Out east – one year ago today

I looked at what I was doing a year ago today, and came across these photos, of a great little expedition I had out east:

My wanderings began at West Silvertown DLR, from which there is a great view of the Tate & Lyle factory or refinery or whatever it is, the one with the giant can of Golden Syrup attached to it. Other local landmarks included: that cruise ship next to the footbridge, which is actually a hotel; a superb crane cluster off to the north; the Dome; that skilift Thing that goes across the River; and the Optic Cloak. (Where the Eastern God (Buddha?) was, I don’t recall, but I like him a lot.)

This is the area I was exploring:

It’s a place that is palpably in transition. Go back today, and it’ll be different. A year from now, it’ll be different again. In ten years, unrecognisably different. The landmarks in the distance will still be there, but the foreground will be transformed.

The weather that day (unlike the weather today) was a bit grim and grey, but I remember really enjoying this expedition.

I also, that day, photoed nesting birds, cranes, and a book of the week. That last posting having been done as soon as I got home.

By the way, behind the cruise ship is the ExCel Centre, now in the news because it was turned into a hospital. A hospital which had remained mostly empty, and now seems like it will soon shut. Which is good.

Hong Kong Demo – London – January 19th 2020

The Chinese government has been taking advantage lately of the fact that there is now only one media story, and is now crunching down on Hong Kong. Because now, this isn’t much of a story, compared to the big story.

As soon as the current round of dramas in Hong Kong began, I was pessimistic about the outcome in the short run, and I am even more pessimistic now. The only hope for the HongKongers, I think, is to get back at their tormentors by turning China itself, in the fullness of time, into something far different and far better, which won’t be so CCP friendly. And in the meantime torment their tormentors by making them scared, and angry that they are liable not to be written up very kindly by History. In short, the HongKongers must now settle down to try to win in the long run, along with everyone else in the world who would like China to be less horribly governed and generally a better place and less of a plague, so to speak, on the world.

But, to do my little bit for keeping Hong Kong as a story now, here are some photos I took of a pro Hong Kong demo in London on January 19th of this year, but never got around to showing anywhere, until now. These next few photos concentrate on the messages the demo-ers were proclaiming:

One weird thing though, the demo seemed to be outside this place:

What have the HongKongers got against the Royal Institute of British Architects?

This slice of google mappery explains:

The RIBA is across the road from the Chinese Embassy, and the demonstrators were shoved across the road. I have various guesses as to who made this happen and why, but I basically do not know.

Reflection

Not the sort you do inside your brain; the sort you can see:

My photo walks tend to happen in the afternoon and early evening, after I have done morningy things at home. But today I took a quite long walk, quite early in the morning by my getting old standards, in order for the light to be coming from a different direction and thus to photo certain Things better. And of course everything looked a bit different, including the River, because light was bouncing into it and off of it in unfamiliar ways from Things that didn’t usually look like that. It helped that there was hardly a cloud to be seen anywhere in the sky.

When I first got a digital camera I couldn’t photo The Wheel enough. What a great Thing. But soon I realised that just photoing the Thing itself wasn’t good enough. You had to play photo-games with it in some way. Line it up with other Things, seen through it. Or reflect it, in a window for instance. Or water.

I like how the foreground foliage blots out any direct view of the Thing itself.

The above photo was just one of my favourites so far from today’s expedition. There were other nice photos also, but the above will suffice for now.

Anyone know what those two little golden crosses are, in the River? Image googling for “golden cross”, got me nowhere helpful.

Hearing about the Welsh goats from the Bee

I’m referring to this:

A herd of goats has taken over the deserted streets of Llandudno, north Wales, where the residents are in lockdown during the coronavirus pandemic.

The Kashmiri goats that came down from the Great Orme and into the town were originally a gift to Lord Mostyn from Queen Victoria.

This was in the Guardian, but I only just heard about it. And I heard about it only because the Babylon Bee guys featured it in the “weird news” part of their most recent podcast, the April 15th one, which I just listened to. Listen to the Babylon Bee podcast and learn.

Happy Easter

As in: I hope you’ve been having one. Because it is now quite late on Easter Sunday.

Although a devout atheist, I’ll celebrate with three big London places of Christian worship, all photoed in June 2016, from the top of one of them.

Here are the other two, an Abbey and a Cathedral:

On the left, Westminster Abbey, with Big Ben right behind one of its towers. On the right, St Paul’s. With a green crane right in front of it.

