter such a site in circumstances that would enable me to photo it sooner or later, and that moment had arrived. The photos are not great, as photos. But, they do the job.

I vividly recall encountering my first flock of cyclists driven by young persons in hoods, and thinking: It’s only a matter of time before we are all reading about bike-by shootings. Because that was the atmosphere exuded by that cyclist flock. It is a minor but definite regret of mine that I did not record this prophecy before it was fulfilled, as fulfilled it very soon was.

However, I don’t believe that there are going to be any scoot-by shootings any time soon. E-scooters, in fact scooters of both kinds, are fundamentally different from bikes. Bikes work more safely if you keep your hands on the handlebars, but you don’t have to keep your hands on the handlebars. You can steer a bike using only your arse and your feet. You can therefore ride a bike and deploy a weapon, should you be inclined. However, it is my clear understanding that if you take both your hands off the handlebars of an e-scooter, you come an immediate cropper. Even taking one hand off one handlebar would severely endanger you.

Any assassin gang able to get their hands and feet on e-scooters can also obtain bikes, so bikes will continue to be the means of transport of choice for assassin gangs who can’t or don’t want to use a motor vehicle. (Remember, bike gangs can easily split up after they’ve done their evil deeds, and individual bikes can go places cars can’t.)

In general, e-scooters are just not as “empowering” as bikes. They are more unstable, more vulnerable, not least to bikes. I got the chance to interrogate a couple of e-scooter guys, a few days before I photoed the above photos, and this was what they told me. It wasn’t easy to explain, they said. You’ll have to actually do it to get what we’re saying, they said. But, e-scooters are kind of dangerous, they said.

This conversation is the first one I’ve had that made me less gung-ho than I have been lately about e-scooters than more. E-scooters may not be about to conquer the world after all.

I continue to see a steady and slightly increasing number of e-scooters in my local area, every time I venture out into it, and I do mean every time. But maybe this is a temporary phenomenon made possible by Lockdown and the consequent reduction in the number of threats to e-scooters. Maybe when business-as-usual resumes on all of London’s roads, as it surely soon will even as business as a whole in London takes a big hit, then maybe the e-scooters will retreat, instead of becoming ever more numerous.

What e-scooters probably need is dedicated e-scooter pathways. I have seen enough non-hooded, middle class e-scooters, and even a couple of e-scooter family flocks, to suggest that the political clout to contrive such pathways might materialise. But it will take its time, I think.

Urban picturesque 2012

This was not the very first photo I photoed with my new Panasonic Lumix FZ150. These were the first of those. But this was one of the earlier ones:

I have many times photoed those spikes on the Hungerford Footbridges, that join the South Bank to Embankment Tube, on each side of the railway into Charing Cross. This is one of my favourite such photos. It’s the addition of the cluster of aerials on the right that makes the difference, I think.

Also urban picturesque: this.

My neighbourhood – not that bad after all

Well I was in a grumpy mood the other day, calling my part of London boring. Today, after a bit of an absence from it, indoors, I visited my neighbourhood again, and found myself, eventually, to be in a much sunnier mood than I was when I did that earlier posting.

This was partly because the weather was much sunnier, and partly because my expedition began with a deeply annoying visit to a rather unfamiliar branch (which I hate) of my bank, which involved, first, pressing lots of stupid buttons on a damn machine which ended up failing to do what was asked of it, which meant that what I wanted ended up having to be done by hand, so to speak, by a bank employee behind a grill, but not before I had had to wait in a queue right behind a crazy person who was walking backwards and forwards along the line of the queue with no concern for social distancing. Sadly, he was just the sort of person you’d be concerned about, social distancing-wise, whether there was a plague happening or not. Retreating away from him at first didn’t work because he simply advanced further until standing inches away from me, before turning round and walking back to the person ahead of him in the queue and annoying her in a similar way. Eventually I just stood way off the line of his backwards-and-forwards pacing, hoping that he would stick to his straight line, which mercifully he did. I know this sounds cruel, but I didn’t say any of this to him at the time, and now I am just blowing off steam about it all. Anyway, he finally did his business (emptying a bank account of its last few pounds from what I heard (I bet they were glad to see the back of him too)) and he then left and I was then able to do all of my business. This took its time. The bank had “closed” at 2pm, just after I got there, but I didn’t get out until about half past.

The point of all that being that there is nothing like enduring an ordeal like this one, but then have it come to an end with all your purposes achieved, to put you in a good mood. And the photos I then photoed out in Victoria Street reflected my good mood, as well as involving reflections of the towers of Victoria Street in other towers of Victoria Street. Of the photos below, only the first one, of scaffolding angrily illuminated by the sun, which I could hardly ignore, were photoed before my ordeal by personal banking, and I actually think it shows:

The new towers of Victoria Street, on the north eastern side, from the Albert pub up to Victoria Station at the top end of the street, are an aesthetic shambles. I wouldn’t object if this shambles was the result of a complete indifference to “architecture” and pure concentration on having machines for working in. That would almost certainly have been highly picturesque, and aesthetically very well coordinated. But, these towers have all been architected as all hell, but each one with absolutely no thought to its neighbours, other than to get more architectural awards than the buildings by those other bastards. Each is shaped in the “iconic” style, but each iconic shape is utterly difference. The result is a total mess. (I am even now thinking of a posting about why it makes sense for modern architecture to be ugly (basically ugly architecture doesn’t suffer the nightmare of a preservation order being slapped upon it), but that’s for later.)

However, when I photoed this lumbering heard of miss-matched lumps today, such was the weather and such was my mood that even these things came out looking beautiful. Or, I think they did. The first one, the pointy one (62 Buckingham Gate) differs from the others in showing, I think, some real architectural distinction. But this can’t save the shambles that is Victoria Street now. The one thing that could savee Victoria Street now would be a huge fuck-off skyscraper, on top, say, of Victoria Station. (This would rescue Victoria Street in much the same way that the Shard rescues Guy’s Hospital.)

But that also is for that other posting about why ugly buildings are more advantageous than beautiful ones.

In the meantime, note the lorry with foundation reinforcements on it. The only reason you drive a lorry through the middle of London with foundation reinforcements on it is because you want to unload those reinforcements in London, so that some new foundations in London, perhaps for a big fuck-off skyscraper, can be contrived. So, what that lorry tells me is that London is still building biggish things. When I saw it, my mood became even sunnier.

I ended my wanderings with yet another view of Pavlova (she is also to be seen dancing up above the reinforcements lorry) in front of a crane, and a view of the flowers outside the front door of a pub in Wilton Road. And then I went home, tired but happy.

As you can tell, I then started thinking about those Victoria Street buildings and got angry again, but that was only later. Besides which, I also quite enjoyed that.