Category: Signs and notices

A garden centre in Vauxhall

Just after checking out that China Works Tower, on May 25th, I walked along Black Prince Road, under the big railway that goes into Waterloo, and turned left into Newport Street. There I came across this place:

This is, Google Maps tells me, Spring Gardens Nursery, that being their Facebook page. There you will see photos that emphasise the plants they sell rather than the wire fence at the edge. But when I went there, Lockdown was in full lockdown mode, so I had to make do with photoing through that wire.

It all looks rather temporary, an impression strengthened by a sign (see photo 2 above) with the words PLANNING NOTICE at the top. All the more reason to enjoy it while it lasts, if it doesn’t. Or, if you can’t visit or don’t reckon it to be worth all the bother, you can click on my photos.

Did I say temporary? If you go here, scroll down a bit and watch the video there about the “Relocation” of whatever exactly this is, you learn about how … whatever it is … “moves from Tate Britain to Vauxhall, for permanent installation”. Permanent.

But only originally. It would seem that this Thing began as an outdoor Art Gallery, and ended up as a Garden Centre for selling plants. The shop, in other words, took over the entire place. Guess: Getting people to just stare at Art Stuff became a problem, because it wasn’t lucrative enough? Guess: Their grant got cut? So, they expanded the shop bit and the Art retreated. Now it’s just a shop. A very nice shop, I think, and out-of-doors. But, a shop. At which point, the place having degenerated into mere capitalism, it becomes vulnerable to bigger and richer capitalists who want to buy it and put Machines For Living on top of it, instead of merely one little layer of plants.

All this is taking place in something calling itself Vauxhall One, hence the big coloured letters in my photos, beyond all the plants. I can see from this website what “Vauxhall One” says it does, but I am not yet clear what Vauxhall One is. I think it may be the name of a Creative District, or some such thing. Anyone?

All of which is only me guessing. This place is only a longish walk away from where I live, which is how I came to be photoing it during Lockdown in the first place, strictly for the exercise you understand. So, memo to self: Go back there in a while and check out what happens. Maybe: nothing. Maybe just, more plants.

By the way, “Beaconsfield” (see the last two photos above) is an actual art gallery, still, it would appear. Shut now, of course. Memo to self: Check that out too.

The China Works Tower

A while back I was walking along by the River, just upstream from Lambeth Bridge, and photoed this photo (number 5 of these) of the China Works Tower (thank you commenter Alastair for identifying it):

Also a while ago now, I went back there, yes, to photo stuff like all the signs at the other end of that link, but basically to check out this China Works building from close-up:

In an earlier posting here about would-be applier of architectural decoration Adam Nathaniel Furman, I said:

Furman intends to apply ornament with colourful abandon.

But, not the old sort of ornament that the Victorians liked to do, and against whom the original Modernists reacted with such disgust. …

Well, the above photos are of just this old sort of ornament, the sort that Furman doesn’t want to do. But, technologically, he intends to use very similar techniques. Ceramics. Also known as: China. (Odd that, naming a material after the big old country where they got the idea from. Are there any strange things called, in foreign parts, Britain or England? So, how’s your meat? Okay, but it could use a dash of Britain. Your skirt’s falling down, try using an England.)

This China Works Tower is surrounded and jostled aggressively by modern buildings, designed by the sort of people who grew up believing all the old sort of ornament to be an aesthetic abomination, or at the very least an aesthetic dead-end.

The most aggressive architectural jostler is a fire station, immediately the other side of a very narrow road. Which happens to be the start of Lambeth High Street, which is odd but there you go. Here are photos I took of all that jostling, with the fire station in the middle photo here:

You can see the white roof of the fire station in the photo at the top of this posting.

Luckily, the China Works Tower is not entirely isolated, and is hence not totally smothered by later buildings. It was once only a small part of a bigger collection of buildings, and a decent chunk of those earlier buildings remains, attached to the Tower and keeping it company:

There was a lot of sunshine and shade colliding on the facade of the Tower, so that doesn’t look so good there. But the blander, less decorated and bigger stretch of the old building was easier to photo, as you can see.

