Now is the time for us to do what I’ve always wanted us to do.
Now more than ever.
One of the last really successful photo-walkabouts I had in London was on May 30th of this year. I remember having two designated destinations, rather than just the one. There was where they are starting to build these Things, as noted in this posting, and then there were some statues, of Lord Dowding and Bomber Harris, back across the River, that I wanted to check out. As I duly did.
But before all that, I did lots of photoing in the victoria Street Parliament Square Westminster Bridge part of town where I so like to photo:
Those photos are not the ones I might normally have chosen. I would have gone for more information, and less artistic impression (which quite often involves suppressing mere information thereby isolating the mere effect and making it that little bit more effective). But the light that day was so strong, and doing such amusing things that my photo-selection is strongly skewed in the direction of lighting effects and away from mere facts about statues, buildings and the like. So: lots of reflections and lots of shadows and lots of silhouettes, all of which work especially well in very strong light, and lots of light illuminating those big sheets that scaffolders like to decorate their scaffolding with these days.
Originally the photo that caught my attention was photo 12, and the original plan was just to show that one. But I soon realised that there were lots more I also felt like showing you, so there they all are. I hope that at least some coming here will be entertained.
I only seriously noticed e-scooters this year. But whenever I seriously notice something, the pattern is usually that I have already noticed it, but rather less seriously.
So it was with e-scooters. Here are the two earliest photoings of these devices that I’ve so far been able to discover in the photo-archives.
This one was spotted and photoed by me in July of last year, in the vicinity of the Tate Gallery (ancient version):
And then, two weeks later, in August, there was this, beside Victoria Dock, out east:
A piece of up-and-coming technology being driven towards some ancient tech that is now only a sculpture. When I say ancient tech, I’m talking about the lower reaches of the old dock crane there, not the ship. The ship is still a real ship. Well, nearly. It’s now a hotel. But it could surely still travel, if business would be better elsewhere. And behind all that is the footbridge across the dock, a particular favourite of mine.
My next task is to discover what e-developments suddenly made e-scooters possible, during the last five years or so? Was it just that e-motors got smaller? Was it the batteries that made the difference? Once again, the Internet falls over itself to tell me how to buy an e-scooter, but is less forthcoming about why I am suddenly able buy such a thing at all.
My taxis-with-adverts enthusiasm is no more than an aesthetically driven hobby, the way my granny used to collect ornamental plates, or so I recall it. Watching what happens to and with e-scooters during the next few years will be to watch a little slice of transport history.
I recently watched this duet rant by David Wood and, when he can get a word in, Robert Spencer. David Wood, a new name to me, is a Christian, but not the sort of Christian who believes in turning the other cheek when his enemy threatens to slap him hard enough to cause serious harm. That doesn’t work. (That this doesn’t work is one of the many reasons I’m not a Christian at all.) But Wood makes many excellent tactical points about what you are up against when you interact with seriously Islamic Islamicists.
From that, I then found my way to this snatch of video. In the latter, a bunch of scornful Christians introduce a clip of Richard Dawkins talking about whether there is any evidence he can imagine that would convince him that God exists. Dawkins says he used to say: Yes. If evidence appeared, he’d change his mind and believe in God. But then, he was persuaded that he actually cannot imagine any evidence that would persuade him of God’s existence.
As I say, the Christians are scornful. This guy freely admits that there is no evidence that would change his mind about God!
Dawkins’s position is precisely my own position. I was once challenged along the same lines. If evidence appeared for God’s existence, would I start believing in God? I said: Yes. But then, I realised that I could imagine no such “evidence” that it would not make more sense to interpret in a non-God way. An hallucination, or a trick. Or maybe an alien who seemed to me like God, but who was merely clever at creating misleading effects, perhaps based on knowing more than humans do about how the human body and mind function, by getting inside the workings of my brain.
The reason I think this way is that the idea of God, as presented to me by Christians and Muslims, makes no sense. So to interpret a clutch of “evidence” as evidence in favour this senseless idea is itself senseless. These facts must have some other non-God explanation. If the only reason to believe in God is this one little clutch of evidence, then the chances are that this evidence isn’t actual evidence either.
A theory doesn’t only have to “fit the facts”, as in a small clutch of facts that seem to contradict it. It also has to make sense. What does “make sense” mean? Something like: Consistent with everything else I know about the world. A theory must must not merely “fit the facts”. It must fit all the facts.
