Gas works before lockdown ends?

I did quite a bit of writing today, but none of it for here, today. So, quota photo time, and again, it’s photoed in the well-lit dark with my Samsung Galaxy A40 mobile phone. I don’t know if gas work is what is happening, but that’s my bet, and if that’s right there is a lot of it about. I’m guessing they don’t like big rearrangements of the gas pipes when it’s freezing cold, as it was a week or two ago, but they want to get anything they want done done, before lockdown ends. And I further guess that this, at the junction of Warwick Way and Tachbrook Street was part of it:

I’ve been seeing gas work everywhere, like in Vauxhall Bridge Road. And are those smaller orange pipes also for gas. Guess: yes. (LAGER: No. See my comment.)

While wondering what verbiage to attach to the above photo, which I like simply for artistic effect and because of that sign about social distancing, I came upon this photo I photoed quite a bit earlier, at a spot I often shop at, where Horseferry Road does its big kink, where I often do very local shopping, and where I get my hair cut:

That’s definitely gas they’re working on there, because it says so. And it also goes on about social distancing, which at least fits with the social distancing sign in the first photo.

These annoying signs are becoming my most vivid recollection of lockdown, and it’s gone on for so damn long I can still photo more of them whenever I see them, as I surely will for quite a while.

A ball point pen for eight pence!

Here are two more photos photoed with my Samsung Galaxy Something mobile phone:

I came upon these pens while seeking something else, as you do. I then took these photos because what I was seeing reminded me of a conversation I recently had with Michael Jennings about why the cameras in things like my Samsung Galaxy Something mobile phone are so good. He said that when you are ordering up the cameras for a production run of mobile phones like mine, or for an iPhone or some such thing (Michael J has the latest iPhone (with which he now takes photos like these)) you’re talking about ordering a billion of the things, literally. When you are working on that sort of scale, then the economies of scale really start to kick in. A camera which would have cost five times what the mere phone costs now, if you sold it only to photographers, now costs only a dozen or two quid for my phone, or a couple of hundred for the latest iPhone. He’s not wrong.

Research and development for dedicated cameras has pretty much stopped about five years ago. All the effort now goes into making mobile phone cameras into miracle machines, and that’s really starting to be visible in the results.

I remember thinking, when digital cameras first arrived, that in the long run, cameras would have no reason to look like old school cameras, of the sort that had film in them. But at first they all did, because that was what people felt comfortable with. But now, that long run is starting to arrive. Cameras now consist only of a screen, and what is more a screen that can do a hundred other things besides photo photos.

And the above photos illustrate this same economies-of-scale which can fund mega-research-into-making-them-even-cheaper principle in action down at the bottom of the market, where they thrash out ball point pens by the billion. One pound for a dozen of them! Like I say in the title of this, that’s hardly more than eight pence a pen. And that’s after all the transport costs and retail mark-ups and goodness knows what else have also been paid. Amazing.

Shame they can’t make food and heating and rent that cheap. The one thing that never seems to get any cheaper nowadays is energy, aka the essentials of life. Are we due another human transformation, to go beside this one, when energy gets miraculously cheaper? Nuclear? Fusion? Bring it on.

That previous kink, I recently read in one of Anton Howes‘s pieces, was maybe made to seem more abrupt than it really was by the fact that there came a moment when they finally worked out how to extract and distribute energy on a serious scale, but energy remained quite expensive, hence the sudden kink upwards in the numbers. Actually, life had been getting better for some time, and didn’t suddenly get a hundred times better, merely about three or four times times every few decades.

Meanwhile, things like absurdly good cameras and absurdly cheap ball point pens don’t show up in graphs of how much mere money everyone is chucking around. Which causes people in a country like mine to underestimate the improvements of recent decades. These have not taken the form of us all having tons more money. No. What has been changing is the stuff we can now buy with the same money. Like my latest (mobile phone) camera, and like ball point pens. Provided you have some cash left over after you have fed and housed yourself and kept yourself warm (not everyone does), then life has got lots more fun, given how many and how much better are the toys and times you can now buy for the same money.

Life has not improved much for those who have fun only when the fun they get is too expensive for most others to be able to indulge in. But that’s a thought for a different posting.

