Bromley-by-Bow tube to the Twelvetrees Crescent bridge

Some of the best walks in London that I have done in recent months have been alongside the River Lea. Typically, I would start at Bromley-by-Bow tube station, go south along the A12 and then turn left along Twelvetrees Crescent until I get to the Twelvetrees Crescent bridge. Then I’d go either north or south.

On one of these meanders, the weather was particularly bright and sunny, and before I even got to the river, while I was just walking south along the A12, photo-ops abounded. Or maybe they didn’t but it felt as if they did. Everything, even the most mundane of objects or lighting effects, seemed dusted by a spraycan of joy, and I can’t look at the photos I took that day without that joy colouring my feeling about the photos I took at that moment.

Photos like these:

I can’t be objective about whether anyone else might like the above photos. I was and remain too happy about them to be objective. Just looking at them when I was preparing them for this posting, I became too happy to even care about being objective.

Share my joy, or not, as you please. 1.1 just tells us where we start. 1.2 is another view from the station, but not of it. 1.3 is one of those gloriously complicated drain-unblocking lorries. 2.3 I like because the colours on the car are so like the colours sported by the building, and because the sunniness of it all is emphasised by my silhouette. In 3.2 you can just see the top of the Big Olympic Thing, an effect I always enjoy. And 3.3 features a photo of, I do believe, the Taj Mahal. Lovely.

Not long after photoing all that, I photoed these shopping trolleys.

When I returned a day or two later to retrace my joyful steps, I photoed the excellent footbridge from the Twelvetrees Crescent bridge (one of my favourite footbridges in all of London (although maybe it’s just how good it looked that day from that spot)). I photoed the Shard. And I photoed a map that shows the locality where all these delights are to be found.

Originally posted at Brian Micklethwait’s Old Blog

Eight

Today being the BMdotcom day for cats, and now also for other creatures, here is another creature, in this case a chicken, in an advert:

And here, photoed by me recently, outside the Old Vic theatre, is one of these excellent machines referred to in the advert, in action:

You can surely see what I did there, and I assure you that it was no fluke. I waited for it to say 8. I also have 9 and 7, because I wanted to make quite sure. I have been photoing these excellent machines for quite a while now.

The 8build website. They’re doing some work on the Old Vic.

On the left in the distance, nearing completion, One Blackfriars. I find liking this Thing a bit of an effort, but I’ll get there. I always do with such Things. According to that (Wikipedia), One Blackfriars is nicknamed “The Vase”. I smell, although I have no evidence for this, an attempt at preemptive nicknaming, by the people who built this Thing. “We’ll call it The Vase, to stop London calling it something worse.” That’s what happened with The Shard, after all. And that name stuck.

I tried to make the title of this “8”, but apparently a number with no letters is not allowed.

Originally posted at Brian Micklethwait’s Old Blog

The Wheel reflections and The Wheel juxtapositions (and a The Wheel postcard)

About a week ago or less, I found myself in the vicinity of The Wheel. The light was very good, with lots of sunshine and lots of lurid looking clouds. So, I took photos.

Below are a clutch of The Wheel related photos. My opinion of how to photo The Wheel is that you should combine The Wheel with other things. Like graphic designs featuring The Wheel which are in the vicinity of The Wheel. It’s the old modified cliché routine.

In this photo clutch, however, I do include one very old school photo of The Wheel. It’s the photo I took of a postcard (1.2), which features The Wheel. And look what the postcard calls The Wheel. It calls it The Wheel: “The Wheel”. None of this “London Eye” nonsense. Do large numbers of people in other parts of the world call The Wheel The Wheel? I do hope so. And I hope that this habit conquers London.

The next four photos, after the postcard (1.3, 2.1, 2.2, 2.3) are all of The Wheel reflected in a tourist crap shop. And then 3.1 is of The Wheel reflected in a place, next door, that sells sandwiches.

I like how I totally lined up the circular blue logo with The Wheel reflection, in 2.3. Could I also have done something similar with the circular things in 2.1 and 2.2, in the latter case an actual picture of The Wheel. I rather think that I tried, but couldn’t do that. But, memo to self, return to this enticing spot, on a nice day, and see what I can do.

This is what I like about taking photos in London, rather than in some foreign spot that I am only going to be in once. If, upon reflection back home, I suspect that I might have been able to do some of the photos better, I can, in London, go back to try to do this.

Originally posted at Brian Micklethwait’s Old Blog

Sunny Croydon

Today I was in Croydon. Not for long, but I was in Croydon. While in Croydon I took photos.

Like this one, of No. 1 Croydon:

And like this one, of a buildlng which was being modified, but whose name I did not catch:

Why was I in Croydon? I had my reason. More tomorrow, or some day, or maybe never. I promise nothing.

Originally posted at Brian Micklethwait’s Old Blog

Twelve 2015 photos

I spent a lot of today doing an elaborate Samizdata posting with twelve photos in it, and now I am doing the same here. Most of these ones are just of the I Just Like It sort.

Whether I have the time and energy left after posting the photos to say something about them remains to be seen. Anyway, here they are, one for each month, in chronological order:

Okay, let’s see if I can rattle through what they are, insofar as it isn’t obvious.

1.1 was taken outside Quimper (which is in Brittany) Cathedral, where they were selling that sugary stuff on a stick called I can’t remember what. I stalked the guy for ever, until he finally obliged by sticking his sugary stuff on a stick in front of his face. Never clocked me, I swear. Although, when others stalk me when I’m photoing, I never notice them.

1.2 is the amazing coffee making equipment owned by the friend also featured in these earlier pictures.

1.3 is the men’s toilet in the Lord Palmerston pub, near Suicide Bridge, photoed soon after I took those.

2.1 explains itself. 2.2 is Anna Pavlova, reflected in the House of Fraser building in Victoria. 2.3 was taken on the Millenium Footbridge.

3.1 is 240 Blackfriars. What I like about it is that in some photos, such as this one, it looks like a 2D collage stuck onto the sky, instead of a 3D building in front of the sky.

3.2 is the new entrance to Tottenham Court Road tube/crossrail station, outside Centre Point, seen from further up Tottenham Court Road.

3.3 is the Big Olympic Thing, seen from Canning Town railway and tube station. A tiny bit of it, anyway. To me, unmistakable. To you, maybe an explanation needed.

4.1 shows me photoing shop trivia, in this case a spread of magazines dominated by the scarily intense face of one of British TV’s great Tragedy Queens, the actress Nicola Walker. I first clocked her when she was in Spooks. Now she’s in everything.

4.2 and 4.3 are both film crew snaps. 4.2 features a London Underground Big Cheese, who is a bit put out to find himself being photoed by the wrong person instead of by his own tame film crew. He was drawing a lot of attention to himself, so I reckon him fair blogging game. 4.3 is another film crew, in Victoria Street, just loving the attention, who will be ecstatic when they hear about how they have hit the big time. I like how there’s a movie advert on a bus right behind them.

There, that wasn’t so bad. Although there are probably several mistakes that I am, as of the smallest hours of 2016, too tired to be fixing.

Happy New Year to all who get to read this.

Originally posted at Brian Micklethwait’s Old Blog

Pavlova with a new building and a passing bus

Late this afternoon I went walkabout near to where I live, and in particular to photo my local ballerina, at the top end of Victoria Street. There’s lots of building going on around her, so the nearby and behind scenery keeps changing. My favourite shot of her today was this:

At the time, that bus driving by seemed like it was an interruption, but now I think it definitely adds something, to a part of the shot which wouldn’t have been half so interesting without it.

Originally posted at Brian Micklethwait’s Old Blog