In this blog posting, someone called Judge Ellis is quoted saying, somewhere in America, some time recently or not so recently, in connection with something Trump-related, this:
“You don’t really care about Mr. Manafort’s bank fraud – what you really care about is what information Mr Manafort could give you that would reflect on Mr. Trump or lead to his prosecution or impeachment.
“This vernacular to ‘sing’ is what prosecutors use. What you’ve got to be careful of is that they may not only sing, they may compose.”
Good expression. Never heard it before, although it must have been around for decades.
Jamie Hannah is a friend of GodDaughter2, as a result of him having spent a year at the Royal College of Music, going from being a good countertenor to a rather better countertenor. But now he’s giving the pop star thing a go. Judging by his latest video, I reckon the plan just might work.
I’ve heard Jamie Hannah in action twice before, once live and once in the form of a recording. In terms of performing savvy and persistence and general attitude; he seemed to be going about it the right way, but the actual sounds he was making didn’t sound to me that distinctive: Any friend of GodDaughter2 is a friend of mine. But not having anything sufficiently positive to say about Jamie’s work, I kept quiet about it here.
As you can see, that has now changed: If this new video is anything to go by, Jamie is now making much more use his strength; which is his very distinctive countertenor voice.
And, although I know nothing of the technicalities of such things; the production side – the sheer sound of the musical backing and the general ambience – sounds to me like it has taken a big step in the right direction. Whatever he is now doing, I hope Jamie Hannah keeps at it.
Judging by a lot of the comments at YouTube, it would appear that a certain Boy George feels similarly.
And here, as promised yesterday, are the other dozen of the Christmassy (Google reckons it’s double ss at the end there rather than the single s I used to name the photos) photos that I was gathering together yesterday. They, like the previous lot, are shown in chronological order, the first one being from 2015 to now, the most recent from earlier this month:
I used half a dozen of these two dozen photos to concoct a Merry Christmas photo-posting at Samizdata, in the small hours of this morning, what with there having been nothing there yesterday, until I did that. And then faked the timing. Just like I often do here.
Which means that, for the last week, I have not only done something for here, every day, but have done something there, every day. More on the thinking behind this sudden burst of Samzdating here, some time soon, maybe, I promise nothing.
For reasons too complicated and undignified to elaborate upon, I have been sitting at home, waiting for one sofa to be taken away and for another sofa to be delivered, preferably in that order. This has caused me to be stuck indoors throughout most of the daylight hours of the last week or so, which is why I have posted only photos from the archives, rather than any photos taken more recently.
But, I have been able to get out after sofa-moving hours, which I take to end by about 6pm at the latest. And during the hours of darkness I have reminded myself that whereas most things do not photo well in the dark, taxis with adverts on them look quite good. Not as good as they do in bright sunshine, but still quite good.
Here is a clutch of taxis with adverts in the dark, taken during the last twelve months, but mostly more like during the last two or three months:
The seventh (3.1) of these twelve advertises Huawei, who have been in the news lately, for being a front for Chinese state skulduggery. Other than that one, these are just regular adverts, on taxis. I particularly like the one for The Phantom of the Opera.
But they keep changing, and I’m thinking that my next taxi advert posting might come from me going back to when I first started noticing taxi adverts, and photoing them.