And here are a couple of photos of the building I was photoing from, the other Cathedral, Westminster Cathedral, a walk up Victoria Street from the Abbey:

On the left, looking down on Westminster Cathedral, again from the top of its tower; on the right, the shadow of the Cathedral’s tower, on some of the Big Lumps of Victoria Street.

Look very carefully at the photo on the right, and you can also see the other Cathedral, in the middle and far off, and the Abbey, off to the far right and far off.

Finally, two rather off-topic photos (not quite the phrase I’m looking for but it’ll have to do), photoed from and inside the same spot:

On the left, well, it’s been called a cathedral. Of power. Battersea Power Station, now being surrounded by apartments, them being the object of my last two expeditions.

And on the right, I’m just inside the tower of the Cathedral, with the openings to one of the outside balconies shaping the light as it crashes through onto where the lift is. That one had me saying “wow” when I was clicking through the old directory, and I hope you agree that that’s a good sign.

Like I say: Happy Easter.

John Lewis Gaddis on the failure of the Spanish Armada

Stephen Davies, seeking to explain Europe’s technological and economic breakthrough into modernity, and John Lewis Gaddis reflecting on the emergence of the USA as the world’s current superpower, both identify the defeat of the Spanish Armada as a key moment. Davies says that the failure of Catholic Spain to subdue Protestant England meant that Europe, unlike all the other great civilisations of the world, remained disunited and hence internally competitive.

And Gaddis, in his book On Grand Strategy, argues, at the beginning of his chapter entitled “New Worlds” (pp. 151-152), that the defeat of the Armada “made possible the creation of the United States” as we now know it:

It’s not counterfactual to claim that the real events of 1588 in the English Channel echoed loudly and long enough “to shake a hemisphere.” The previous century had seen the Portuguese and the Spanish, neither hitherto seismically significant, exploiting a new understanding of ships, sails, winds, and currents to explore and conquer immensities of strange new things.’ “NON SUFFICIT ORBIS,” Philip II’s motto for his Iberian kingdoms and the empire they’d acquired, was eloquently apt: Eurasia, the old world into which all earlier empires had fit, had indeed not been enough. As the Armada left Lisbon that summer, few from whom it faded from sight would have anticipated anything other than enduring Catholic monarchies throughout what had become known as America.

For how could God not be on the side of the Christian kingdoms of Castile and Aragon that had, in the single year 1492, expelled their Muslim neighbors, ejected their Jews, and almost as an aside expanded the size of the earth? Or, in the year that followed, gained title to the new territories, together with Portugal, by papal edict? Or, as Spain, required only three years to conquer Mexico and not many more to control Peru, thereby ensuring apparently endless supplies of gold and silver? Or, using these riches, imposed administrative and even architectural uniformity on two unfamiliar continents? Or mapped out, for their diverse inhabitants, a single path to salvation? Accomplishments on this scale require more than self-confidence: they presume knowledge of, and correspondence with, God’s will.

Two hundred and thirty-five years after the Armada sailed, however, a staunchly Protestant statesman, in the swampy new capital of a secular state, was drafting an equally presumptuous proclamation for his republican sovereign: “that the American continents, by the free and independent condition which they have assumed and maintain, are henceforth not to be considered as subjects for future colonization by any European powers.” When Secretary of State John Quincy Adams made the Monroe Doctrine a motto for the “United States of America” in 1823, that country lacked the means of securing the “new world” against its “old” masters. It had the self-confidence, though, of Spain in its prime, and that, Adams saw, would suffice.

“The failure of the Spanish Armada,” Geoffrey Parker has argued, “laid the American continent open to invasion and colonization by northern Europeans, and thus made possible the creation of the United States.” If that’s right, then the future pivoted on a single evening – August 7, 1588 – owing to a favorable wind, a clever lord admiral, and a few fiery ships. Had he succeeded, Philip would have required Elizabeth to end all English voyages to America.’ But from the moment his captains cut their anchor cables, Spain began a slow decline, and a new world order its gradual ascendancy.

This book (which I have just ordered from Amazon) presumably being one of the places where Geoffrey Parker (a new name to me) makes this argument.

NOVEMBER 6th 2020: Welcome to all you incomers. I don’t have clever enough stats to tell me where you are all coming from, or maybe it’s me that’s not clever enough. Anyone care to tell me? Thanks in advance. Best guess is that someone wrote something about Gaddis and the Armada, and then people searched their way to this posting. Whatever, you’re all very welcome.

