Bartle Frere

Often, when out-and-abouting, I go down Victoria Street and across Westminster Bridge, before turning left and walking downstream along the south bank of the river. But last Wednesday, instead of going over the bridge, I turned left at the Boudicca Statue and walked along the north side of the River. That takes you past more statues, slightly off-the-beaten-track of the best known history. Parliament Square has Mandela, Gandhi and Churchill, to name three particularly well-known historical celebs. On the North Bank, as you walk towards Embankment Tube, you encounter: Tyndale, the first translator of the Bible into English. You see Charles Portal, who was Chief of the Air Staff during WW2, without ever doing anything that caught the popular imagination, as they say, in the manner of Dowding or Guy Gibson or Douglas Bader. There is Gordon of Khartoum, who got himself killed in Khartoum and who was a huge celeb in his own time, but is now fading into the history books.

And, just before you get to Embankment Tube, there is this handsome looking grandee:

This, proclaims the plinth under him, is “Bartle Frere”.

Even for me, with all that time and money that was spent teaching me what is now decidedly ancient history, Bartle Frere is only a name. But now, in the age of the Internet, questions like “Who on earth was Bartle Frere?” are easily answered. And it turns out that Bartle Frere, or, to give him his full name, Sir Henry Bartle Edward Frere was a late nineteenth century colonial administrator of a sort who cannot now be discussed without extreme embarrassment and censure. He first had an impact in India, following the Indian Mutiny, generally cracking the whip and centralising British power there. And then they sent him to South Africa, to do the same there. Wars followed, against the Zulus, and eventually the Boer War. He seemed to have a genius for pissing people off, so much so that even at the time, people became rather doubtful about him.

You might think that, during the recent little moment of statue-complaining that came and went a few months ago, Bartle Frere would have more than qualified for public condemnation and possible toppling. Trouble is, he is just not known about or cared about. Nobody now says: “What we now need is another Bartle Frere.” “If only politicians nowadays had the moral stature of Bartle Frere.” They say this kind of thing about Mandela, Gandhi and Churchill, so if the wokists can find something unwoke to complain about with one of those guys, iconoclasm can at least be threatened, and a rise can be got out of all the people who respond by saying: Hey, leave Gandhi alone! Hands off Churchill! But nobody cares about Bartle Frere.

Iconoclasm only works if there is an actual icon to be clasmed, or clasmatised, or whatever the word is. Bartle Frere is not an icon, not now. He is now a nobody. So, his statue stood and stands tall and proud and utterly ignored by all but weirdos like me, and the woke mob never laid a finger on him.

At no point, a few months back when all the statue toppling was going on, was it felt necessary to put Bartle Frere in a box.

Westminster Abbey – modified and unmodified

Again with the photos from last Wednesday, this time photoed soon after I had photoed The Broadway, and its coffins.

Proceed down Victoria Street from there, and you go past this place. If you are me, you notice:

This is one of those government departments which keeps having its name changed. That’s what it’s called for the time being. Not that I, or you, care very much. I’m just saying so you know what I’m talking about. “1VS” presumably means 1 Victoria Street.

Anyway, this Department of … whatever, has a fantastically over-elaborate glass and steel front entrance. There are two good things, along with all the obvious sneering, to be said about this front entrance. One, unlike with Big Lumps of the Concrete Monstrosity era of what you might call classic Modernism (which is pretty much what the rest of this building is), you can at least tell where the damn front entrance is. An elaborate front entrance is at least better than an infuriating guessing game.

And second, through the fantastically over-elaborate glass and steel roof of this entrance, you can photo photos like this, of Westminster Abbey:

This is a fine example of a modified cliché photo, which is a favourite sort of photo of mine. Cliché: Westminster Abbey, photoed millions of times. Modified: by being photoed through this roof, not photoed that way more than about a thousand times.

But, here’s a thought. What if you live in some terrible backwater like New York or San Francisco or Shanghai, and although there are lots of photos of Westminster Abbey that you could look at, you are so preoccupied with the details of your humdrum life that you seldom give them your attention. For the benefit of all such unfortunates, here is the unmodified cliché photo of Westminster Abbey that I photoed a little bit later:

God does not exist, but He still manages to occupy some of the best buildings.

