Taxi-with-advert photoed in 2005

Indeed. There I was, in 2005, out and about in London, photoing things like this:

… which even by 2005 was fairly routine for me. But then, later the same day, in Battersea, walking beside the River with a friend, I photoed this:

That was with my old Canon A70. But I didn’t get properly interested in taxis with adverts until a decade later. Why not? Don’t know. Ancient cars like that Austin A30 (I think), I was already obsessed with photoing.

The advert in the above taxi-with-advert photo was for a West End Show, which The Guardian approved of. I probably wouldn’t have, because that’s the stand-up and stomp-about-all-over-the-stage-like-a-lunatic comedian Lee Evans there, on the taxi. I found his comedy performances frenetic, in a bad way. He would sweat appallingly when performing. So, it was the comedy of embarrassment, and I was just embarrassed. I didn’t even smile, so I stopped watching him. Is he still doing this?

Perhaps he was better than that in The Producers, having been told to calm it down a bit.

One phone call

Alexander Larman writes, in The Critic, about the catalytic phone call, from a movie maker to a writer, that resulted in Goodfellas getting made, thirty years ago:

Scorsese told Pileggi, “I’ve been waiting for this book my entire life”, to which the understandably overwhelmed writer replied, “I’ve been waiting for this phone call my entire life.”

Good to see The Critic getting noticed by Instapundit, which is how I came across this.

Flying with geese

Tim Skellet:

OK, folks, I’m off to see a man about some geese.

Not with a view to buying them, but with a view to flying with them a short while. Will explain later. Wish me luck, it may not work out at all.

Later:

this is what I want to do, why I’m here. Hoping I get to do it. My photo yesterday:

Vekica says:

Fly Away Home!

Just what I was thinking. I’ll be that movie triggered a lot of this flying with geese stuff, putting it up there with swimming with dolphins.

So much better to fly with birds that to shoot them with guns like so many used to and some still do.

Red dog – red cat

Mick Hartley has been spotting red pets, out East in Mick Hartley land:

Woof. Miaow.

In London, and I suspect elsewhere, interesting new murals now seem to be more numerous than interesting new buildings. And more interesting, I’d say. To put this another way, murals are now the latest architectural thing.

One of these muralisers should be let loose on this building.

The only house Zaha Hadid ever designed

Zaha Hadid Architects interests me because, Zaha Hadid having herself died, it is now run by a libertarian, Patrik Schumacher. People like this are rare, and we libertarians must make much of them. Also, they are interesting.

So, this house interests me:

That looks rather small. Rather disappointing.

But look at this:

That being, I presume, a faked up photo beforehand of how it was going to look. Now you’re talking. Because of the rather odd procedure I found myself using to get that photo from here (where I found the above two images) to here, I found myself emphasising the darkness of the place where this house was going to be built, making it look even more like a spaceship than, I presume, it actually does.

The bit at the top is not the Bridge of Starship Enterprise. No.

The 36,000-square-foot home, formally dubbed “Capital Hill Residence,” has many unique features, but one of the most outstanding may be its narrow tower, and what it supports — namely, the master bedroom, situated over 100 feet high. The tower’s supporting column includes a glass elevator and staircase.

Now that’s a Master Bedroom. Feminists: cower in terror. I love that it’s a woman that designed this. Would any male architect now dare to create such a thing? I also wonder, did Zaha Hadid ever have any run-ins with feminists? That would have been fun to see.

I particularly enjoyed the bit where Zaha Hadid first got the job, from the Russian oligarch who paid for all this:

“She drew a sketch on the napkin and I said, ‘You’re hired.'”

Classic Because-We-Can! architecture. In my version, La Hadid does her sketch on the back of a restaurant menu, but otherwise, it’s just like I said.

I just googled “casedemic”

A significant slice of my most recent traffic has been coming to these two postings, both of them involving that word. Casedemic. So, I’m giving the public what it wants and doing another such posting. You cannot now switch on a news channel without being told about a surge in “cases” of The Plague, but you are liable to wait in vain to learn how many people are actually dying of it, or even if any great number of people are even seriously ill. I don’t doubt that both numbers are now somewhat more than zero, but there’s a lot of difference between not zero and a lot. I am not the only one to have been noticing this. I’m not the only one who can interrogate the Internet about such matters.

Today, I did what I have been doing each morning for a while now. I googled “casedemic”. And there seems to have been surge in that statistic as well. It has suddenly jumped from around 30,000 to around 170,000. I know extremely little about what a search result statistic like that means in any detail, just as I know very little about what it really means to “test positive” for The Plague itself. But it feels like this could mean something.

Bottom line: When this Plague first became a public Thing, everyone I know was genuinely scared and genuinely anxious to do all the right things, both to protect themselves and to avoid making things worse for others. Now, people are more scared of being set upon by officials, and by people who enjoy tormenting strangers, for failing to go through the correct motions – not muzzling themselves or not staying apart from each other. They aren’t scared of the actual Plague any more.