I shouldn’t grumble too much. At least the Tower survived, along with a chunk of the earlier buildings it presided over. The Tower was the architectural advert, so to speak, for a real business, one that survived longer than most Victorian-era enterprises, way past World War 2. And then the Tower was saved by an early manifestation of the Conservation Movement, in the form of two rich fogeys, aesthetically speaking. The link above, in paragraph one of this, concerning the history of this place and what they’re now doing with it is well worth a follow, so here is that link again.

I wouldn’t want London to consist only of such ornamented antiquities, but I am glad that quite a lot of such oddities still survive, and that they now look like having a decent future, to follow their distinguished past. And I am glad to have lived long enough to have experienced a time when this past can be easily learned about. During the last century, I would see such a building, wonder about it for about one minute, and then forget it and move on to the next equally baffling oddity.

Quota photo of the BT Tower advertising Follicular Lymphoma

Haven’t had many quota photos here lately, have I? But I am now about to go on what could be a long photo-walk, and don’t want to be worrying about not yet having stuck anything up here.

So:

Photoed from the top of my block of flats, last November. Ah, those were the days, when people worried about lots of diseases instead of just the one.

What is Follicular Lymphoma?

Follicular lymphoma (FL) is a slow-growing type of non-Hodgkin lymphoma. It develops when B-cells (also called B-lymphocytes) become abnormal. B-cells are white blood cells that fight infection.

The abnormal B-cells (lymphoma cells) usually build up in lymph nodes, but they can affect other parts of the body.

Have a nice day. I intend to.

Lambeth signs

This afternoon, I plan on retracing the steps I took last Wednesday, past Tate Ancient, along the river and across the River, to check out that Ancientist Tower that commenter Alastair so kindly identified.

Meanwhile, here are some more photos I took on the far side of the River on that earlier expedition, of signs:

I love signs, and I love photoing signs. Photoing them is good because signs can be tedious and time-wasting to read at the time, but fun to read at your leisure. They are informative in the obvious way, and also wondrously varied in style and atmosphere. Signs, for instance, can tell you a lot about the politics of a place. How well-governed, or alternatively intrusively and officiously governed is it? By what sort of people? What’s the crime rate like in these parts? Are strangers welcome? Animals? That kind of thing. Even a mere photo of a street sign, if you include some context, can tell you a lot. A defaced sign, as in photo 8 above (a bit), tells you something, about local behaviour and about local official concern about such behaviour.

I am particularly fond of the officially erected maps that adorn all big cities these days, especially the bit where it says “You Are Here”. London’s signs of this sort are a fine example of the genre, which I constantly photo (see the first photo above), both for their aesthetic appeal, and to tell me where I was.

By the way Life (see photo 4) is not life; Life is (see photo 5) a kitchen appliance showroom.

All the enterprises referred to in the above signs are now, inevitably, shut. Long may that not last.

Feline Twitter dump

I earlier promised a creature-related Twitter dump. It turns out it’s pretty much all cats:

Another optical illusion that works on a nonhuman animal.

Can cats pass the mirror self-recognition test? This one did.

Why does this advert make it look like cats created a centre left political party in the early 2000s?

Screw your traffic, humans.

These next two tweets are also feline, because they’re Schrödinger’s Cat jokes:

Schrödinger’s Dumpster.

Schrödinger’s Plates.

Fed up with all the cattery? Then maybe you’ll approve of this:

A bit barbaric but my dog approves.

Still wanting something not cat related. Well, there’s always the Babylon Bee.

A shortcut to a Blockbuster photo

I’ve been a bit of a latecomer to the use of shortcuts to favourite photos. Now I find them essential, simply to keep track of where my most favourite photos from long ago times are to be found on my hard disc.

