Kevin Brennan MP supplies the proof:
Far too good not to copy and paste into here. Yum. And scaffolding.
Kevin Brennan MP supplies the proof:
Far too good not to copy and paste into here. Yum. And scaffolding.
In 1966, I had a three month holiday in Scandinavia, on a bike. This did not work very well in Norway, which is rather bumpy, but what did work well in Norway was the brown Norwegian cheese. I don’t have the ostehøvel that I used on that trip to slice the brown Norwegian cheese, because I gave it away to someone, but back home, I bought another one immediately …:
… and have been using it ever since, for slicing regular British cheese.
I had less luck finding any brown Norwegian cheese back home. Even since then, I have kept an eye open for this brown Norwegian cheese, in Brit shops, but I never found any.
Then I had a brainwave. Why not type “brown Norwegian cheese” into the www, and see what came up? Maybe the www could tell me which shop to try. And yes, you are right, I should have thought of this a lot sooner. See the contents list below, which will include: Getting old.
Anyway, the www did its stuff, and I was instructed to visit Waitrose in Oxford Street, which is in the basement of John Lewis. And I duly purchased a couple of … these:
“A Norwagian speciality. Mixed creamy whey cheese made with goat’s milk and cow’s cream.”
When you get inside this (and start slicing and eating), it looks like this:
Yum. £4 per cube. Worth every penny.
LATER: Sorry about the spotty plate. It really is time I got some plain white ones, on which dirt is more easily spotted.
Two more photos from October 20th 2007, and that’s really it.
First, the painter who painted Venus and The Annunciation, painting The Annunciation:
Maybe you suspected he painted his paintings at home and just taped them to the pavement. No. He painted them in situ.
And later, on the same day, a fish:
Which came out really well, I think. It’s the bottom of a street lamp. To its right, what the top of the street lamp looks like.
Yes, as earlier promised:
There’s a lot I could say, by way of a photo-essay, about these photoer photos. But, do you know what the best thing about them is, in my opinion? How good they are. Oh, technically, they’re a bit rubbish, but I don’t care about that. I just really like them. Even the one of me. But especially the one of the bloke lying face down on the ground playing a guitar behind his head.
If and when I get myself that new laptop that I mentioned here I was thinking of getting, I’m going to call it my Hand Lift Electricity Brain.
Tim Dunn tweeted the two photos below as a before/after pair.
Before:
After:
Before being how Wells Cathedral used once upon a time to look, and After being after the Puritans had got rid of all the colouring in, and had added a couple of towers.
In my mind, I connect the idea that medieval cathedrals used to be riots of colour, which seems to be true, in addition to being an attractive idea to many (me included), with the idea that many new and recent buildings might benefit from a similar sort of process in reverse. In short, brightening up.
Here’s the sort of thing I mean:
I downloaded that photo from the www, but then lost where I had found it and couldn’t find it again. Nevertheless, there it is, the Sydney Opera House, lit up with what look like Aboriginal type graphics.
I also came across a French medieval cathedral lit up in colour like old Wells Cathedral
Which is all good, but such a thing only works well at night.
Actual paint, on the other hand, is permanent, and good luck persuading those who have got used to plain stone colour that they should instead get used to a highly controversial version of what their cathedral might have been like in the past.
Time for someone to invent magic electronic paint. This is the sort of paint which you can slap on just like regular paint, except that it is transparent, like varnish. But this varnish is different, because it consists of a billion tiny mass produced little magic spheres which, when activated by a magic message from afar, can light up in whatever colour you want. You sit down with your computer and Photoshop in lots of colours, and then you switch it on. Voila! It looks like it used to, before the Puritans went all puritanical with the first lot of paint. But, it’s only temporary so the grumblers who would have grumbled very obstructively will only grumble a bit and not enough to stop it. More Photoshopping means that you can switch to a totally different colour scheme, just by switching another switch.
Soon, all the now ugly concrete monstrosities will be covered in this magic paint, and the world will become a more colourful and much better place. Patent pending.
Here:
Alternative title: Five Concordes sniffing the arse of another Concorde. A Twitter commenter agrees.
As someone once said about a battleship: “This is how to waste public money.”
One of my most lasting regrets is that I never photoed Concorde, even though my first digital camera predated its demise.
Not ordinary things.
Yes they do. Here are some I photoed on my recent trip to their country:
And here is a particularly interesting motorbike specimen, which I spotted inside a shop in Perpignan:
You see what they did there? They put a classic motorbike next to one of the great design classics of the twentieth century, the Barcelona Chair. What this says to me is: This motorbike is a work of art also. My photos are not works of art, on account of unwanted reflections, but they make the point I’m making well enough.
The best motorbike I encountered, and photoed with its owner’s proud permissions, was this one, photoed right at the end of my stay, while being driven back to Carcassone Airport:
The nearest thing to this bike I could find on the www was this. Not a perfect match, but an exact match on the colour scheme front.
I like to think that the French see something philosophical, Sartrian, existentialist, in their bikes. What with you riding a motorbike, today could be your last day alive! So climb on your bike and find your true self! Or something. I put this or something like it to a friend earlier this evening, and she said maybe they like bikes because unlike us lot here, they have roads which you can really ride motorbikes on properly. Sadly, I think that makes more sense.
This is great advice:
Wallsend in 1963 by Colin Jones. If you are a young photographer who is just starting out remember to photograph the ordinary things in life, eventually time will make them extraordinary.
Got this from my Twitter feed. Twitter is not only bile and stupidity. It depends who you are following. I follow some photoers. That they typically have different political opinions to me is, for me, a feature rather than a bug, because I see into other political minds.
Bloomberg reports that A $1 Billion Solar Plant Was Obsolete Before It Ever Went Online.
The US taxpayer faces an eye-watering bill. Which is very bad. But the interesting thing to me is why it was obsolete:
By the time the plant opened in 2015, the increased efficiency of cheap solar panels had already surpassed its technology, and today it’s obsolete — the latest panels can pump out power at a fraction of the cost for decades with just an occasional hosing-down.
I am not a close student of solar power, but to my uneducated eye this sounds like very good news. The savings that this rapid solar tech progress will yield will surely be worth far more than whatever the US government wasted (by being too impatient and/or corrupt) on this particular slice of pork.
There’s a graph in the Bloomberg piece which says that the “Cost of Solar Technology in $ Per Megawatt-Hour” has fallen from around $350 in 2009 to around $50 in 2019. Which sounds like quite a drop. I had heard rumours about how solar power is getting cheaper, but I had not realised how rapid this improvement had been. And, I’m guessing, will go on being.
New and overdue category here: “Energy”.