Engine issue

Via Instapundit, this:

Police in Broomfield stated on Twitter that they received reports of dropped debris in several neighborhoods …

One of the engines on a passing United Airlines plane exploded. The plane flew back to Denver and landed safely. Nobody was hurt either by falling debris or in the plane.

CNN reported that there was an engine issue. I’ll say. A Boeing 777 apparently.

Lots more social media photos, including passenger videos of what remained of the engine, at the other end of the “this” link above. No way anyone could pretend this didn’t happen.

Quite a story. The Guardian agrees.

Big yellow pipes

Vauxhall Bridge Road is a bit of a shambles just now, because it is being dug up. It’s as if they’ve told whoever it is doing this pipe work that now is the time to doing this sort of thing, or never.

A few days ago, on my way to the shops, I encountered some of these pipes, all gathered together on the road and ready to be buried:

And then, a bit further up, nearer to the junction with Warwick Way, I came across some of these pipes actually being buried:

It was all a big reminder that roads are not simple unchanging surfaces. Rather are they elaborate volumes, volumes that are constantly being tinkered with and rearranged.

These photos were photoed, like the photo of that piano, with my Samsung Galaxy something something Forty. It’s recent rather than the very latest thing, and definitely not the latest iPhone. Yet look how it performs in very limited and completely artificial light. Okay the buildings in the background are more than somewhat distorted, but the pipes are clear as day.

Steve Davies: Four new technologies to be optimistic about

I seem to recall a lecture, given by Steve Davies at the IEA just before Covid and the political reaction to Covid started spoiling all our lives, in which he warned that modernity might be stopped in its tracks or worse by some unforeseeable disaster, and that we should watch out. And I’m pretty sure that, during the Q&A, he even mentioned the possibility of a pandemic.

Now however, Steve Davies says, not unreasonably or inconsistently, that the future is brighter than many now, as the Covid crisis persists, assume or at least fear:

People everywhere need to recover their sense of confidence and optimism and to realise not only that this is, undoubtedly, the best time ever to be alive, but also that the future will be even better.

Davies then writes about four technologies which he says will transform life for the better: autonomous vehicles, synthetic food, artificial intelligence, and anti-aging medical treatments. So, life will not only be better; it will also last for far longer.

Regular readers of this blog will know that recently I have particularly noticed technology number two in the Davies list, synthetic food. And number one, autonomous vehicles, has long been to be an interest of mine also. I agree that both will be “epoch making”, eventually.

But I probably won’t live to see either epoch unfold. As far as I’m concerned, that last one, extended life-span, through the conquest of such things as cancer, can’t come too quickly. Which is why it almost certainly won’t come, for me, quickly enough.

However, I recently I heard some wisdom based on recent personal experience spill out of my mouth, to the effect that, now, being told that I have a potentially quite-soon-fatal disease, at my already quite advanced age, is a big deal, but not that big a deal. This just means that I will die a bit sooner. But what if such a medical mishap meant that I died a lot sooner, like about a two hundred years or more sooner? That would be a very big deal. In an age of multi-century lifespans, if that is what is about to arrive, people will surely become far more risk averse even than they are now, because they will have so much more to lose by dying.

But then again, adolescent boys have long had a lot to lose and they are notoriously prone to risk-taking, just for the hell of it. So, what do I know?

In general, will people actually be any happier? I doubt this, because happiness seems to depend more on one’s internal mood than on one’s mere circumstances. I don’t feel any more miserable now than I was a couple of years ago, when I was unaware of my medical condition and before it started or at any rate before it started hurting.

The Wires!!! in Seattle

So I was at Dezeen, checking if there’s been any big architecture lately (only in China), and I saw this photo:

And I assumed we were in Japan. New modernist white box building, yes. The Wires!!! in front of it, yes. Absolutely nothing said in the text about The Wires!!! But all this was happening in Seattle.

Why do I make such a fuss about The Wires!!!? It’s because the phenomenon of The Wires!!! is an extreme illustration of the matter of what is seen and what is not seen. The point about The Wires!!! is that they are literally not being seen. There they are. And the Real Photographers are definitely seeing The Wires!!! They put them centre stage. They are saying to the people who write these extraordinary pieces, about buildings with The Wires!!! all over them: Look, The Wires!!! Write something about The Wires!!! But no, the writers don’t see The Wires!!! Or if they do, their Editors are under strict orders not to see The Wires!!! They delete all mention of The Wires!!!