The history of science is full of episodes of this sort. A theory is proposed which fits a lot of facts and which makes a lot of sense, despite being radically different from what scientists used to believe. Then, some facts materialise which seem to contradict the theory. Dump the theory! You are refusing to face the facts! You are a dogmatist! But then, these “facts” turn out not to be facts, and the new theory, because of the sheer weight of the evidence in its favour, sails on in triumph. Or, if lots of other evidence piles up against it, not.
I freely admit that what I think about evidence depends on what I already think. As does what you think. Worldviews differ. This is not scandalous. It is merely how things are. To get someone to change their worldview, you have to supply lots of evidence, not just a little bit.
August 31st 2006, to be precise. I was looking through a directory of photos based on an expedition I made to St Paul’s Cathedral on August 31at 2006, and very informative they were too. I encountered several photos taken from the top of St Paul’s of London Big Things, that hadn’t yet been built. It should make a fun posting, Real Soon Now. But for right now, I want to show you a couple of photos I took once I’d got down from the top of the Cathedral, and was outside it.
Starting with this:
I think we can all agree that what I was trying to photo there was the bus, and in particular its rather fetching advert (for this). The taxi (and its advert), travelling very blurrily in the opposite direction and hence out of focus, merely got in the way.
The many other photos I photoed, at that same time, of lots of my fellow photoers tells me that I was similarly preoccupied when I photoed this guy:
This time it’s not so clear where my attention is, and is not. That taxi and its advert are in focus. It seems that there was a Motor Show at the Excel, in 2006, and this taxi was telling the world about this.
I have been wondering recently when the habit began of covering London’s famed Black Cabs with intricate and colourfully pre-printed adverts. I tried Internet searching, but the Internet is keener on telling you how to buy stuff now than it is on telling you the history of the particular stuff in question, and I still do not know. But I now know a bit better than I did before I came upon the above photos in my archives. It was definitely a while before 2006, and judging by how good the second taxi advert looks, it was quite a longish while before 2006. I had also been meaning to search through my photo-archives, for taxis with adverts that I had photoed by mistake, photos exactly like the two above. I have yet to do that, but today I did it by mistake.
Talking of buying this stuff now, London Taxi Advertising has had “a decade of experience” arranging such adverts. But I now know for sure that this has been going on a while longer than that.
It is becoming clearer and clearer to me that one of the weirdest features of what you might describe as “classic Lockdown”, Lockdown when Lockdown was at its most Lockeddown, was the complete absence of professional sport for a sports fan like me to be keeping half an eye on. Nothing. Whole months would go by with nothing of a sporting nature distracting me, either in the morning (cricket), in the afternoon (soccer), in the evening (soccer again), or in the night (cricket in faraway places). A lot of the reason why this blog accelerated around then was this total lack of sport to distract me.
Now, almost equally weirdly, we are having a spell of professional sport with no studio audiences present, but with all the electronics going strong and telling the likes of me about it all.
This morning I tuned in to the final day of test match cricket this summer, the radio version, and of course it was, as predicted, rain stopped play. So instead, they were replaying that amazing last wicket stand between Stokes and Leach that won the test match against Australia at Headingley. This was apparently exactly one year ago today. At first, they introduced this, and then everything stopped. It took me a while to work out why. It was because I can’t stand listening to cricket commentaries where they have spliced in an “atmosphere” backing. I just want to hear what they’s saying with no blatantly fictional crowd noises bolted onto the back of it. And that was why the commentary from a year ago wasn’t working. The default setting for TMS includes the fake atmosphere, and only when I switched to that did the commentary from a year ago kick in.
And I listened to that whole last wicket stand. Having already watched it a while back, on YouTube. I really like radio commentaries. And I find that I get surprisingly little more from actually seeing it on television. Oh, I do get some more, but not as much more as you might suppose. And when it came to this unique passage of play, exactly one year ago, listening to the radio version, which was what I did first time around, proved at least as gripping as watching it on TV.
I think this could be the consequence of my childhood, when radio was an option, and only later in my childhood did the telly cut in. From about six to around ten, all I had was radio, and I loved it.
Something similar happened to me with classical music on the radio. That started even younger, with my mother controlling the radio nobs, not me in my baby chair. But presumably she kept it on because I seemed to like it, and also because it is universally understood, by the sort of person my mother was, that classical music is Good For You, like green vegetables and like the ancient latin and ancient greek I was made to do at school, despite the lack of moral uplift supplied by classical music to the likes of Hannibal Lecter and Adolf Hitler.