For a long time, what I would do is copy the file of the entire photo to a new directory. But that has a big drawback, which is that when posting photos here I like to be able to talk intelligently about these photos. When they were taken, where, and above all, simply, what they are of, that often needing to be explained. That can be hard to see when the photo had been snatched away from the directory where all the photos on that particularly expedition are to be found, especially including those taken just before and just after the one I want to talk about.

Shortcuts deal with this problem by leaving a favourite photo where it is, yet at the same time giving me big clumps of favourite photos to stir my blogging juices, and happy and/or interesting memories generally. They also direct me to whole collections of photos that I remember with special pleasure and which illustrate some particular point, or tell of some particular photo-expedition.

This photo, of a car, in snow, outside my local Blockbuster Video in Warwick Way, just off of Vauxhall Bridge Road (I can see that much at a glance), was not especially interesting when I photoed it:

But it is now, because Blockbuster is not just an enterprise that no longer exists. Blockbuster is now famous for being an enterprise that no longer exists. That makes my ancient photo of interest. So, when I come across it in the archives, four years ago, I created a shortcut to it, and put that shortcut in a new shortcut directory.

Where I came upon it recently, having forgotten about that shortcut directory. But at least when I found that directory I found a couple of dozen photos of interest, rather than just one, because I had chanced upon it in its original home. I’m old. It has taken me a while to realise that I need to get my use of shortcuts much more organised, which I have actually started to do, that early shortcut directory being an early symptom of this effort. Maybe collected into annual directories? We’ll see. By which I mean, I’ll see, and maybe you’ll see also, as in see also some further interesting ancient photos, if you keep coming here.

More importantly, from your point of view, I can tell you that the above photo was photoed in January of 2004. Since Blockbuster vacated this spot, it became an exercise parlour, crammed with exercise equipment, but never ever, whenever I looked, containing anyone taking any exercise. (Not one. Ever. Weird.)

It is now a Waitrose, and looks like it will remain that for a while.

People were also saying, way back when they said such things, that snow would become a thing of the past, which may be why I photoed this photo originally, along with all the others I photoed that evening. Turns out it was Blockbuster that melted away for ever.

Out and across Lambeth Bridge

This afternoon, I ventured out of doors. What with the weather being so nice:

Because public transport has recently been something that Non-essential Workers (apparently the world can do without personal blogs if it has to) have been discouraged from using, so for the last few weeks, I couldn’t just go somewhere by tube or bus, then walk where I wanted to for as far as I wanted too, and then grab the nearest tube or bus back home. It no longer works like that. The further I now walk, the further I have to be willing to walk back.

So, me and my camera are focusing in a whole new way on places within easy walking distance of home.

Today, I walked through the back alleys of Millbank, past pollarded trees just beginning to assert themselves with leaves, but not so much as to become boring. I went past the statue of John Everett Millais (I took photo-notes), who stands at the back of Tate Ancient, and was then beside the River, looking at Things on the other side, and at Lambeth Bridge, which I had in mind to cross. This time, the tide was higher.

What is that Ancient Tower that looks like someone stole it from Tower Bridge? The one in Photo 5 above, in the middle. I’m too tired to track it down. I was out walking in London today, and I am too knackered to care, for now. Anyone?

I did cross Lambeth Bridge, St Mary’s Gardens being just on the other side of it, next to a church, St Mary’s Church presumably.

And then I wandered in the general direction of Waterloo, and made a strange discovery, which I’ll tell you all about some other time, maybe, I promise nothing.

This is a little patch of nearby London that I have very seldom explored. I know what I will see on the other side of Vauxhall Bridge, because I often go to Vauxhall Station, or beyond to the Oval, to say nothing of being intrigued by that weird Bus Thing. And I used constantly to cross Westminster Bridge, photoing photoers, and in search of classical CDs in Lower Marsh, and of much else, like closer-up views of how the City of London’s Big Things have been progressing. I still do, quite often. But the little patch of London life beyond Lambeth Bridge, along Lambeth Road and nearby roads, is far less well known to me. I know it a bit better now.

