… via Mick Hartley, to whom thanks.
For this guy, only the window tax is “daylight robbery”, because that’s the only tax he can photograph.
Whereas, for this guy …
… via Mick Hartley, to whom thanks.
For this guy, only the window tax is “daylight robbery”, because that’s the only tax he can photograph.
Whereas, for this guy …
Big and brand new bridges are pretty rare these days, after a burst of them (or such is my recollection) around two decades ago. So, here is a photo of an Oldie But Goldie, which I encountered on Twitter recently:
This posting is partly because I love that photo, but partly also because I am lunching tomorrow with GodDaughter1’s Dad, who is a renowned bridge engineer, and I need to remind myself to ask him about any good new bridges. If there have been any, he’ll know.
Here:
Top row left to right: eastern box turtle, pancake tortoise and Bell’s hingeback tortoise.
Middle row left to right: radiated tortoise, Florida box turtle and Burmese star tortoise.
Bottom row left to right: spotted turtle, Bourret’s box turtle and European pond turtle.
For me, the bottom row is a bit of an anti-climax, but the top two rows are amazing. Blog and learn. Although, what I have not yet learned is why it is useful for turtles and tortoises to look like this. It surely can’t be camouflage, can it? Mimicry of something very scary to predators? But who are the predators of turtles and tortoises? Big bastard birds presumably. But what do I know? In the meantime: Wow.
Found, inevitably, on Twitter, via the Twitter feed, equally inevitably, of Steve Stewart-Williams.
Today Michael Jennings, the creator and still technical curator of this blog, who was in my area for the first time in quite a while, called round and we went out and had drinks. In a Pimlico pub. Indoors. Unmuzzled. With quite a few other people also present. This being the first time that either of us had done this with anyone for … quite a while:
I photoed him and his Lockdown hair, and he told me more about how photography on mobiles is developing. He has an iPhone, which you can just see bottom right of that picture. My mobile only has one camera two cameras (see comments 1 and 3), but Michael’s iPhone has three, thus making variable and quite impressive zoom possible.
Michael speculated that it may not be long before the whole of the back of his next iPhone but three with be covered in cameras, like: well over a dozen.
The limiting factor on this sort of multi-camera is not the cameras themselves. The problem is processing power. Making sense of the output of such a large camera array will take a lot of that, and also lots of ultra-clever software as yet still being contrived.
And there we have the ongoing story of digital photography, better explained than I have ever heard it before. All that processing power attached to an old-school camera would presumably triple its price. But mobiles already have all that processing power, or soon will, so it makes sense for your camera to be part of your personal pocket Kray computer, that you use for all your other mobile computerising.
Several years ago, the big Japanese enterprises who decide these things decided that they would spend no more money making regular dedicated cameras better, which is why these things haven’t changed in the last half decade. They decided to throw all their photography money at mobile phone cameras.
What I had not realised was how very, very good the mobile phone “camera” (quotes because it will really be cameras plural) is going to be, and how inexorably it will go on improving. 3D images? Oh yes, said Michael. The processing power applied to these camera arrays will make imagery possible of a sort that no single dedicated camera, no matter how complicated and costly, could possibly now contrive.
Which means: that old school cameras, even of the most sophisticated sort, will ever so slowly but ever so surely fade into the history books. And actually, do so really rather soon. In historical time, in the blink of … a camera.
Which further means that the best of all those photoer photos that I’ve been photoing for the last two decades will just keep getting better and better, like old wine. Plenty of other people have photoed such photos, but I know of nobody else apart from me who has made a point of doing this on such an industrial scale.
Here are thirty such photos I photoed in July 2006 and which I displayed here last January. There are plenty more where they came from.
This entertaining photoer habit, on the other hand, looks like it will be with us for a while.
I just encountered this photo by Austin O’Connor on Twitter:
This was the sort of thing I had in mind when I did this earlier little posting. For me, this photo is, if anything, too picturesque, like a very sugary pudding. But, I can definitely see why he’s proud of it. I would be if I’d photoed this, sugar or no sugar.
How come? Here’s how:
Blue icebergs form in 2 ways: either because they flipped upside down by emerging the submerged part out of the water, or because of extreme ice compression that takes place in hundreds of years.
Blue icebergs are often very old, and contain very little air, originally present in the ice. This composition varies the refractive index generating the amazing blue color.
Comments included: “Spettacolare!”, “Bellissimo”, “Fantastico!”, “La natura è meravigliosa” and “Stupendo”. Or as we Anglos say, and as an Anglo did say: “Wow”.
Photo by Robert B. Dunbar. All hail the Internet. Thank you Nick Gillespie.
No wonder artists don’t do beauty any more.