Today I photoed this guy and his bike, with his permission:
But not his face, although he didn’t seem to mind about that.
I went to the Pedal Me website, but am still none the wiser about the exact relationship between pedal power and e-power that is going on here. What I think is happening is that pedalling does happen, but it creates electricity, and the bike itself is powered by an e-motor. But what do I know? The website is for the benefit of the sort of people who already know, or who don’t care. I should have asked this guy.
A reason I failed to was that I was preoccupied at the time, with my own health or lack of it. These photos were photoed just outside the Victoria Medical Centre, a walk away from me in Wilton Road, which I had been in to find out what was wrong with my back. I’ve had a back ache for about a week, which refuses to go away. Why? Turns out I have a back ache. As in: not a hernia or an appendix misbehaving in a way that would precipitate surgery. Just a muscle strain. Give it a few weeks and it’ll get better, said the doctor. Is walk good? Because I can still do that pretty comfortably. Yes, he said. So I will be trying, weather permitting, and I promise nothing, to be doing quite a bit of that in the next few weeks.
Because of the above, that recorded conversation between Patrick Crozier and me about The Kink has yet to be recorded. That’ll happen when it happens.
Had it not been for The Kink, there’d be no medical centre like the Victoria Medical Centre, and no complicated bicycles like the one in the above photos. Also, no digital cameras such as the one I used to photo the bicycle. So, I am grateful for large mercies, despite my back aching. But, thank goodness I don’t have to ride such a bike myself.
Yes, this is fucking amazing:
For about ten minutes I thought: this isn’t a “rant”. It’s a calmly but firmly made argument. But then, the argument having been made, it suddenly turns into the fucking rantiest fucking rant fucking ever.
I have long been hoping – really fucking hoping – that Trump doesn’t just defeat Biden, but absolutely fucking crushes him and everything he fucking stands for and is standing next to, by the proverbial fucking landslide.
It is my clear understanding that this Scott Adams rant makes this distinctly more fucking likely. I mean, everyone’s going to want to fucking see this. Fucking everyone.
The “Mainstream Media” of the USA have not been the actual mainstream media for nearly two decades now, ever since the Internet got into its stride. This piece of fucking video fucking is going to prove that more fucking completely than anything else I have ever fucking seen.
I mean, quite aside from anything else, the old ex- “Mainstream Media” would never have fucking allowed anyone to fucking say “fucking” so many fucking times, without pulling the fucking plug on him. But now fucking Scott Adams can fucking do it. And I can sit, on the other side of a fucking great ocean, and I can fucking do it in this little fucking blog posting. And nobody is going to fucking stop either of us from fucking doing it.
Roll on that fucking landslide.
Tomorrow, Patrick Crozier and I will, all being well, recording a conversation about the Industrial Revolution, aka The Kink.
Too busy re-remembering what they said to be able to write about that now.
I was in John Lewis in Oxford Street a few days ago, and despite being encumbered with two huge new pillows in a vast bag, I managed to photo this photo:
The inevitably artificial light was unhelpful and I couldn’t get far enough away to capture it all properly, because well, I just couldn’t. There was stuff behind me, stopping me. But nevertheless, there it is. It is made of wire, attached to the wall with those little plastic thingies with a single nail.
Here, purely for context rather than artistic impression, is a close-up of the plugs at the bottom of this Thing, showing the manner of this Thing’s construction:
I rather think that the idea was that the parts of this Thing made of one big wire circuit, the black wire rather than the grey wire, would be able to light up. But although that plug is in the on position, no light is manifesting itself. Ah well.
I collect graphical representations of London of this peculiar sort, often just by saving the graphic, but also by photoing (scroll down a bit there) such things. Here (scroll down again) is a three dimensional version of the same strange thing.
The strange thing being how the individual Big Things of London are always, in these graphics, or models, or (sometimes) faked photos, combined in new, inaccurate and often rather creative ways. It’s like they’re chess pieces. Hey, I wonder how Big Ben would look if it was right behind Tower Bridge! Hey, what can we see differently by looking at it through The Wheel? Let’s put the BT Tower right next to the Shard! The Tower of London next to Battersea Power Station!
I know London well, but other cities far less well. Is this a particularly London thing, or do all cities do this, in their graphic representations of themselves? I sense that London is rare in having just so many of these rare and rather quirky Things, highly individual and highly recognisable, that just beg to be played around with. But maybe lots of other big cities do the same, with all the individual and quirky Things they’ve got.