The curse of Having To Do Something Else The Same Day (and gauze in the early morning light)

I am writing this at 5am, and will shortly be going back to bed. That’s another Getting Old (see the “Categories” below) thing. I now typically have to get up in the middle of the night, to piss and to cool down, bladder and temperature control being two things that have cumulatively deserted me, as I have Got Older.

Also, as with most of this week’s evenings, I have something I must go out and do this evening. That always puts the kibosh (spelling?) on the day. There’s something about having Absolutely Nothing To Do For the whole day, until I next go to bed for real (i.e., at this particular time) in the very small hours of Saturday morning, that enables me to really get stuck into something, like a piece of serious writing (this not being that) or even merely thinking seriously about something, that I really like. Contrariwise, the knowledge that if I do get really stuck into something now, it might go on and on into the evening, at which point I would then have to cut it short, and go off to do something else, makes me fear getting stuck in in the first place. Even though I have many hours before I have to go off to do that other thing.

Factor in the something-here-every-day rule, and I think you can see how I need to get blogging out of the way as soon as possible. Blogging, of even the most trivial sort (this being that) is something that you can’t guarantee to finish at any particular hour. It takes as long as it takes. What if I find I want to stick up a photo? And what if that photo leads to other photos? What if I want to link back to an earlier posting, from the old blog, which I haven’t yet shovelled across to here? What if Surrey suddenly start doing really well at cricket, and demand my attention, in among me trying to contrive this blog posting? There’s so much to get complicated, and to gobble up all that now seemingly endless time.

Here is a photo that I want to stick up here, now, of the early morning light coming in through the scaffolding and the gauze outside the window of my living room:

That wasn’t actually photoed just now. It was photoed at this time in the morning, earlier this week. The time of day is the point, not the date of the day. The photo is all about how you can see through gauze if the gauze itself is not lit up, but not so much if it is.

Here is another early morning gauze photo, also one I photoed earlier:

The point of that photo being that despite the gauziness of the gauze, if you can persuade your camera to focus on the far distance, through the gauze, it’s like the gauze isn’t there. The gauze might as well be a perfectly cleaned lens of filter, for all the interruption it imposes. It changes the nature of the incoming light, but not the clarity of the photo. If anything, by reducing the mere quantity of light, it clarifies the picture, just like a regular filter. That red clutch of a table and chairs can be entirely seen, with no gauze in the picture at all, just less light and therefore, probably, less glare all over the place. But the gauze is there. Just not having any effect on what my camera seems to see. How about that?

Here is a photo of the gauze, similar to the first photo above. But this is not about the contrast between the lit gauze and the unlit gauze, merely about how very gauzy the gauze is:

Enough. (Although actually, let me add, I (LATER:) made the first version of the above gauziness even gauzier by “sharpening” it, in my photoshop-clone. Much better. (Much gauzier.))

But now, I have to photo-process the above photos, just to get them the right size, and then load them up into the blog. This all takes time. I also need to give the above a read-through and correct, which also all takes time. By the time this trivial blog posting is done, over an hour (a phrase which had to be changed from “the best part of an hour”) will have elapsed. Had I been doing all this in the knowledge that in two hours, say, I’d have had to stop and go out, it would have been very stressful. I might have had to stop before completion and just hope that that the bits of this blog posting were pickable-uppable later. As it is, all I did was delay some resumed sleep, let my feet get a bit colder than is convenient, and my bed get a bit colder than will enable my feet to warm up again, all of which is easily corrected with a hot water bottle. No problem.

Really. Enough.

I have now freed up the entire day, for important but non-urgent stuff. Bliss. Come to think of it, I have other important and urgent stuff to deal with. Now much easier to fit in. Bliss of a different kind. (ENOUGH.)

miwhip?

This afternoon, on my way north from South Ken tube, I encountered these golden little vehicles:

It says “miwhip” on them. Who or what is that? I used to be content to just not know such things, and to forget I ever asked. But this is the age of the internet, in fact it has been for some while, as perhaps you have noticed. And the internet soon obliged.