Venus on the South Bank

October 20th 2007 was a good day for me photoing photoers, and I’ve just set aside thirty five photoers to stick up here. But, because of the lateness of the hour, that will take too long to sort out now, even given how much easier such photo-clutch displaying has now become. So here, in the meantime, is some Art that I photoed on that same expedition, in among photoing all those photoers:

The painting on the left is The Birth of Venus, complete with her strategically long, blond hair. But what is the one on the right? (Aside from not being quite finished.)

Closer up:

I see an angel and a Madonna. I wonder if googling will yield anything.

No luck. Lots of Madonnas, of the modern Italian-American and pop-singing sort, and lots of this famous painting. But nothing like the painting above. So, commenters?

Colourful architecture in the past and in the future

Tim Dunn tweeted the two photos below as a before/after pair.

Before:

After:

Before being how Wells Cathedral used once upon a time to look, and After being after the Puritans had got rid of all the colouring in, and had added a couple of towers.

In my mind, I connect the idea that medieval cathedrals used to be riots of colour, which seems to be true, in addition to being an attractive idea to many (me included), with the idea that many new and recent buildings might benefit from a similar sort of process in reverse. In short, brightening up.

Here’s the sort of thing I mean:

I downloaded that photo from the www, but then lost where I had found it and couldn’t find it again. Nevertheless, there it is, the Sydney Opera House, lit up with what look like Aboriginal type graphics.

I also came across a French medieval cathedral lit up in colour like old Wells Cathedral

Which is all good, but such a thing only works well at night.

Actual paint, on the other hand, is permanent, and good luck persuading those who have got used to plain stone colour that they should instead get used to a highly controversial version of what their cathedral might have been like in the past.

Time for someone to invent magic electronic paint. This is the sort of paint which you can slap on just like regular paint, except that it is transparent, like varnish. But this varnish is different, because it consists of a billion tiny mass produced little magic spheres which, when activated by a magic message from afar, can light up in whatever colour you want. You sit down with your computer and Photoshop in lots of colours, and then you switch it on. Voila! It looks like it used to, before the Puritans went all puritanical with the first lot of paint. But, it’s only temporary so the grumblers who would have grumbled very obstructively will only grumble a bit and not enough to stop it. More Photoshopping means that you can switch to a totally different colour scheme, just by switching another switch.

Soon, all the now ugly concrete monstrosities will be covered in this magic paint, and the world will become a more colourful and much better place. Patent pending.

Niall Ferguson on networks versus hierarchies

I have been reading Niall Ferguson’s The Square and the Tower, and so far am enjoying it. It’s about how historians have tended to emphasise the impact of orderly hierarchies because these leave big paper trails, and to neglect less orderly networks, because these leave less of a paper trail. Yet, networks clearly matter a lot, even if, as Ferguson points out, networks are not necessarily benign in their impact.

The chapters are short, which I like because I am reading this book in short snatches, in among doing other things. Even a short burst of reading means me probably getting through an entire chapter and maybe even two or more chapters.

Right now, however, I am in the middle of a chapter, about how Guttenberg met Luther, and about how Guttenberg turned Luther’s merely written thoughts into best-selling printed volumes, thereby unleashing the Reformation and much else besides. (Like modern science. Printing enabled science to accumulate.) This is a process that has long fascinated me, and it happened because two people merely met, rather than because one person met another person and gave that other person an order. (Modern science is likewise a network rather than a hierarchy. When modern science becomes hierarchical, it tends to degenerate into propaganda for the hierarchy it is serving.)

Modern science has mostly been benign: But the only slightly delayed impact of the Reformation was, as Ferguson notes, that (p. 84):

Religious conflict continued to simmer and erupted again in the Thirty Years’ War, a conflict that turned Central Europe into a charnal house.

I will now finish reading this chapter.

If ever a sign needed a vocative comma …

That’s what Newcastle language teacher Mike Metcalf tweeted about the sign in this photo:

Quite right. Are we Satan’s Brainwashed Cattle? And must we wake up? Or are we supposed to wake up a flock herd of Satan’s Brainwashed Cattle, in the event that we encounter such a thing? Either way, I would have thought that it would surely be better for Satan’s Brainwashed Cattle to remain slumbering.

I don’t know where this photo was photoed.