How The Broadway is looking in the sunshine

A while back, I showed photos of The Broadway being built, which, because of the weather, looked like black-and-white photos. Here is that same Broadway last Wednesday, nearer to being completed, in sunshine, and therefore in colour:

Photo 1 is the first view of these new towers that I get when I walk along Regency Street and look towards Victoria Street. In that photo, and in photo 4, we clearly see those coffins, which I first mentioned here way back in July, near the bottom of one of these towers. Now, there are also coffins at the top of that same tower. Odd choice.

Photo 5 shows the games that light plays with the big sign facing Victoria Street. “A dynamic new residential quarter redefining …” what? I probably have other photos in my archive telling me what, but frankly, I don’t care and would be amazed if any of you did either. In photo 5, which is a detail of the same scene, you can see through this sign that 55 Broadway will, in you stand in the right spots in Victoria Street, be visible from there. Good. That’s not what happened when New Scotland Yard was in this same spot. The fake photo here shows this gap in The Broadway very clearly.

Photo 7 shows that the other two towers on either side of the coffin tower will sport a slightly different, although closely related, decorative plumage. Too thin to be coffins.

Photo 9: cranes. And in photo 9, I am looking back up Victoria Street from the other side of Parliament Square, at the same cranes, which look pleasingly tumultuous, I think. I really hope that the era of such tumultuous crane clusters is not about to end. Or, to put it another way: I wonder if these apartments will sell at anything resembling a profit?

A lion with a strange shaped face

Here are a couple of photos of one of my favourite local London Things. It’s the Crimea and Indian Mutiny memorial, outside Westminster Abbey:

On the left, I lined it up with the twin towers of the Abbey. And on the right we are looking back up Victoria Street. On the right, the cranes that are finishing the building of The Broadway.

Around the base of this memorial are four lions, which all look like this:

At least, I presume they are lions. I am no sort of expert on how lions look. But I know that there are other lion statues in London, such as the ones in Trafalgar Square, and such as the one at the south end of Westminster Bridge, which have faces on them that look quite different from the above lion. They have heads that are a completely different shape to this Crimea lion, which to my never-seen-a-real-lion-in-my-life-or-not-that-I-recall eye, look more like some brand of monkey, or even like a dog.

I photoed these photos last Wednesday, and I have yet to recover from that expedition, having been suffering lately from aches and pains which this walk was supposed to help but didn’t. Now that Lockdown has locked down again, I’ll probably be showing photos from that day here for about the next month, on and off. There have already been this and these. So expect more, but not today.

Lots more e-scooters – and an e-scooter near miss

When out-and-about yesterday afternoon, I lost count of the e-scooters I saw. These are about half of them, or so, maybe less. The photo-quality is rubbish, because I was usually busy photoing something else, and because, on London’s currently very empty roads, these things go really quite fast, and are usually past me before I even notice them. My speciality is static stuff, like architecture and sculpture and signs and photoers photoing and taxies-with-adverts stopped at traffic lights. E-scooters are seldom static, and when they are I tend not even to see them:

The best photo of an e-scooter by far that I photoed yesterday showed a very clear face of the person doing the e-scooting. Since there are legal uncertainties about whether and where these things are allowed, I didn’t show that one.

As Lockdown drags on, I become ever more impatient to learn whether these machines have any long term future in a traffic-heavy city like London. Lockdown has created very e-scooter-friendly circumstances on London’s roads, but that cannot last. I am zero-ing in, in my autodidactic way, on a law of transport, which says that all vehicles are really systems. You can invent a superbly clever vehicle. But if the right environment for it does not exist, or is the kind of environment that the powers-that-be are not inclined to create, then it’s no go. Steam locomotives are obviously also railway networks. Cars and lorries are, almost equally obviously, road networks, for which, in the early days of the car, there was huge political backing. Bicycles likewise need bicycle networks, or at the very least laws restraining the cars and lorries from running them over on what is basically their network.

