Tom Harwood on the party politics of Covid

Tom Harwood, tweeting in response to a Guido tweet reporting that Starmer will support all government Covid restrictions:

On the areas it might be useful to have an opposition, we have no opposition.

I agree.

Where are the voices asking at what point do lockdown measures cost more than Covid?

No, that’s rather wrong. Lockdown is not only harming everything else; it is also doing no good on the Covid front at all. The only good thing you can say about these measures is that they are failing to accomplish their purpose. They are not stopping the spread of Covid, which is good, because the sooner Covid has done its spreading, the sooner this nonsense will be over with.

The cost of Covid itself will be what it will be. Whether the frenetic failure to control Covid will cost more than Covid itself is a way to dramatise the costs of this failure, so good in that way, but not the basic point. Which is that these restrictions are doing no good whatsoever, and costing us all a fortune, and should accordingly end. Whether Covid is nasty (I think it is quite nasty and very nasty indeed for those clobbered by it), or in particular is nasty compared to the cost of the restrictions, is only being vehemently argued about by people who don’t understand the essence of this argument.

But the essence of Harwood’s argument is that there ought to be some political opposition happening, and that’s right.

Harwood’s tweet then adds, and ends with, another potent party political point:

You’d think if there ever were a niche for the Lib Dems this would be it but they dropped liberalism long ago.

Just what I had not been thinking. When did I stop despising the LibDems and start ignoring them?

I think I just fisked a tweet.

M AGA

Here‘s the big reason why Trump is going to win. He wants everyone to vote for him, black or white, gay or straight. He’s not picky. All you have to be is pro-American!

Ricky Rebel explains his video, in one of the great pro-Trump speeches of the campaign so far. Conservatives are in on the joke! It’s driving liberals crazy! Some of my best friends are Republicans! … Trigger all the Libs!

Following.

Camden Highline coming

Glad to see that this project is making progress:

The Camden Highline project, planned to open in phases from 2024, will create a new central London park and linear walking route – inspired by Diller Scofidio + Renfro’s New York High Line – featuring seating areas, cafés, arts and cultural interventions and spaces for charitable activities.

Cultural “interventions”? Does that mean sculpture and stuff? People wearing daft costumes? I guess I’ll have to wait until 2024.

I had already noticed this Camden Highline notion back in August 2017. I even included a map.

A couple of recommendations for understanding The Plague

I am no doubt biased, by my libertarian politics to start with, and by the guesses I have already expressed in (what passes for me as) public. Nevertheless, for whatever it may be worth, I found this article, and, unusually, also its quite numerous comments, about why the world became so bent out of shape by this Plague, to be very intelligent. It’s more a panic than a conspiracy, he says. Which fits what I’ve been thinking.

And now I am listening to a man whose nickname is the Vaccine Pope, speaking with Ivor Cummins, whom I have been following on Twitter.

“This is how people are in London …”

Apparently there have been complaints about this:

I agree with DebApre, replying to an American complainer:

This is not an issue in England. We share culture. We don’t consider this appropriation. You can’t sully something that’s meant to be fun and claim racism. This is not it. I used to wear Saris because one of my best friends was of Indian heritage. This is how people are in London.

Melting Pot London. Love it.

Also from DebApre, this:

Also, i lived in Dubai for 2 years and I dressed like Middle Easterners and Indians. The world is your oyster and experience if you want it to be. I still wear Indian outfits. I have never once been accused of appropriation.

So what’s happening? Well, I just put a comment on Samizdata which says a little of what I think about this stuff:

They aren’t “alarmed”. They are focussing attention on white racism, white racism being what they now want, and have done ever since the working class let them down by not wanting to join their revolution. They want a race war, because they reckon their side might win that.

The way to react is to frame this not as these races versus this race, but as civilisation versus barbarism, with all the socialists, national and international, on the same barbaric side. The recent Republican Convention would appear to have done this splendidly.

What the “alarmed” people were doing there was talking up white racism, in the guise of denouncing it (in connection with a demo about wearing masks). And with this Adele photo, they’re trying to stir it between white people and black people once again.

God forbid people should actually just get along with each other.

Bus jam in Horseferry Road

Indeed. Yesterday morning, while (as already related) out and about, I spied, in Horseferry Road, this long line of buses, trying to move, but failing. In other words, a bus jam:

This was on a Saturday, the weekends being when they like to do roadworks, which means they do things like divert buses from their regular routes. That might have been what was happening here. Or, they were maybe diverting buses from the bottom end of Victoria Street on account of demonstrations happening in Parliament Square.

Both of which circumstances are quite regular occurrences at the weekend. Nevertheless, in three decades of living very near to this road, I have never witnessed such a thing before. Or if I did, I never noticed.

Keeping eyes on the cows

Modern Farmer:

Chinese Entrepreneurs Develop Facial Recognition Software for Livestock

And from the same website:

Painting Eyes On Cows’ Butts Can Scare Away Predators

Like this:

And in political news from the same source, metaphor alert:

The Pork Industry Wants More Aid From Congress

In a barrel?

LATER: More about the eyes on cow butts story here. Via David Thompson.

Fucking amazing rant by Scott Adams

Yes, this is fucking amazing:

For about ten minutes I thought: this isn’t a “rant”. It’s a calmly but firmly made argument. But then, the argument having been made, it suddenly turns into the fucking rantiest fucking rant fucking ever.