It seems that “miwhip” is an Uber-challenger, and that if you are lucky, when you whisle up one of the above vehicles, you might instead find yourself travelling in one of these:

The best thing I read in the Evening Standard piece linked to above is that miwhip say they’ll pay their hirelings at the end of each day. If you have any friends hacking away at the coalface that is the gig economy, you’ll know how important that promise is. Provided, of course, that they keep it.

AEF

Yesterday I walked across Vauxhall Bridge. It’s been a while since I have done this, which is why I only yesterday discovered that just opposite the MI6 building there is a frenzy of excavation activity, in connection with the new giant sewer that they a building along the river.

Here are the photos I took of all this grubbing:

And here is the sign on Vauxhall Bridge Road next to all this activity:

AEF stands for Albert Embankment Foreshore. It seems that all the “Tideway” (i.e. the sewer) sites of a similar sort have a three letter acronym to identify and distinguish them.

This particular location would surely make a great place for James Bond to start doing crazy things in the sewer. All you need is a small passage connecting the sewer to the MI6 building, a distance of about twenty yards, and boom. Away we go, with a car chase or a scooter chase or something, along the sewer. This could all kick off after they’ve finished building the sewer, but before the sewage is actually pouring along it. Maybe while people are inspecting it, to check that all is well, which is why it would be suitably illuminated.

Maybe the chase could precipitate the arrival of the actual sewage for the first time, prematurely, by something like a switch being knocked against by mistake. Both Bond and the Baddie could be overwhelmed by shit in the course of their chase. Along with a whole tribe of health and safety inspectors. That would get a cheer in cinemas.

Trouble is, I seem to recall the MI6 building being destroyed in a previous Bond movie. But what the hell. James Bond keeps being “reinvented”. So maybe the MI6 building could be reinvented, just as it always was before it got wrecked.

It turns out my recollection is faulty. The entire building did not get blown up (in Skyfall). There was merely a rather small explosion, destroying only Dame Judi Dench’s computer, inside the building.

Come to think of it, “Tideway” might be a rather good Bond movie title.

One thing here every day? – Probably Yes (and cranes)

Yes. At the Old Blog, I followed the rule of One Item Here Every Day, pretty much for as long as I can remember, and it worked. Not in the sense that every item was of stellar interest and quality. Far from it. But at least it kept me at it, and ensured that my treasured gang of readers would have something here to divert them, every day, even if they never actually read past the title.

But there were better consequences of this rule than merely that. Quite a few of my better postings were the direct consequence of this rule. I kept on deciding that I had to do something, and ended up doing something quite good. (I doubt this posting will be an example of that, but you never know.)

So, I have in mind that I will keep following that rule here. In that spirit and following this rule, I am now doing this posting.

A regular technique for following the One A Day rule is the Quota Photo. So, here’s one, to celebrate the continuation of this rule:

I photoed this photo at the same time I photoed the first of these two photos.

This second photo, above, featuring crane-on-crane action, makes it clearer that there was actually a man up there, on the big arm of the crane that is presumably still there and hard at work. I presume he was making sure that everything was properly connected, and then disconnected. Truly an Aristocrat of Labour. Whatever they pay him, he’s worth it.

Rubbish photo

Indeed. I photoed this scene while walking along the south bank of the Thames from Greenwich to the Dome. My objective was to get another view of the Optic Cloak. But I also observed this, which I think is also sculpture:

As with so much Art these days, whether a Thing is Art or not depends not on its objective nature, but on the intentions of the person who made it, or in this case, who assembled it. Maybe the person who gathered up this rubbish was doing a sculpture. Or, maybe he was just collecting up rubbish, prior to disposing of it.

It looks like Art to me. But Art or not, this has been the photo on my computer for the last month or so. So, I don’t know whether it’s Art, but I like it. Although, when I say “it” what I mean is I like my photo of it. The Thing itself, not so much.

A bit before that, I photoed this:

That’s definitely Art.

Thumbnail progress

Click on the small image below:

And you will observe that the image you end up seeing is somewhat larger, as it was yesterday evening. The original image, in other words. The square starting image is the “Thumbnail”.

Progress. It took me about an hour, but: progress.

This is a big deal for me, because I want here to be able to display a photo, or an array of photos, where the thumbnail is (thumbnails are) only (a) crop(s) from out of the original image(s), as above.