Perhaps my waning enthusiasm for e-scooters is linked with the near miss I was subjected to very recently by a delivery e-scooter, e-scooting on the pavement I was slowly walking along. He was in a big hurry and had he hit me, I’d have suffered serious damage. I can remember when such behaviour was fairly common with juvenile-delinquent propelled bicycles, but someone or something seems to have taught some manners to the scumbag cycler fraternity in recent years. The e-scooting people will have to learn similar lessons if they want any help from the politicians, to create an e-scooter network. The e-scooting people I see, in London SW1, are almost none of them juvenile delinquent in demeanour or dress. They all seem like hard-working young citizens. That delivery guy is the nearest to an e-scooter delinquent I’ve encountered, but he too was working, very hard indeed, which is what caused the problem. Needless to say, I had no time at all to take any photos. He wasn’t stopping to apologise, quite the opposite. If he’d hit me, he’d have done a hit-and-run escape, assuming he was able to.

Once anecdotes like that start circulating, the politics of e-scooting will become more like the politics of knife crime. As in: Why the hell isn’t it being stopped?

Regency Street reflections

Despite not feeling a hundred percent, I managed to drag myself out of doors earlier today. This was among the first worthwhile photos I photoed:

The title of this posting makes it sound like I was being unusually thoughtful, when in Recency Street. But, as you can see, these reflections were actual reflections. Of the afternoon sun from beyond that white wall crashing into Regency Street and bouncing off the windows above and behind me. It’s an effect that happens quite often in that particular spot.

After I’d done my little burst of photoing, a couple of nearby hard hat guys, baffled but curious, then worked out what I was photoing and said something to that effect. The point being, they couldn’t at first see it. Cue an exchange of reflections (of the more metaphorical sort) about how we humans see past irrelevances like shadows and reflections to the shapes of the objects we look at, but cameras show us pictures with all the special lighting effects included. We make mental models of what we are looking at. Cameras just look.

Because of all the shiny glass that all modern cities contain nowadays, you see a lot of lighting effects of this sort in London. If you do see them, that is.

A walk like the one I did today would have tired me out even if I was fully fit, which, as I say, I now am not. So, more photos from today to follow, but for now, that’s it.

Shard rising

Allow me once again to flee the horrors of the casedemic that is now laying waste to my country, despite my earlier optimism about how sanity might prevail around now. Allow me instead to celebrate the construction of the Shard, which was in the process of happening exactly a decade ago:

The photo on the left there was photoed on October 13th 2010, and the one on the right exactly a decade ago on November 1st 2010. The location of the left hand photo explains itself. The one on the right was photoed in Hyde Park. This is not a place I often visit, but on that day I was with a visiting American lady who needed welcoming to London. The photo, as a photo, is nothing special. But better a bad photo of something interesting than a good photo of something boring.

Earlier that year, in August, I got luckier with the weather, and these two Shard-under-construction photos were photoed then:

The Shard was and is only starchitecture, but I like it.

Tiger man

How about this? A photo, photoed by me, recently. Makes a change. And it’s now Friday, so there’s cat involvement:

Photoing a stranger when that stranger is doing business with a cash machine is not something I would advise. But how could I resist?

A gallery of mostly mundane things – unmundanely lit

As I spend less time accummulating photos and more time contemplating the ones I have, I more and more see that. for me, light is everything. Photography is, I find myself telling myself more and more often, light. For me, bad light equals bad photography, the sort of photography that involves lots of pressing of things like the “sharpen” button in my not-Photoshop programme. Good light presses that button for me.

October 21st 2018 was a good light day. In the days after it I did several postings based on photos I photoed that day. I did my favourite ever photo of Centre Point that day. I photoed how very blue the blue sky was that day. I photoed Bartok. I photoed Chinese lanterns. I photoed Compton.

I spent some of October 21st 2018 in the area around and to the north of Centre Point:

One of those photos, number 22 (of 25), requires a bit of an explanation. I like to photo the BT Tower. And I like to photo the reflection of the BT Tower in the big building at the top end of Tottenham Court Road. That photo is one of the few times I managed to photo both these things at the same time.

I think my favourite of the above photos may be number 2. Scaffolding, lit in a way that makes it, I think, downright magical. I also particularly like number 3, where you see both a reflection and a shadow, of the same pointy building.

If your are inclined towards enjoying such things, then enjoy. Click click click. It needn’t take you long.

Is “unmundanely” a word? It is now.

Monster pumpkins

I love it when Halloween comes around and the supermarkets are suddenly full of weird stuff:

Sainsbury’s this afternoon.