I have long been hoping – really fucking hoping – that Trump doesn’t just defeat Biden, but absolutely fucking crushes him and everything he fucking stands for and is standing next to, by the proverbial fucking landslide.

It is my clear understanding that this Scott Adams rant makes this distinctly more fucking likely. I mean, everyone’s going to want to fucking see this. Fucking everyone.

The “Mainstream Media” of the USA have not been the actual mainstream media for nearly two decades now, ever since the Internet got into its stride. This piece of fucking video fucking is going to prove that more fucking completely than anything else I have ever fucking seen.

I mean, quite aside from anything else, the old ex- “Mainstream Media” would never have fucking allowed anyone to fucking say “fucking” so many fucking times, without pulling the fucking plug on him. But now fucking Scott Adams can fucking do it. And I can sit, on the other side of a fucking great ocean, and I can fucking do it in this little fucking blog posting. And nobody is going to fucking stop either of us from fucking doing it.

Roll on that fucking landslide.

Two videos I enjoyed

Both of them quite short, and both of them reached via favourite bloggers.

First, one of David Thompson’s clutch of oddities linked to last Friday. (There’ll presumably be more such tomorrow.) This particular oddity was about Who invented toast? As Matt Ridley (whose book about innovation I’ve been reading recently) would have predicted, lots of people. Toasting took a long time to catch on, as did the toaster. Key step towards it: mechanically sliced bread. Both had early drawbacks as well as advantages and were consequently slow to catch on.

And at 6k, watch a video about Iceland, and the matter of whether the Arctic Circle happens and will continue to happen in Iceland. The Arctic Circle moves, apparently. Whether the arctic circle happens and will continue to happen in Iceland depends on whether a very small island to the north of the main island of Iceland is still above water. My favourite bit in this video went something like this: “The only way to find out was to charter an airplane. So, I chartered an airplane.”

“War” in the category list below because Iceland and Britain had one about cod.

Concerning the inexorable tendency of modern architecture to be boring

When you own a building, you don’t want it owning you. You want the building to serve your purposes. You don’t want to be reduced to its mere caretaker, while it stubbornly refuses to serve your purposes.

Consider that graph, the one concerning the moment when humanity went from a fixed and static world, to a dynamically improving world. At that moment in history, a building became something different from what it had been. It used to be something permanent. The longer it lasted, the better. As its owner, you wanted to keep it working, to keep it as it is, rather than allowing it to crumble. In such a world, the better and more solidly the building was built in the first place, the better. Its purpose would last for ever.

But in the new dynamic world, the world after The Kink, buildings become something you, or whoever then owns your building, might one day be wanting to replace with something bigger, taller, better, more efficient, more productive, built with technology that does not now exist and can hardly even be imagined. This is especially true in cities, the places where the new dynamism of the world is most in evidence.

So, when you build a big new building in a city, the one thing you really do not need is a world that one day decides that you or whoever you sell it to must, from now on, become the curator of this building, a building which neither you nor anybody who ever owns it may at any time in the future destroy, and replace with something bigger and more profitable.

In Britain now, this dreaded arrangement is formalised in the form of the Preservation Order. When one of these things descends upon your building, that building ceases to be replaceable. It ceases to be a means to achieve dynamism, and becomes a potential barrier to it. But the same thing can happen more informally. If The People want you not to destroy the building you thought you owned, they are awfully liable to get their way, whatever they may or may not have said in the past.

You may be saying: Oh come on, that’ll not happen for decades. Meanwhile, you can get plenty of use out of your new place. The trouble is that future usefulness, future cost-to-benefit ratio feeds back into the price now. Even the most short-termist owner must still consider what future owners will or will not get from his building, even if he himself cares nothing for the future and is himself the very personification of pure greed, for lots of money, now. A Preservation Order on your newly constructed building will reduce the usefulness of the site in a century’s time, and hence its value now.

All of which means that there is a relentless tendency for builders of new urban buildings not to want them to be the sort of buildings which people in general will miss, when a later owner may want to replace it.

There is, in short, an inexorable tendency for “modern” architecture (by which I simply mean all architecture since The Kink in that graph) to be ugly, by which I simply mean what is widely considered to be ugly.

There are lots of other reasons, aside from the above reason, why “progress”, “modernity”, and so on, are often so disagreeable to contemplate. And I still think that The Kink was and is a wonderful thing, from which much beauty of other sorts has resulted. But progress and modernity are not as pretty to look at as many of us might like, and I think that what I’ve said in this posting goes some way to explaining why.

LATER: As soon as you publish something, you then see it with new eyes (the eyes of potential readers), and what I now see is that the word “ugly” is perhaps wrong. What I mean is something more like “nothing”. Not ugly as in actively repulsive. Just “meh”, as I’ve never said before myself, but as I’ve heard lots of others say. Buildings that communicate not anti-beauty, more like non-beauty. The point is, if you want to knock a building down, you want people not to feel they might miss it. You want them to feel, basically, nothing. Oh, they’re knocking down that building, you know, the one, that one next to the … blah blah mumble mumble. Oh, that. Oh well. If someone thinks a building is ugly, chances are someone else will like it, and before you know it, politics is happening. That, you don’t want.

LATER: I didn’t want people coming here to be told that modern architecture is ugly, so I changed the “ugly” in the title to “boring”, which is nearer my mark.