And then when my wanderings were done and I was knackered, I tried, for the first time since Lockdown started, to take a bus back home. And I succeeded! The bus was three quarters empty. The driver made no attempt to persuade me to continue walking, and nor did anyone else. Plus, the driver was taped off, like he was a crime scene, which was a sufficiently strange circumstance for me to reckon it worth photoing, and again, nobody thought to interrupt me while I did this:

All of which meant that I got back home sooner than I feared I would, and far less knackered than I feared I would be.

But still knackered.

The ups and downs of cricket (and of the City of London)

Ten years ago today, England beat Australia in the Final of the ICC World Twenty20, in Bridgetown Barbados. It seems that Australia batted first, lost early wickets and never recovered.

I watched the final dozen or so overs of this game at the home of Michael Jennings:

Happy memories. What could be better than watching England beat Australia at cricket, at the home of a friend, who is an Australian cricket nut?

My hard disc has a much better memory than I do. I had no recollection of this until I just looked up May 16 2010 in the photo-archives. And up came all these photos of a screen, telling of England’s triumph.

The Man of the Match was … Craig Kieswetter. Whatever happened to him?

It wasn’t good:

Craig Kieswetter, the England ODI and T20 wicketkeeper who was Man of the Match in the 2010 World T20 final, has announced his retirement following the eye injury he sustained last year.

Kieswetter was struck in the face when a ball went between his helmet and grille when playing against Northamptonshire, breaking his nose and damaging his eye socket. He returned for two matches at the end of the 2015 season, then went to play T20 in South Africa, but struggled with the effects of the injuries.

It could have been far worse. That I had definitely not forgotten about.

LATER: Here’s how the City of London was looking that evening, photoed from Michael’s local railway station:

No Cheesegrater. No Scalpel. And no Big Lump, the latest biggest one that has no silly name because it’s too boring. Not, in other words, yet, this, which is how Things are now, give or take a few cranes.

Five years ago today on the South Bank

Yes, another retro-photo-meander, on May 11th 2015

Photo 1: This doesn’t exactly nail down the date, does it? This could be a headline from any day during the last two decades. False, every time. The only time we got tough on the EU was when the mere voters voted to leave.

But Photo 2 is suitably fixed in time, the time when they were just finishing those rather lavish looking student apartments, on the far side of Westminster Bridge. In my day, we lived in digs. These were holes in the road. Just kidding.

Photo 3: Just as photos of people wearing face masks take on a new meaning now, so now do crowd scenes. Who are those people wearing blue caps? No idea. Memo to self: gather up more crowd scenes. I haven’t done many of these. In future, I’m guessing now I’ll do more.

Photo 4: The Big Purple Cow is – was? – a comedy venue.

Photos 5 to 9 explain themselves. Above the streaks on concrete is a sign saying where we are.

Photo 10: On the right, that’s the ME Hotel Radio Rooftop Bar.

I can never remember what the roof clutter i Photo 12 is on the roof of, but I always like to photo it.

The vapour trail in Photo 15 was also this vapour trail. If vapour trails always looked this black and horrible, there would now be no planes flying.

Face masks in London – but not because of Coronoavirus

Remember that Hong Kong demo I photoed in January and belatedly mentioned here at the end of last month? Well, to remind you about that, and about what a nasty government they were demonstrating against, here are some more photos I took of that demo:

In Hong Kong, there was widespread use of face masks long before the Wuhan Flu, to resist another sort of threat, namely government surveillance.

I am pessimistic about Hong Kong, in any run but the longest. But it is possible to hope that the huge burst of negative feeling about China’s government may draw more attention to all the other nasty things they are doing, in China and in Hong Kong, and that this may get in the way of them swallowing up Hong Kong. I hope so.

I have long been noticing face masks, on those rare occasions when I saw one in use in London. Assuming I manage to deploy my camera quickly enough, they allow me to photo people, and show the photos on the Internet in a way that keeps faces unrecognisable. This demo was a target rich environment for such photoing, my wishes concerning unrecognisability being in line with the wishes of those I was photoing.

Sadly, face recognition is starting to see past face masks.