Cities, in particular, abound with things you are supposed to look at, and things that you are not supposed to look at. Like stage scenery that is there to be looked at, and the equipment that supports the scenery or in some way services the scenery, that you aren’t supposed to look at, or even to see. We all look at cities in this way. I do it. I still try to avoid looking at all the poles, for lighting and for signs, that sprout out of urban pavements. (Memo to self: Photo photos that put these things centre stage, in the manner of the above photo of The Wires!!!))

See also: Roof clutter.

What’s strange about the The Wires!!! phenomenon is that there is a stand-up fight going on between the people supplying the photos, and the people commentating, at Dezeen anyway, on the photos. These Dezeen writers are either forbidden to see The Wires!!!, or, even weirder, they literally do not see The Wires!!!

The above photo, and the commentary on it, is the most extreme example of this phenomenon, of The Wires!!!, that I have so far encountered.

More cruelty-free meat news from Israel

From the Daily Mail:

A juicy ribeye steak is a treat for many, but meat eating is increasingly falling out of fashion due to ethical and environmental concerns.

Now, an Israeli company has revealed the world’s first ever 3D bioprinted ribeye made with real cow cells, and it is completely cruelty and slaughter-free.

Scientists took swabs from two cows, cultivated them in a lab, and pieced them all together to form a replica steak.

What is it about artificial meat and Israel? Maybe it’s just that Israel happens to be a very inventive place just now, and whatever innovation you happen to be a spotter of, you’ll find yourself being directed towards Israel.

I wonder if the pariah status of the state of Israel is some kind of cause of this super-inventiveness, if that’s what it is. If so, it reminds me of how religious non-conformists in Britain, similarly cut off from polite society, were so heavily involved in the Industrial Revolution.

Transparent wood

Here:

As window material, it would be much more resistant to accidental breakage. The clear wood is lighter than glass, with better insulating properties, which is important because windows are a major source of heat loss in buildings. It also might take less energy to manufacture clear wood because there are no high temperatures involved.

Transparent wood could become an alternative to glass in energy efficient buildings, or perhaps coverings for solar panels in harsh environments. There could be no end of uses.

Remarkable. Thank you Scott Adams.

The Royal Marsden grand piano

Today I paid an actual face-to-face visit to the Royal Marsden. The Verdict was: I keep on with the magic pills, which will keep on doing me good. So: good.

Here is a photo I photoed today while I was there and just before I left:

This is my favourite place in the Marsden, because it is the one place, aside from the main entrance, where I know where I am. There is a lot of equipment in the Marsden, but I am fairly sure that they only have one grand piano. And when I see this piano, I know that I am in a particular spot very near to the main entrance.

In all other inside parts of the Marsden, the style is interior modernist vernacular. In other words, everywhere looks the same and strangers (that’s me) get totally lost. Architectural modernism has triumphed indoors. Out of doors, in London, architectural modernism is a major force, but it has not totally triumphed, and in many parts of London has not triumphed at all. But inside something like a big hospital, it’s all modern, and all modern in the same way.

Except when they have a grand piano to show off. When that happens, you know where you are.

I photoed the above photo with my mobile phone rather than with my regular camera, to check out if interior and rather badly lit scenes do better on my mobile than on my camera (as operated by me). And guess what, they do. I know I know, if I knew how to operate my camera properly it would do better. But I don’t and therefore it doesn’t. My camera is set on automatic. And my camera’s automatic is much, much worse than my mobile’s automatic, in other words than my mobile.

This is actually quite a big moment in my personal photoing history.

The hope of progress

Having recently received a life sentence of quite advanced lung cancer, I find myself noticing reports like this one entitled Ultra-precise lasers remove cancer cells without damaging nearby tissue. Cancer treatment is progressing fast, in all manner of directions, and I am now seeing stories of this sort every few days. Will it progress fast enough to prolong my life in a significant way? Knowing what I do of how long it takes for an innovation to go from a recent observation or discovery to a routine service, my guess now would be: not. But I can’t help hoping that it might.

In another context, I have described this sort of feeling as the torture of hope.

I came upon this above report at the Twitter feed of Steve Stewart-Williams. There being a lot more to that guy than cute animal videos.