I don’t know about you, but this is the kind of progress I find I can only make incrementally. Getting everything like this sorted before this blog was even launched would have been, for me, impossible. When launched, this blog had been adequated, rather than perfected.

A photo-expedition that started well and ended well

Today I went on a photo-expedition, my first big one since getting back from France. It went really well, but because it went so well, it also went on a long time, and now I only have enough energy to show you two of the many photos I photoed.

The first, before I got seriously started, while still on the way to St James’s Park tube, is of a crane of one sort making a crane of another sort:

That’s a process I love to see, but seldom chance upon. And because I got to stand right under all this drama, I got to see also how bendy the crane was that was lifting the big bit of the other crane into place. (I also got to think how it would be if that bendy crane snapped and everything came crashing down on top of me.)

And second, when the expedition was basically all done and I was at W.H. Smith Victoria buying the latest copy of Gramophone, I also spotted this:

It’s good to see that Jordan Peterson’s 12 Rules is out in paperback, and even better to see that W.H. Smith Victoria now have it as their book of the week.

And then when I finally got back home, I learned that, because Arsenal conceded a home equaliser to Brighton, Spurs are almost certainly going to be in the Champions League next season. (When I left home, Arsenal were a goal up, and were surely going to win, with disastrous consequences for Spurs.) Goal difference. All down to goal difference. Spurs have to lose 0-5 in their final game, and Arsenal have to win 5-0, or some such implausible combination of nonsenses that surely cannot happen – touch wood and hope to die.

Quota gallery of Carnaby Union Jack photos

“Gallery” being the way I now do those little clutches of photos that I’m so fond of doing.

Here one I photoed (x4), in a place in London that now apparently calls itself “Carnaby”. Last I heard, which was about thirty years ago, there was only Carnaby Street. But now the name has spread, thanks to all the name recognition that has attached itself to “Carnaby”, over the years.

Sticking those four photos up here is about as complicated as sticking up just one photo on the old blog. Whereas on the old blog, this would take about a quarter of a day. So, I’m a happier blogger than I was. And that is bound to mean that all you massed ranks of readers of this blog will get happier, because happiness is contagious. And you will be happier for a more tangible reason, which is that you can now click on one of these photos, and then click on the arrows at the side to see all the others, with just three more clicks.

As for the sparkly Thing itself, well, I like it a lot. Ever since the Scottish Referendum, when it looked like the Union Jack could be about to die, I have admired the Union Jack itself. Actually, way before then, but especially from then on. It’s suck a distinctive thing, and will survive endless reworking and reinterpretation.

A composer called John Smith (and a couple of comments)

Late yesterday afternoon, in Soho, I photoed this blue plaque:

At the time, I hardly even read it, because my eyesight is so rubbish. But I photoed a note.

And today, I was able to read this, about him. Smith. A new composer name for me. (I love the internet.) (The gap between the quality of my camera’s eyesight and the quality of my eyesight just grows and grows.)

Do you detect tiredness? If so, you are not wrong. I spent most of today transferring more stuff from the old blog to here, and suddenly, about half an hour ago, I could feel my ability to continue snap like a twig, which sadly included my ability to do much here of a more original sort. So, instead, of anything like that, that.

If you want to read something else added here today, read the first two authentic comments, that weren’t either me or Michael J just commenting to check out commenting, long before Wednesday’s Official Opening. There was Alastair solving this mystery. And Chuck Pergiel telling us how he feels about architecture. Sorry the delay approving those comments, gents. I only just discovered I had to.

The first of many here, I hope.

Now you see it now you don’t – then you do again

In that chat that me and Patrick had yesterday, about Christianity and its influence, I mentioned, for some reason, how part of the reason the Shard is shaped like the Shard is that it is also shaped like the steeple of a typical sort of London church.

The church in these photos, that I photoed the same day I photoed these photos of the Optic Cloak, is Christ Church Isle of Dogs:

The little game I played there with the two spires, as I walked back towards the middle of London from the Greenwich Peninsula, is exactly the sort of thing Renzo Piano had in mind when he designed his spire.

This is not the first time I’ve played now you see it now you don’t with a church and the Shard, aligned.

The trick is for the church to be very near, compared to the Shard.

Originally posted at Brian Micklethwait’s Old Blog