When I got my hair cut recently, I realised, after the guy had finished, that I hadn’t muzzled myself. I said I hoped this had not been a worry. Oh no, do as you please, was the answer. I cannot even remember if the guy himself was muzzled or not.

Perhaps equally tellingly, I am now suffering in a very mild form a few of what could conceivably be symptoms of The Plague, as one does from time to time. Cough, mild headache, slight aversion to morning coffee, that kind of thing. But, if I were to get tested for The Plague, and if I “tested positive”, then I would perhaps be interrogated about all my social contacts during the last fortnight and obliged to cause trouble for all of my closest friends, friends who have lives they are already struggling to keep on track or to get back on track. Also, I might be put under house arrest. Probably none of that would happen, because the people whose job it might or might not be to inflict such processes don’t have their hearts in this stuff either, not any more. But why take the risk? So, I’m just waiting to get better.

It’s not – repeat not – that people are merely “tired”, as in tired of the actual Plague. Most of Britain’s civilian population were tired of World War II by 1941 at the latest. But, horrible and dispiriting though it was, that was a war that made sense to almost all of the Brits, all the way through, from the day it started in 1939 until the day it ended in 1945, and for that matter ever since. It is – repeat is – that nobody any longer believes that this Plague has been what they first said it might be, and we are tired of being mucked about by people who seem more concerned to retro-justify their earlier panic than to be doing the appropriate thing now. Which would be to say, okay everyone panic over.

By the way, I do think they panicked. I don’t think there’s been much in the way of conspiracy, and certainly not to begin with. Sean Gabb has done a good piece about his, which I noticed because it was Quotulated. Read, as we bloggers say, the whole thing.

LATER: Now (1pm in Britain) the number has gone down from 170,000 to 48,000. So maybe what I caught was what had piled up in one day. Nevertheless, there does seem to be a big uptick, from 30,000 to 48,000.

A sound file with sound advice about photography

Testing testing:

Wow, that worked! First time. A long line with progress on display, just like the real internetters do. I’m not sure what I was expecting, but I wasn’t expecting anything that good. Go WordPress.

The sound file is of me picking the brain of my friend Bruce the Real Photographer. His advice about photoing is very clear and down to earth. I did a posting on BtRP way back in 2006, which included this interview. Now I’m trying to transfer that posting across from the old blog to this blog. It’ll be a while yet before you see that, because the photo-presentation angle of that is complicated. But meanwhile, ff you fancy the idea, have a listen.

Urban picturesque with Shard

Same formula as the previous post. Ooh that’s nice:

But puzzle. What is it? We see the Shard there, but where are we? What direction are we looking at the Shard from?

Context:

We are at the Dome end of the Dangleway, looking across the Greenwich Peninsular towards the towers of Docklands, with central London beyond. The City cluster is not visible, but the Shard is.

I still don’t know what that blob in the middle of the sky is. Mercifully, it isn’t to be seen on any of the other photos I photoed at this time.

The tall pole with sticking out bits in the original photos is for hanging banners, saying things like: “London Olympics 2012”, 2012 being when all these photos were photoed. Now, there are Machines-For-Living-In Things in the foreground, next to and just south of the Dome, and a great many more bigger Things in the Docklands Tower Cluster.

The photo on the right, featuriing the Dome, was photoed as I began a Dangleway journey across the River to Victoria Dock.

I love that part of London. An essential part of that being because it keeps on changing.

More London

Back in March 2019, on the same day and just before I photoed these photos, I photoed this photo:

What I like about that is what I also find weird about it, which is the way that this metal circle of 3D map information kind of hovers weightlessly over the pavement.

Luckily I soon found another photo which explained this weird effect with logic:

But now, there was another mystery. What is “morelondon”? Turns out it’s More London, which was the place where I was.

Here are some more photos I photoed at the same time as the two above:

The reason I made them look so small in this posting is in the hope that you will be deceived about what is going on, in photos 1 and 4 there, 1 especially, 4 in a general way, but 1 in a very particular way. Click and you’ll surely see what I mean.

The strange coloured-in statues are, I now learn, by Stephan Balkenhol. More about him here. At the time I recall wondering if they were Art, or just advertising of some kind. Art, it would seem.

This is the damage a tiny speck of space debris can do at 15,000 mph

This:

I did a piece a while back for Samizdata about that foolish equation people sometimes still make between “the age of exploration” that happened about five hundred years ago, when Europe, until then a backwater, globally speaking, started to connect itself with the rest of the world out there, and space exploration now. Like I said, rather foolish.

The above is one of the many ways in which space travel, unlike those early sea voyages, is profoundly different from anything before attempted by humans. Not saying we shouldn’t do it. Am saying: watch out for very big surprises, often very nasty ones.

I have had that tweet open for over a month, and it refused to let itself be closed. Too interesting. Too dramatic. Too destructive.