For the last few weeks, a strange glitch has been afflicting this blog, involving spacing. If I stick up just the one photo, stretching all the way across the width of the blog’s column of text, all is well. But if I stick up a gallery of photos, which is something I very much like doing, there has been a problem. Too much space was suddenly, ever since a recent software update or some such thing, created below the gallery. Any attempt I made to remove this space only resulted in further spatial havoc below, in the form of too much space between subsequent paragraphs of text.
But now, either because the guardians of this software have sorted this out, or because the technical curator of this blog, Michael Jennings, has sorted this out, things are back to how they were. Good. Very good. I attach great importance to how this blog looks. If it looks wrong, I hate that. It demoralises me and makes me want to ignore the damn thing rather than keep on updating it the way I actually do. This was especially so given that galleries look so very good when they are working properly.
Well, as I say, things have now reverted to their previous state of visual just-so-ness. And I will now celebrate, with yet another gallery:
The above gallery, however, is not a gallery of my photos, but rather a gallery of photos photoed by Michael Jennings, all, I believe, with his mobile phone. Not having got out much lately, I have found the photos Michael has photoed while taking exercise, and then stuck up on Facebook, reminding me of how my beloved London has been looking, to be a great source of comfort during the last few months. And I actually like photoing in his part of London more than I do in my own part. This may just be familiarity breeding something like contempt, but is still a definite thing with me.
I started out having in mind to pick just four photos, which makes a convenient gallery. Then I thought, make it nine. I ended up with twenty four. It would have been twenty five (also a convenient number), except that one of the ones I chose was a different shape, which might have complicated things, so I scrubbed that one from the gallery.
But you can still look at that one. Because none of this means that you need be confined only to my particular favourites. Go here and keep on right clicking to see all of them.
I have displayed my picks here in chronological order, the first of the above photos having been photoed in October of last year. The final photo (which is what you get to if you follow the second link in the previous paragraph), of the church, which I learned of today, and which is the only one done outside London, is something of a celebration, of the fact that Michael is now able to travel outside London without breaking any rules, or such is my understanding. (Plus, I like those unnatural trees (see also photo number 9)).
Patrick Crozier, the man I do recorded conversations with (see the previous post), is a particular fan of Viscount Alanbrooke, Churchill’s long suffering chief military adviser during WW2. So he’ll like that this church is where Alanbrooke is buried.
There’s cities, there’s metropolises, and then there’s …:
… Tokyo.
It’s that mountain at the back that really makes this photo. That and the extraordinary amount of architectural detail.
And then, from the responses, there’s this:
A century ago, London was, or so my TV told me last night, the biggest city on earth.
I blame the Green Belt. This belt (noose?) should be converted into a ring of parks, all surrounded by more London.
Incoming from Michael Jennings:
Someone has helpfully provided a photo of the same section of Berlin …
I.e. (see the top of this posting) this section:
This being how this same section looks today:
Many thanks Michael. Michael knows everything about everywhere. But you have to express prior interest in the subject, as I did, which is a good system. If he told you everything about everywhere, all the time, just because he can, that might be a problem. But if he knows the subject interests you, he’s a mine of information. (Some of my best Last Friday of the Month meetings were addressed by him.)
It took me a while to find this place on the Google map of Berlin, but I did find it eventually:
The breakthrough came when, instead of looking only for water, I started looking for lots of bridges.
Like I say, when water does complicated and convoluted things, expect human habitation to be concentrated in that area.
That’s three times I’ve shown that Berlin in 1440 map here. What can I tell you? I like it.
Indeed.
This morning, Twitter showed me this map of Berlin:
Until today, I knew nothing of the origins of Berlin. Cities usually begin with rivers, rivers that wiggle about and create a lot of useful territory next to the river which is closer to all the other such places than usual. So, what did Berlin have in the way of water? The above map says it had and has a lot.
Further investigation of Berlin resulted in me discovering a bridge that I had previously never heard of, namely, this one:
That’s the Oberbaum Bridge. Like I say, never seen nor heard of this splendid Thing until today.
Here’s the same bridge viewed from further above and further away, to give us a bit of the context:
And a pretty boring context it is too, I would say. London, metaphorically speaking, can sleep easy in its bed.
I’m intrigued by what I take to be the updated bit in the middle of the bridge. At first I thought the lower part of the bridge, the road bit, has hinges in it to allow taller boats to go through, but so far as I can make out, this bit is also solid, but the change already made quite a difference to what sort of boats could go through. Basically big river barges, heavily laden all the way across rather than merely with stuff sticking up in the middle. You can see two such boats in the distance. And also another, on the right, which is presumably too big to go through.
I love the internet. Somebody should write a song called that.
But, where in Berlin now is the original 1440 bit, and is there anything now left of it? I don’t see anything quite like those waterways in the map of Berlin now.